IMDb-BEWERTUNG
6,1/10
373
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuDuring the 1950s in a small German town, high school Professor Immanuel Rath falls in-love with a young cabaret entertainer, with dramatic consequences.During the 1950s in a small German town, high school Professor Immanuel Rath falls in-love with a young cabaret entertainer, with dramatic consequences.During the 1950s in a small German town, high school Professor Immanuel Rath falls in-love with a young cabaret entertainer, with dramatic consequences.
Curd Jürgens
- Professor Immanuel Rath
- (as Curt Jurgens)
Edit Angold
- Emilie, Rath's Maid
- (Nicht genannt)
Carmen Austin
- Chorus Girl
- (Nicht genannt)
Brian Avery
- Ansbach, Student
- (Nicht genannt)
Al Bain
- Club Patron
- (Nicht genannt)
Brandon Beach
- Club Patron
- (Nicht genannt)
John Bleifer
- Blue Angel Proprietor
- (Nicht genannt)
Ilse Burkert
- Chorus Girl
- (Nicht genannt)
James J. Casino
- Club Patron
- (Nicht genannt)
Jack Deery
- Club Patron
- (Nicht genannt)
Empfohlene Bewertungen
10rudy-46
There are not many remakes that can hold a candle to the original but this one is an exception. A well made production with fine performances from Jurgens and May Britt, who shines as showgirl Lola Lola. Ms. Britt did a wonderful job recreating the old Dietrich role and in my opinion was much better.
This is one remake that is better than the original, even though that original is one of the classics of world cinema. This remake is also fundamentally different. In the original, Lola Lola was the main character. Not only that, but the professor was just a buffoon. Neither character was particularly appealing. Lola was cruel. The professor was a fool.
In the remake, the professor is the main character and he is treated realistically. (I suspect that this is truer to the Heinrich Mann novel also.) The professor teaches biology, and for years has taught his boys about the birds and the bees--literally, without having a clue of the feelings associated with those birds and bees. Then, he sees Lola and is bowled over. It is easy for her to seduce him. The next morning, he, being a German gentleman, proposes marriage to her. She is touched and flattered and accepts. The school where he teaches is outraged and orders him to give up this plan, but the professor remains true to his intended. He is fired. He tries to get a position elsewhere, but all schools are closed to him. Soon, he has spent all his savings and he and Lola are reduced to poverty. Lola goes back to the cabaret job and supports him. Soon, the management demands that the professor stop being a sponge and earn his keep. ...
I won't tell you the rest of the story. It is dramatic and moving. This is the definitive version of this story. Lola and the professor are sympathetic, and the movie is far more moving. The production values are high and the movie is in color. When will the owners of this movie see fit to put it on DVD?
In the remake, the professor is the main character and he is treated realistically. (I suspect that this is truer to the Heinrich Mann novel also.) The professor teaches biology, and for years has taught his boys about the birds and the bees--literally, without having a clue of the feelings associated with those birds and bees. Then, he sees Lola and is bowled over. It is easy for her to seduce him. The next morning, he, being a German gentleman, proposes marriage to her. She is touched and flattered and accepts. The school where he teaches is outraged and orders him to give up this plan, but the professor remains true to his intended. He is fired. He tries to get a position elsewhere, but all schools are closed to him. Soon, he has spent all his savings and he and Lola are reduced to poverty. Lola goes back to the cabaret job and supports him. Soon, the management demands that the professor stop being a sponge and earn his keep. ...
I won't tell you the rest of the story. It is dramatic and moving. This is the definitive version of this story. Lola and the professor are sympathetic, and the movie is far more moving. The production values are high and the movie is in color. When will the owners of this movie see fit to put it on DVD?
I have seen the movie exactly one time, shortly after it came out. At the time, I had never seen the original version, nor did I know anything about the story. The Blue Angel was the 2nd movie of a double feature, and I almost didn't stay for it! The story is an old German folk tale, but it is so reflective of what can and does happen in life. A big regret, for me, is that the May Britt version has, as far as I can determine, never been put on video tape or disc. When I, finally, got to see the old, original movie, I thought it was very poorly done -- corny humor in places where I didn't feel it was appropriate. I'm surprised at the fame the original created and the lack thereof for the remake. - bearandgrinnit
Curt Jurgens is magnificent! I don't even remember watching Mai Britt as LOLA-LOLA as I was so enthralled with Jurgens' performance. He was absolutely marvelous! Catch Curt in the movie he stars with Ingrid Bergman, as a Chinese warlord. And also in "Mephisto's Waltz" with Alan Alda. Curt is an all consuming and ultimo actor.
And the fact Curt Jurgens was in a Nazi prison camp for one year at the end of WWII and survived is amazing. What a story he has lived. What he could have told of his life. There is also a website where Curt tells of his near-death heart attack in which he was experiencing the "out and in" of death, whilst demons were grabbing at him to take him away from the living. Fantastic!
BOYD
And the fact Curt Jurgens was in a Nazi prison camp for one year at the end of WWII and survived is amazing. What a story he has lived. What he could have told of his life. There is also a website where Curt tells of his near-death heart attack in which he was experiencing the "out and in" of death, whilst demons were grabbing at him to take him away from the living. Fantastic!
BOYD
Unnecessary remake that gets most of what made the original distinctive wrong.
While May Britt is a very pretty girl she possesses none of the magical allure nor cheap commonness that Marlene Dietrich brought to the part of Lola-Lola. Without those essential elements explaining her ability to ensnare the professor so utterly that he throws his life away on her the picture has an empty center. Also updating the setting to the 50's removes the air of decadent decay that hung over the first's Weimar Germany.
There are some good things chief among them Curd Jurgens's lead performance. His slow slide into degradation is compelling and he's the reason to see the film but Dmytryk's direction is listless and therefore the film is uninspired.
Interesting to see John Banner who was best known as the simple-minded Sgt. Schultz on Hogan's Heroes cast here as an erudite educator. He's also quite good in his small role.
A foolish decision to remake something so closely associated with one particular legendary figure. A losing proposition from the start, something that Marilyn Monroe, Spencer Tracy & Fredric March-all of whom were offered the roles first and rejected them obviously realized. Why bother when you know from the start your film will never measure up.
While May Britt is a very pretty girl she possesses none of the magical allure nor cheap commonness that Marlene Dietrich brought to the part of Lola-Lola. Without those essential elements explaining her ability to ensnare the professor so utterly that he throws his life away on her the picture has an empty center. Also updating the setting to the 50's removes the air of decadent decay that hung over the first's Weimar Germany.
There are some good things chief among them Curd Jurgens's lead performance. His slow slide into degradation is compelling and he's the reason to see the film but Dmytryk's direction is listless and therefore the film is uninspired.
Interesting to see John Banner who was best known as the simple-minded Sgt. Schultz on Hogan's Heroes cast here as an erudite educator. He's also quite good in his small role.
A foolish decision to remake something so closely associated with one particular legendary figure. A losing proposition from the start, something that Marilyn Monroe, Spencer Tracy & Fredric March-all of whom were offered the roles first and rejected them obviously realized. Why bother when you know from the start your film will never measure up.
Wusstest du schon
- WissenswertesMarilyn Monroe was offered Lola-Lola, but turned it down. In 1958, she posed as Marlene Dietrich as Lola-Lola for a Life Magazine pictorial shot by Richard Avedon.
- VerbindungenFeatured in Hollywood Screen Tests: Take 2 (1999)
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsland
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- Auch bekannt als
- The Blue Angel
- Drehorte
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Box Office
- Budget
- 1.700.000 $ (geschätzt)
- Laufzeit
- 1 Std. 47 Min.(107 min)
- Seitenverhältnis
- 2.35 : 1
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