Die Rache der schwarzen Spinne

I remember the newspaper ads for this as a kid. They showed a hideous spider with the head of a skull, and the tagline: It must eat you to live! Talk about giving a kid nightmares. Never got to see it at the theater but got the videotape and, while not as good as Tarantula, it comes pretty close. Mr BIG (Gordon) always had a knack for getting decent character actors, and he has good ones here, except for the teenage male lead who is pretty lame. He also knew how to keep the story clean and simple, fast-paced and interesting, without much superfluous material to bog down the action. Usually his films were hard-pressed to get to 90 mins, no filler material in them. If you are able to forgive the effects limitations of the times and of the budget, you will enjoy this and not feel that you've wasted your time. And keep your eye out for JOE, the thirty year old high school student!

Somehow I'd missed seeing this AIP '50s monster flick, so I recently gave the new Lions Gate R1 DVD a spin. It's rightly considered a rip of Universal's TARANTULA, but this still turned out to be brisk and enjoyable, and a lot of cheesy fun. When a young girl and her boyfriend search for the girls' missing father, they stumble across a giant spider's cave and, naturally, the monster eventually crawls around town. Better-than-average special effects for this type of cheapie, with some surprisingly vivid shock moments and the required helping of some typical teenage 1950's rock n roll music. Gene Roth is a hoot as the doubting sheriff, and there are some shameless plugs for some of Bert I Gordon's other pictures like THE AMAZING COLOSSAL MAN and ATTACK OF THE PUPPET PEOPLE. *** out of ****

When you sit down to watch a Bert I. Gordon picture, you know you're in for a bad movie.

And, knowing that you can have a real good time.

The story is about a giant spider that attacks a town. No more need be said about the plot. The acting is horrendous. It's awful inconsistent too, half the time the characters do really dumb things, and half the time (well part of the time) they are actually smart too. That's the bad news, here's the good news, it is fast paced and fun. While the movie came out the same year as "The Blob", and both movie feature "kids" (AKA teenagers) who first witness the monster, in "The Blob" nobody believes the teens until it's too late. Not in Earth vs. the Spider! At least some of the adults totally accept that there is a giant spider on the loose, right from the get go. And that's what you, the viewer have to do here to - there is no explanation for what caused the giant spider, or why there are no other giant spiders, it just is, and you have to accept it. It also features a great rock and roll number, effects that run the gamut from real cheesy to real impressive, the world's oldest teenager, "hep" 50s dialogue, a theremin soundtrack and "spider noises"!

At just 73 minutes, it never gets dull, it's up there with some of the best so-bad-it's-good movies ever made. So grab some friends and a 12 pack, and check out this - the original 1958 version of "Earth vs. the Spider"!

There are few film genres which can evoke such a wonderful sense of vintage entertainment as classic monster horror films. Whether perused in more depth to explore resonant themes and cultural tie-ins or simply taken at face value for comically poor dated special effects and pulpy entertainment, the particular cocktail of entertainment offered by almost any given similar film from the era is unlikely to disappoint - and Earth vs. the Spider is no exception. Despite a somewhat misleading title (then again, 'Small Rural American Town vs. the Spider' does lose some dramatic flair), the film's small, self-contained scope proves to be its greatest advantage, with few more profound aims than to entertain, and, despite whatever other faults, almost unwavering dedication to that front.

While firmly ensconced in genre conventions, the film's tongue in cheek tone promotes such a wholesome sense of enjoyment that such clichés feel warmly familiar rather than suffocatingly so. Like many of its contemporaries, the film explores notions of adults versus teenagers (one particularly comical yet chilling scene has the titular creature awoken by a rock 'n roll song and dance interlude) and science versus good old fashioned American values, though the film is politically correct to not outright condemn scientists as nonsensical lunatics as many other such films do. Similarly, the much alluded to cause for the spider's abnormal growth is crucially never discovered, feeding into cultural notions of post-war nuclear paranoia. However, the film boasts surprisingly strong production values (the spider's cave is a wonderfully grotesque setting) and above par special effects given its inevitably low budget, and again manages to bend convention to its advantage through use of an eerie theremin score, giving it a sturdy enough veneer to make for a surprisingly entertaining 73 minutes.

Despite the cast's typically universally flat performances failing to infuse much life into the shoddy script, one would hardly peruse such fare for the acting, making the cast's lackluster efforts endearingly amusing. Ed Kemmer interestingly melds the 'scientist voice of reason' and 'charismatic protagonist' figures into a single character, and feels all the more fresh and appealing because of it. June Kenney is often embarrassingly and comically melodramatic as a teen mourning her missing father, and Eugene Persson counterbalances her overacting with a dull, unenthusiastic performance as her earnest, "gee whiz" boyfriend. Gene Roth delivers many an (intentionally) comical moment as the town's ineffective sheriff, who also intriguingly shifts roles into a voice of reason figure later on.

Despite a slew of expected faults given its genre, Earth vs. the Spider is never less than supremely entertaining, making for a wonderful comedy (intentionally or not) and easily worth investigating for any fans of classic horror, or those willing to derive amusement from envisioning how frightening it must have been to 1958 audiences, or simply ridiculing it throughout.

-5/10

Bert I. Gordon's 1958 "Earth vs the Spider" was the director's seventh and last sci/fi effort of the decade, after which he branched out into teen fantasy ("The Boy and the Pirates," "The Magic Sword," "Village of the Giants"), straight horror ("Necromancy," "Burned at the Stake," "Satan's Princess"), and psychological dramas ("Tormented," "Picture Mommy Dead"). A giant spider had been a Universal regular with "Tarantula" and "The Incredible Shrinking Man," so the only surprise is that Gordon was bringing up the rear on this occasion. The search for a missing father reveals him to be the latest victim of a hungry eight legged monster living in a nearby cave (New Mexico's Carlsbad Caverns in fact, plus reliable Bronson Canyon), capturing its prey using a thick strand of silk spun across the highway. A bout of DDT seemingly renders it harmless, the local high school professor allowed to showcase the remains in the auditorium, only for the creature to come back to life during a rock 'n' roll jam. Nothing can stop its journey back to the cave, where natural elements must be used to destroy it once and for all. There are plugs for both "The Amazing Colossal Man" and "Attack of the Puppet People," and the picture succeeds better than most Gordon fare despite the absence of a reason for the spider's outsized existence. It's certainly not as good as either of Universal's classics, and the director would reuse the idea briefly for a scene in his 1965 teenage romp "Village of the Giants."