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THE ONE THAT GOT AWAY (not to be confused with the low-rent Chris Ryan Gulf War story) is a black and white British wartime thriller with an unusual premise: the hero is a German captured by the British and determined to escape from them at all costs. The film has the hook of being a true story and turns out to be unmissable viewing.

I admire the guts of the guys at Rank to make this film in the first place; they must have questioned their audience's willingness to respond to and even sympathise with one of the German 'bad guys' a mere twelve years after the end of WW2. To his credit, Hardy Kruger doesn't go out of his way to make his lead character likable; however, he is driven and polite, refusing to resort to violence in his bid for freedom, and that's what makes him such a great character.

In addition, THE ONE THAT GOT AWAY has one of those excellent thriller set-ups in which every moment of the film is devoted to the thrills and suspense; no time for padding here. Roy Ward Baker contributes some of his finest directorial work, and the supporting cast of Michael Goodliffe, Terence Alexander, John Van Eyssen (DRACULA) and even 'ALLO 'ALLO's Richard Marner add to the overall experience. In fact, THE ONE THAT GOT AWAY is something of a minor classic...

"The One that got away" is an outstanding World War Two adventure, based on the legendary exploits of Franz Von Werra - the only Luftwaffe Officer to escape from Allied captivity.

The film is now considered by many to be something of a minor classic, and it really isn't difficult to see why.

What particularly impressed me, was how Roy Ward Baker managed to create a genuine empathy between Von Werra (brilliantly portrayed here by Hardy Kruger) and the audience without resorting to cliché or racial stereotyping. Accepted, Von Werra may be representing one of the most vile regimes in history but you desperately want him to succeed, and it's real edge of the seat stuff to see if he can pull it off.

Head and shoulders above most other British war movies produced during this era, it just gets better and better every time I see it.

I'm somewhat biased about this film - which really is a great piece of story telling - because my Dad was in it! He was doing his National Service at the time the film was made, and the Army provided squaddies as extras in the search scenes.

When Von Werra is captured in a boggy patch my Dad is the corporal who provides a spare poncho to keep the German officer warm. He even has a line... "Yes, I've got one Sir." or something to that effect. Last time the film was shown in the U.K. his speech was rather badly edited out, much to the dismay of his loyal following.

I think the film works really well at putting you on the side of the captive, so that even watching from a partisan British perspective it is hard not to want him to succeed in outwitting his gaolers.

The only flaw for me is the slightly romanticised crossing of The St. Lawrence. By this stage the director is going for such a sympathetic depiction of Von Werra that he seems almost childlike. I think Von Werra was a sufficiently capable media manipulator for his version of events to have percolated down into the film. He wanted to be seen as a romantic, chivalrous hero but maybe he was tougher and more ruthless than he would have us believe?

Overall a great story, based on real events and characters, with some wonderful film making. Watch it, and watch out for my Dad!

Had this film on VHS tape, and it's quality was so-so. Just bought the new MGM DVD of The One That Got Away and it's a great improvement. The opening scene of Von Werra crashing his Me-109 was re-created real well. The side marking are just like in the old war photos. One small blooper on the full size crash mock-up of the Me-109: Von Werra opens the canopy and gets out...on the right side. All Me-109 canopies were hinged on the right side, forcing the pilot to get out on the left side. On a historical note, the British wanted Von Werra back because he knew too much of the British methods of De-briefing German pilots, and that the British had broken the Luftwaffe fighter codes. On returning to Germany, with Von Werra's help, the Luftwaffe changed their codes, and set up and copied the same methods the British used for De-briefing shot down aircrews. A special camp was set up at Oberusel(just outside Frankfurt). All Allied aircrew were first sent there before they went to a air force POW camp.Von Werra died shortly after taking off, and flying over the North Sea. His wingman noted sudden smoke, and the plane went straight into the sea. There was a problem with the engines on the new Me-109G models, and a number of German pilots lost there lives as a result.

I first saw this movie as a child in my small local cinema. It had a profound effect on my (and my friends) attitude to the German people, (remember that this was only 12 years after the war) Our whole concept of Germans as 'nasty baddies' was turned on its head. It was probably the first step (I was six years old) in my realisation that things are not black or white. The scene with Hardy Kruger hiding from his pursuers behind a stone wall wearing flying boots is still etched in my mind more than forty years later