Sugarfoot

Will Hutchins (as Sugarcoat Tom Brewster) is not one's idea of a leading man, action hero or western star, but maybe that doesn't matter. His boyish charm is no different from Peter Falk's charade as Columbo or Peter Seller's nonsense as The Pink Panther. What makes the show fun is its humor (often passed off as naivety), the on-location scenery, and the appearance of many of the well-known character actors of the time, along with guest stars long before they reached their prime.

The story lines are unusual. Some are touching, some violent, and many offer a message in morality and justice (the lead character is an extremely moral and just person). Some nice bits of history are thrown in, too, with references to the prejudices of the time, including toward Indians (Native Americans) and Blacks. And the treatment of women; many of the episodes feature strong women.

All in all, justice prevails--as you would expect--but the stories leave the viewer feeling good.

For the first time in decades, as far as I know, "Sugarfoot" is being rerun in rotation with "Cheyenne" and "Bronco," just as it did when the show originally aired. "Maverick" is also being rerun in the preceding slot. Of the four, "Maverick" is clearly the superior series, deserving to have won the only Emmy Award in the category of "Best Western." Do not be fooled by the Mel Gibson movie of the same name; in comparison to the original it fails almost as badly to capture the magic of the series as Will Smith's "Wild, Wild West" failed to capture the magic of television's "The Wild, Wild West."

Of the three remaining series, "Cheyenne" and "Bronco" are almost interchangeable, which as I'll explain below, makes sense. "Sugarfoot" stands out because of the protagonist's, Tom Brewster, aversion to carrying a gun and his lackadaisical desire to avoid trouble; "Sugarfoot" is "Destry Rides Again" brought to television unfortunately without James Stewart. Will Hutchins isn't bad in the role, but he just isn't dynamic enough, in my opinion, to carry what essentially is an anthology series, the location and supporting cast changing with every episode. Had Warner Bros. allowed Brewster to have stayed in one place and cultivated a supporting cast around him, the show could have easily lasted longer than four seasons.

Regarding the earlier post's statement of how "Sugarfoot," "Maverick," et al. originally aired, here's the correct version (all of the on the U.S. network, ABC):

1955-1956: "Cheyenne" premieres on Tuesday at 7:30 (EST) (and where it will stay until 1959) as one of three series in rotation under the umbrella title, "Warner Bros. Presents." The other series were "King's Row" and "Casablanca"; all three were based on earlier Warner films. "Cheyenne" was the most popular and avoided the cancellation the other two received at season's end.

1956-1957: "Cheyenne" runs in rotation with "Conflict." This new show was a true anthology, with cast and setting different each episode. It was canceled at the end of the season.

1957-1958: "Sugarfoot" premieres in rotation with "Cheyenne."

"Maverick" premieres on Sunday at 7:30 (EST). After a few episodes, production of "Maverick" fell behind schedule; it took eight days to produce an episode when, I believe, each was supposed to take six. Westerns just took longer to produce which is why "Cheyenne" ran in rotation in the first place. To compensate for the slow delivery of "Maverick" episodes, a new character, Bret Maverick's brother, Bart, was added and episodes centering on him were rotated with Bret episodes.

1958-1959: "Cheyenne"/"Sugarfoot" in rotation on Tuesday, "Maverick" continues on Sunday. Maverick will win the "Best Western Series" for this season of shows.

There is a big change regarding "Cheyenne" this season. The star, Clint Walker, refused to work because of the unfavorable terms of his contract, which among other things required Warner to pay him only scale, while Walker was required to give Warner 50 percent of all personal-appearance fees he received. Warner was not ready to give up a hit series and replaced Walker with Ty Hardin, who played Bronco Layne, who was essentially the Cheyenne character with a different name.

1959-1960: Walker returns and "Cheyenne" moves to Monday at 7:30 (EST) where it rotates with "Shirley Temple's Storybook."

Hardin is rewarded for being a team player and stars in "Bronco," which rotates with "Sugarfoot" in the Tuesday at 7:30 slot.

"Maverick" remains on at 7:30 on Sunday.

1960-1961 "Cheyenne" is joined by "Sugarfoot" and "Bronco" at 7:30 on Mondays. However, now instead of each being individual series, all are listed under the umbrella title of "Cheyenne." If you watch any of these programs in syndication, you can tell when the "Cheyenne" umbrella starts: Rather than each having an individualized end card over which the credits ran, there is a unifying one showing full figure silhouettes of the three leads sitting on horses. "Sugarfoot" is canceled at the end of the season.

"Maverick" continues Sunday at 7:30. However, James Garner, Bret Maverick, refused to work for the reasons Clint Walker had a few seasons earlier, but unlike Walker, Garner didn't return (though he would return to the character in 1978 and 1981). Jack Kelly, playing Bart, did stay as replacements for Bret were tried, including Roger Moore as cousin Beau and Robert Colbert (who resembled Garner from a distance) as never-before-mentioned brother Brent.

1961-1962 "Cheyenne"/"Bronco" at Monday, 7:30. (End card altered to reflect just the two programs.)

"Maverick" remains on Sunday, but airs an hour earlier at 6:30 (EST). A handful of new Bart episodes aired along with reruns of episodes featuring Bart or Bart & Bret. The show was canceled at the end of the season.

1962: "Cheyenne" returns alone for the fall and then is canceled in December.

I'm sure WB's writers were attempting to create a unique, if unlikely hero. The clean-cut boyish good looks were exactly what they were looking for. There were plenty of tough guys-Paladin, Bronco Lane,Rowdy Yates, etc. There were a couple of clever and slightly cowardly con men: Bart and Bret Maverick. What there was not was a nice, clean-cut kid to stand against evil-until Sugarfoot sauntered onto the scene, that is. The challenge, of course, was for this young kid to defend us from evil once a week for four years. It was the classic "Clark Kent/ Superman" formula except that there were no phone booths in the Old West !

Thanks to the folks at my cable provider, I am able, once again, to see a few of the shows that emanated from the Warner Brothers Television 'boilerplate', namely, 77 Sunset Strip, Hawaiian Eye, Maverick, and, Sugarfoot. Watching them was a fond memory for me, and THIS is the type of television that I will always remember. An attractive ensemble cast for each program, and the songs by Mack David and Jerry Livingston (the former-named is the brother of Hal David of that 'other' songwriting ampersand), and the opening and closing artwork (the opening was in lowercase letters, the closing had initial capital letters, at which time the respective theme songs were sung by a fine group of studio singers).

What a pleasure to see these shows again. Let's get THESE on DVD.

There's no doubt Warner Brothers were the King of TV westerns in the late 50's to early 60's. My two favorites in the hour format were 'Cheyenne' and 'Sugarfoot'. Will Hutchins was a handsome, innocent looking 'boy next door' type who didn't fit the usual mold of tough westerner, and that's what fooled people, especially the baddies, because when he had to , he could out draw and out punch with the best of them! Therein lies the charm of this show, and Will Hutchins pulled it all off with great skill. He was a cowboy we could relate to! Pity he wasn't given more chances later, he could have played the type of roles that James Stewart, Robert Cummings or Fred MacMurray used to in their heydays! But at least, thanks to DVD's and the grace of Warner Brothers, he'll forever be Tom Brewster, the beloved 'Sugarfoot' in 69 little movies! Also had one of the best theme songs too! By the way, I may be the only one, but I also loved 'The Alaskans'. Hope they put that onto DVD as well!