The Quiet Gun

Director William F. Claxton wastes no time in starting "The Quiet Gun," a modern-ish western with lots of story and dramatics and personal conflict, and not so much gun-play.

Excellent performers take a taut story and render it believable and exciting.

As a long-time fan of Forrest Tucker, I believe he has never given a better performance. He is smooth, controlled, even nuanced, and makes us, the audience, completely on the side of his character, Sheriff Carl Brandon.

Jim Davis plays his friend, Ralph Carpenter, who is lured into a ridiculous situation, certainly by Old West standards, but, remember, the city attorney is one of those blue-nosed Easterners, played very well by Lewis Martin (a really interesting name, considering that Jerry and Dean were at about the peak of their team effort).

(I do have to question, though, whether a city attorney would actually have any jurisdiction out in the ranch-lands, but that really isn't important. It's more important to accept the flow of the action, and question the script only afterward.)

Jim Davis, another of my favorites, is not on screen very much, even though he's third billed. But he is a strong presence when he is there.

Hank Worden gets a chance to shine, and he too shows himself to be more than a character: He's a character actor. Great performance by him.

The two women are pivotal to the story, especially the one played so beautifully by Mara Corday, but they are also not on screen much.

Of course we must mention Lee Van Cleef, who had a most fascinating career. His last years saw him as a major TV series star and a very highly paid movie performer, especially of Italian westerns. And he deserved every penny.

There is a relevant lesson in this story: The town council is composed of some rather rascally and self-aggrandizing men, not so foul or corrupt as, for example, the city councils of Los Angeles or Chicago, but enough power-lust is in them to create the conflict that finally results in several deaths.

Sheriff Brandon is savvy enough to know that some laws should not and can not be enforced, but the power-lusters and the busybodies over-rule him, resulting in the tragedies.

Even beyond some superb performances, especially by Forrest Tucker, this story is enough to grab an audience and leave us tense and torn, right until the end.

I highly recommend "The Quiet Gun," available at YouTube in a very good print but, alas, interrupted several times by intrusive -- though brief -- commercials.

To tell you the truth, I really wasn't expecting much out of this picture. William F. Claxton was an undistinguished director. Regal Films was 20th Century-Fox's low-rent "B" unit, and I didn't know anything about writer Eric Norden's work. The main reason I watched it was because it had three of my favorite western actors--Forrest Tucker, Jim Davis and Lee Van Cleef.

Imagine my surprise when it turned out to be a well-written, tightly directed, extremely well acted, solid little "B" western with a lot to recommend it. Norden's script is thoughtful and thought-provoking, showing the consequences of mob rule and how "morality" can be manipulated by those who neither have it nor care anything about it. Tucker, who had a tendency to be blustery, gives a very controlled, sympathetic performance as a sheriff whose love for his friend's wife conflicts with his duty as a lawman. and has to go up against a town which is basically one big lynch mob. Davis actually doesn't have all that much screen time, but as always makes the most of what he has. Claxton's direction is tight and controlled, and there are several plot twists that are nicely handled.

A surprising, intelligent, well-made little "B" western, it's not full of gun-blazing action--although there is some--but is a good story told well. Highly recommended.

Sheriff Carl Brandon must uphold the law and prevent a lynching when his best friend is accused of murder and immorality by the townsfolk.

It's amazing how the western ingredients featuring a stalwart sheriff, the corrupt clique in the town, the alternative good citizens, gunfights, posses, vigilantes, a lynching can be framed efficiently into an75 minutes film. In addition to this, there is a strong undertone of racism. It's a thoughtful western with strong themes and great acting -Forrest Tucker takes lead with his calm, nonplussed tough style. Jim Davis plays a rancher and Tucker's friend and is dependable as ever. Lee Van Cleef, none surprisingly plays a villain and a fierce one at that, and Hank Worden, always fun to watch, lightens the edgy and serious tone as the deputy of the sheriff. Mara Corday and Kathleen Crowley don't have much screen time but they are just fine. An above average western.

`The Quiet Gun' is a rare sleeper in the Western genre. Though certainly not a great film, it is good enough to warrant a look. It is difficult to believe Forrest Tucker didn't have a bigger career than he did, since he shows us some pretty good work here. At the beginning he even delivers a memorable one-liner to the nonsensically aggressive Lee Van Cleef (bullying Hank Worden – named Sampson here, but playing Mose nonetheless) when Lee tells him to mind his own business. Casually revealing his badge, Tucker retorts `It is my business.' And so sets the tone for the remainder of the film.

Tucker, as Sheriff Carl Brandon, is being pressured by the local powers-that-be to `do something' about a rancher (Jim Davis as Ralph Carpenter) allegedly living with an Indian woman (Mara Corday as Irene). Personally dead set against any notion of taking any action, and advising others to mind their own business as well, Brandon must strike his own way as the story progresses. His biggest foes, it turns out, are the officials of the town – one has criminal intentions, the others invoke hatred and the public will as mandates to fan the flames of what might have been a non-event otherwise.

Director William F. Claxton certainly made his mark in subsequent years on the small screen. Most notably he directed many episodes of `Bonanza' but also had a hand in `The Rifleman', `Yancy Derringer', `Gunsmoke' and `High Chaparral'. His diversity is illustrated by having made one `Route 66' and four `Twilight Zone' episodes as well. But most definitely his horror opus `The Night of the Lepus' lives on in memory, now having not terrorized three generations of unsuspecting viewers. A nice one line review is attributed to Shane Burridge on Rotten Tomatoes (`A failure on every level').

There is an underlying grim note to the proceedings in `The Quiet Gun'. Tucker hardly ever smiles, Lee Van Cleef smiles but no one feels comforted for it and the outcomes of several situations are unpredictably harsh. But there are enough plot developments of humorless persuasion, including a courtroom scene near the end, to cast the story in somber tones. But no preaching is ever heard; Claxton prefers to tell the tale and let you make your own conclusions, which is high art in Westerns of the Fifties.

Rating: 3 Stars.

Twentieth Century Fox created a subsidiary in the mid 1950s to release films it deemed not good to enough to release under its banner. Regal Pictures, like Fox, released most of its films in wide screen, using "Regalscope," which appears technically indistinguishable from Cinemascope. Ironically, most of Regal's output was as good or better than the B movies from Fox. "The Quiet Gun" is no exception, with fine performances from Forrest Tucker and Jim Davis and some surprising plot twists which lift this movie from the humdrum. Tucker plays a sheriff who must reluctantly pursue his friend (Davis), after Davis kills a busybody "district attorney" in self defense. Mara Corday and Kathleen Crowley provide the eye candy and Hand Worden plays the comic relief in a role similar to that of Walter Brennan in "Rio Bravo".

ENCORE's WESTERN CHANNEL shows the movie in full screen, which is a shame. Several effective scenes are undercut by the aspect ratio conversion. Still, "The Quiet Gun" is worth watching, if only to see Lee Van Cleef with a full set of hair. I rate it a "6".