Red Nightmare

Jack Webb takes an average white American male, husband and father of two, into a vision of what America might be like under Soviet control.

Heavy-handed and one-sided, this propaganda one-reeler has Jack Webb's thumbprints all over it. Rumored to have been bankrolled by a US Government agency (you pick one), this film runs almost like a right-wing answer to "The Twilight Zone", as if to confront TV pioneer Rod Serling's liberal-left musings.

It may have shocked people in it's day, and will probably enthuse those who still look for Commies under the bed, but now, it's a camp classic, reminding us of how paranoid we were (and, by the way, how paranoid the Soviets were about the USA!).

I've been showing this Cold War chestnut to my Constitutional Law students for at least fifteen years. I screen it during our examination of First Amendment cases from the 50s and early 60s. That was when the Supreme Court initially upheld convictions of leading American communists (mostly older, suit wearing and essentially harmless types). Increasingly alarmed that First Amendment freedoms were being sacrificed to fears of a "putsch" that never seemed to be imminent or even real, the Court began overturning convictions while simultaneously expanding free speech protections.

The older students remember the times but most are in their early to mid-twenties and they can't believe tax dollars paid for Jack Webb, employing his best "Sergeant Friday" monotone, to warn Americans about the danger of taking freedom for granted and ignoring the threat of insidious Soviet subversion.

What gets the most laughs are the domestic scenes where "Father Knows Best" is hijacked to deliver the political message. The housewife is a stay-at-home who is assured by her laid back husband that she's no worse a nag than most spouses. The kids are just so adorable. Even the teenage daughter determined to marry her sweetheart can't mount more than a mild sullenness when dad objects to an early marriage. Sheesh!

Hubby's "Red Nightmare," his night of a bad dream, gives a good portrayal of the 1950s view of how the Communists - domestic and conquering - would wipe out all our freedoms. Reflecting the fears that swept Hollywood in the age of HUAC and Mc Carthy, the viewer is assured that this very important film was produced under "the direct supervision of Jack L. Warner."

If you want to really get a flavor of that fear-laden time, check out http://www.conelrad.com.

I could not remember the name of this movie. I saw this about 35 years ago in 1971 and never did know the name of the movie. I was in a very small town in Colorado (Rangely) and the movie makes one think of a small town being infiltrated by terrorists. Well, it's 2006 (August) and we have another wave of xenophobia spreading across the country. I love Jack Webb even though he exemplifies true patriotism and love of country. I served in the military in the Persian Gulf War and believe in defending this country from attack. I have read several of the reviews and many of the readers attack Webb as being too right wing and zealous. But people, this was his nature to begin with. Look at all of his productions (Dragnet, Adam 12, Emergency) and he believed in the USA and also his generation lived to defend the country. He was essentially, 'America's Greatest Generation' and he believed in the country. We live in a different era now and generations question loyalty vs. right wing fervor. Jack Webb was caught up with loyalty to American and it's institutions so give this movie a break and view it as harmless. But bear in mind the 80/20 of the Army. 20% defending freedom for 80% who don't really care!!! Mark Lockwood, Lubbock Tx...

I suppose it's to be expected that this film laid on the anti-Communism a bit thick. Red Nightmare was a film for our Armed Services that Warner Brothers produced on their lot which utilized a whole lot of familiar faces from their television shows. Jack Webb in his patented staccato style narrated the film where Jack Kelly plays Mr. Average American who takes his American way of life quite for granted.

The funny thing is that I have no real problem with films encouraging greater citizen participation. Where folks might differ is the result of said participation. Nor do I have a problem with anti-Communism either as long as it doesn't involve persecution of people whose opinions are to the left of the then president of the United States when this film was made.

But this film ratcheted up the paranoia scale to unbelievable heights. We see Kelly in his daily life with wife Jeanne Cooper, daughter Pat Woodell and two other younger kids and Woodell's boyfriend Peter Brown. Job, family life are just stuff Kelly takes for granted.

But at night Kelly has an It's A Wonderful Life type dream as he sees his same life after a People's government has taken over the USA. And there's no angel named Clarence to get him out.

As there are a few survivors left from the cast I wonder how many of them feel about this film seen today.

The government ID and title are" AFIF 120 "FREEDOM AND YOU" AFIF stands for Armed Forces Information Film. Shot on Universal backplate including famous City Hall steps from Bye Bye Birdie and City Square shots from "Back to the Future" series. Only thing film missing is Ann-Margret and Michael C. Fox! Peter Brown actually tries to act and Jack Kelly, he of "Bart Maverick" fame overacts wildly. If you look hard you see Beaver's neighborhood too!

Jack Webb looks solemn and oh so sincere. Film ends with shots of everything that was wonderful in 1962 America. Rioting scenes from unidentified countries. Film is good for a few laughs due to it's overtly simplistic examination of Communism.