Fräulein Doktor

After seeing again Fräulein Doktor on NetFlix streaming video (before I cut that service, thanks to its notifying me two days ago of its massive pricing increase in September), I realize that this movie was nowhere near as good as I thought for years. So I am making a massive rewrite of my previous very positive review of this WWI spy movie. As others here at IMDb have commented, that brief scene of soldiers on horseback marching onto a gassed battlefield is very impressive, the group of seven or so horses wearing horse gas masks and protective body covers. The problem is the closing scenes in the final third of Fräulein Doktor on or near the battlefield wreck this movie.

In the end, the character of Fräulein Doktor is pushed of the stage by scenes of trench warfare, scenes of soldiers with the flesh on their hands being eaten away by poison gas and a subplot tossed in about German soldiers posing as French soldiers to break into military HQ to copy battle plans. While these goings on are happening, Suzy Kendall's Fräulein Doktor is busy running around in a nurse's uniform as part of a Spanish contingent of nurses on their way to the Western Front to treat wounded allied soldiers. Somehow the Doktor speaks Spanish perfectly, with no German accent.

Netflix's streaming video version of this movie seems to have included the full lesbian scene between Suzy Kendall and Capucine, a scene censored on TV airings of the movie. Capucine plays Dr. Saforet, who is developing a new poison gas. In the scene, Capucine kisses Kendall on the lips, hot stuff back then. The scene does serve a real purpose, to show how Fräulein Doktor gets her hands on the poison gas.

Another scene, not censored, shows Kenneth More, playing a British intelligence officer, telling a caught spy to either talk or the spy will play the Wall Game. The wall being opposite a firing squad, with little chance of the spy winning the game. That sort of cynical attitude played well across national borders in the Vietnam War era.

Fräulein Doktor is a demonstration of how, 40 years ago, the once great film industry in Western Europe could turn out movies that had broad appeal all over the world. In the late 60s, while the big Hollywood studios were on the ropes, Italy, France and England were turning out movies to fill the void left by Hollywood's decline. There were the James Bond pictures (Doctor No was a surprise hit in the USA, it was first released at the Century theater chain in NYC with a 99 cent afternoon admission price), the Clint Eastwood spaghetti westerns (with A Fistful of Dollars released by a distributor that never paid the Italian producers a dime) and French crime movies that usually went to art houses, with exceptions like The Sicilian Clan. And there were European co-productions like Doctor Zhivago and, of course, Fräulein Doktor. Fräulein Doktor was good enough that some viewers still remember the movie decades later, long after it was out of circulation.

Trouble is, my memories of Fräulein Doktor do not include the badly photographed battle scenes, the poorly done model work showing a warship in a storm, the terrible ending of this movie and the unnecessarily graphic scenes of soldiers' rotting flesh. Suzy Kendall, though, is just as beautiful as I remember her.

I saw this at the theater in the early 1970's. The most memorable and scary scene is when the German army attacks with yellow cross mustard gas for the first time. The Germans and their horses are covered from head to toe (or hoof) with eerie protective suits. The experienced British soldiers don gas masks (only) and once again await the clouds of gas and the German attackers. The gas clouds move ever closer, finally enveloping the British defenders. The Germans move forward slowly menacingly in their scary looking garb. Suddenly a scream from the defenders... This gas is like no other that they have experienced before....

Now you will know why I have remembered this scene for the last 30+ years and still shiver, I think that you will too!

I am not ordinarily a fan of spy thrillers because the spies always seem to live in their own world oblivious to the realities of the rest of the world around them. But this film shows for the first time a spy who sees first hand the results of her work. There is blood on her hands literally as well as symbolically. It is interesting that the one time we see a spy coming face to face with the realities of their handiwork, it is a woman who is the spy.

Like others have mentioned, the battlefield scenes contain some of the most horrific scenes of war carnage ever shot. Not since Akira Kurosawa's "Kagemusha" has the futility and horror of battle been so profoundly depicted. No war was more futile and insane than the first world war, and the grisly images of melting skin and soldier's bodies spasming and writhing in agony are a perfect illustration of one of the biggest turning points in world history. War was no longer played according to rules or any standard of humanity. This is also poignantly shown in a scene when a German general reluctantly pins a medal on "Fraulein Doktor" because she'd killed Lord Kitchener and Kitchener had been a personal friend of his.

One has to put aside some of the 60s-style make-up and hairstyles, but most of the acting is very good and the whole movie will keep your attention all the way through to to the riveting climax. Id' rank this along with "Gallipoli", "Paths of Glory" and "King and Country" as one of the best WWI movies ever made. And to echo some of the other comments here.... I wish I had taped this!

It seems more than passing strange that such utter dreck as "Dukes of Hazzard" and "The Hills Have Eyes" (the new version) can find DVD distributors while older - and far superior works such as this film - are nowhere to be found. With all the on-going debate about the morality (or lack thereof) of warfare, and interest in espionage (consider the multiple Jack Ryan, Bourne, XXX, and "Mission: Impossible" productions, this would seem to be an obvious choice for release on DVD. True, it LOOKS like a 1968 motion picture because it IS a 1968 motion picture. But style consideration aside, this is still a production that actually has something valuable to say, and has plenty of plots twists to keep an audience entertained. If nothing else, will SOMEBODY please consider getting the soundtrack onto some kind of CD, whether it be a compilation with other Morricone music or as a stand-alone. I don't know if industry people bother to read what we fans have to say about their products, but if you are reading this and other comments, please take us seriously. We are paying for your lavish homes with our hard-earned dollars spent on tickets, DVDs and CDs - give us what we want! All that said, if you are reading this and have not seen this film, lobby for it's release so you may see what those of us who have seen it are talking about. You will not be disappointed.

The gas attack scene is impressive without a doubt... and there is certainly here a chillingly accurate rendition of the horrors of war... The comparisons with later films such as Jacob's Ladder are fine as long as this one gets the nod as the superior one (no cheap letdown surprise in the end!).

But what makes this film stand out for me is that it breaks a barrier - an important one even for the ''sexy year'' of 1969...

For the first time ever to my knowledge we had two major female stars embrace in such a suggestive way it left nothing to the imagination and it was thus the first ''big'' sapphic display with two stars!

We would have to wait until the 80's for another such exhibition - Catherine Deneuve (the new Capucine?) and another Suzy (Susan Sarandon) in The Hunger.

Capucine was a major star - bigger than Suzy Kendall at the time. She had co-starred with William Holden, Peter Sellers and David Niven... To see her cast as this very sapphic Dr.Saforet was indeed... surprising.

Both actresses perhaps paid with their careers for their daring avant-gardedness here, in this most unique war film, or so it seems...