Lage hoffnungslos - aber nicht ernst
Originaltitel: Situation Hopeless -- But Not Serious
IMDb-BEWERTUNG
5,9/10
519
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuDuring World War II, a lonely German air-raid warden captures two downed American airmen and keeps them prisoner in his basement way past the end of the war.During World War II, a lonely German air-raid warden captures two downed American airmen and keeps them prisoner in his basement way past the end of the war.During World War II, a lonely German air-raid warden captures two downed American airmen and keeps them prisoner in his basement way past the end of the war.
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The premise of the ironically titled Situation Hopeless - But Not Serious is a bit zany, and that's exactly what you'll get when you watch the entire movie. A meek, friendless German man, empowered by his Nazi uniform, captures two American parachuters and keeps them in his basement in hopes of gaining their friendship. They try to sweet-talk him into releasing them so they can get back to the war, but he's determined to keep them. He feeds them well, washes their clothes, gives them regular friendly conversation, lets them listen to music, and allows regular baths and shaves if they want. At Christmastime, he even brings them a little Christmas tree. However, the movie takes a very weird turn when the war ends and he doesn't want to release his 'friends'.
Why did I watch this obscure pseudo-comedy, you ask? It was Alec Guinness's time as Star of the Week, and I happened to get my hands on this very hard-to-find movie. Imagine my surprise to see the opening credits: the two American soldiers were Mike Connors and Robert Redford! This was only his second theatrical movie, but after five years of television, he must have been popular enough to get the "and" in the credits. Because of The Great Gatsby, I'm a forever fan of his. So, no matter how silly or boring the movie got (and it got very silly and very boring) I refused to turn it off. I did nod off a couple of times during the second half, but I'm sure even Robert Redford would forgive me. Unless you really love wacky movies from the 1960s, just watch The Great Gatsby again instead, and whatever is your favorite Alec Guinness movie.
Why did I watch this obscure pseudo-comedy, you ask? It was Alec Guinness's time as Star of the Week, and I happened to get my hands on this very hard-to-find movie. Imagine my surprise to see the opening credits: the two American soldiers were Mike Connors and Robert Redford! This was only his second theatrical movie, but after five years of television, he must have been popular enough to get the "and" in the credits. Because of The Great Gatsby, I'm a forever fan of his. So, no matter how silly or boring the movie got (and it got very silly and very boring) I refused to turn it off. I did nod off a couple of times during the second half, but I'm sure even Robert Redford would forgive me. Unless you really love wacky movies from the 1960s, just watch The Great Gatsby again instead, and whatever is your favorite Alec Guinness movie.
Some excellent acting and several funny scenes but apart from that not much, I am afraid. A very weak plot, I dare say.
Another film to be avoided by those currently being traumatised by lockdown. Or simply traumatised by lousy movies.
Even those who consider themselves knowledgeable about the cinema are unaware that Robert Redford ever made a film with Alec Guinness, and when they've seen this leaden travesty of Robert Shaw's 1960 novel 'The Hiding Place' they'll know why. Saddled with a noisy music score by Harold Byrns, director Gottfried Reinhardt seldom gets the tone right, the occasional bursts of slapstick being among the unfunniest things in it.
Poor Shaw's original story could have made a great film; but he must have watched this mess between his fingers. Alec Guinness hated both Munich and the film, writing that he couldn't "act comedy any more" and dismissing himself in the film as "a sort of lifeless doll impersonating myself in 'Lavender Hill' or 'Fr Brown'".
Austria ironically would have been a more apt setting, as there have been a couple of cases in recent years of maniacs keeping prisoners in their cellars; although their victims tend to be young girls (as in the same year's 'The Collector') rather than grown men.
Even those who consider themselves knowledgeable about the cinema are unaware that Robert Redford ever made a film with Alec Guinness, and when they've seen this leaden travesty of Robert Shaw's 1960 novel 'The Hiding Place' they'll know why. Saddled with a noisy music score by Harold Byrns, director Gottfried Reinhardt seldom gets the tone right, the occasional bursts of slapstick being among the unfunniest things in it.
Poor Shaw's original story could have made a great film; but he must have watched this mess between his fingers. Alec Guinness hated both Munich and the film, writing that he couldn't "act comedy any more" and dismissing himself in the film as "a sort of lifeless doll impersonating myself in 'Lavender Hill' or 'Fr Brown'".
Austria ironically would have been a more apt setting, as there have been a couple of cases in recent years of maniacs keeping prisoners in their cellars; although their victims tend to be young girls (as in the same year's 'The Collector') rather than grown men.
Although most Americans have little knowledge of his work other than Star Wars, Alec Guinness produced an amazing body of work--particularly in the 1940s-1950s--ranging from dramas to quirky comedies. I particularly love his comedies, as they are so well-done and seem so natural and real on the screen--far different from the usual fare from Hollywood.
This movie stars Robert Redford and Mike Connors as two aviators who are shot down over Germany during WW2. They are captured by civilian Guinness who doesn't have the heart to turn them in to the Nazis. So what does he do? That's right--creates his own jail and keeps them himself!! The problem is, Guinness is a lonely man and grows to like having these prisoners in his life. So much that when the war ends, he doesn't tell them and keeps them! Where this weird movie goes from there is something you'll just have to see for yourself. However, for some inexplicable reason, this movie has been panned by many. I'm not sure why, as I enjoyed it and admire it for its originality.
This movie stars Robert Redford and Mike Connors as two aviators who are shot down over Germany during WW2. They are captured by civilian Guinness who doesn't have the heart to turn them in to the Nazis. So what does he do? That's right--creates his own jail and keeps them himself!! The problem is, Guinness is a lonely man and grows to like having these prisoners in his life. So much that when the war ends, he doesn't tell them and keeps them! Where this weird movie goes from there is something you'll just have to see for yourself. However, for some inexplicable reason, this movie has been panned by many. I'm not sure why, as I enjoyed it and admire it for its originality.
If you're an older individual or a younger one with more of a brain than most, you'll probably enjoy the humor of this film. It's not laugh out loud hilarious but it has some good performances in it. It's one of the best performances ever given by Mike Connors. Redford is good in it too and so is Alec Guinness, which should really surprise no one since he was a great actor.
But this is an older comedy that requires some intellect to enjoy it. Suffice to say, if you're a fan of Adam Sandler, you probably won't understand it.
It's also based on the first novel of actor Robert Shaw (Quint from "Jaws.") The novel is more serious than this film though, and the film was not as critically acclaimed as the novel. Many don't know Shaw was also a great writer as well as a great actor. He even wrote "The Man in the Glass Booth," one of the most famous plays ever written.
But overall, it's a fun story and a very original idea.
It's interesting to note that later on, Shaw and Robert Redford's names would be linked up again when they both appeared in the film "The Sting." And Alec Guinness also has worked with Shaw on stage in different plays.
But this is an older comedy that requires some intellect to enjoy it. Suffice to say, if you're a fan of Adam Sandler, you probably won't understand it.
It's also based on the first novel of actor Robert Shaw (Quint from "Jaws.") The novel is more serious than this film though, and the film was not as critically acclaimed as the novel. Many don't know Shaw was also a great writer as well as a great actor. He even wrote "The Man in the Glass Booth," one of the most famous plays ever written.
But overall, it's a fun story and a very original idea.
It's interesting to note that later on, Shaw and Robert Redford's names would be linked up again when they both appeared in the film "The Sting." And Alec Guinness also has worked with Shaw on stage in different plays.
Wusstest du schon
- WissenswertesThe title is a variation of an old Viennese saying; "The situation is desperate, but not serious." A direct influence on the title comes from Billy Wilder's Eins, zwei, drei (1961). In it, James Cagney coaches Horst Buchholz to tell Buchholz's American father-in-law that the situation is "serious, but not hopeless." A flustered Buchholz tells his father-in-law, "The situation is hopeless, but not serious."
- PatzerThe opening shows B17s flying over Germany in 1944 but the aircraft from which the 2 parachutes appear is a C130 Hercules aircraft which didn't fly until 1954.
- Zitate
Wilhelm Frick: Americans cannot be happy without freedom. In Germany, we never had freedom. Therefore, we have philosophy.
- VerbindungenRemake of Playhouse 90: The Hiding Place (1960)
- SoundtracksSituation Hopeless But Not Serious
(uncredited)
Music by Leon Carr
Lyrics by Earl Schuman
Sung by Mady Rahl
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- 1 Std. 37 Min.(97 min)
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