I Start Counting

This movie is awesome. I don't know why it isn't more popular. the cinematography was fab and the lead actress who played Wynne had this real innocence about her, that was so believable. I thought the storyline was great, it was something unusual. the synopsis based it around Wynne's suspicious feelings towards her brother and the murders, but I found it was about something more than that, about the way different people perceive situations and how different peoples duties and commitments can be seen differently in others eyes.

The rest of the cast were great. I loved the few parts of humour in the film, that lifted from the somewhat dark and serious theme, and showed how unusual the film is. the theme song I Start Counting was awesome. It was an awesome name for the film

I'm totally raving about this film man. It freaking rules! I love it!

I saw this film when it was on General release, and was somewhat taken-a-back by the acting ability of its very young leading Lady. Jenny Agutter was superb in the role of Wynne, a teenager who thought her step brother to be involved in some killings, and left nothing about her character's thoughts to the imagination. "I start Counting" was, of course, very different from M/s. Agutter's later work; and, to my mind, the character had more punch than many of her later portrayals. Perhaps, only her portrayal of the eldest daughter in "The Railway Children" carried the same amount of convincing charm as her portrayal of Wynne in "I start Counting". For me, Jenny Agutter "shines" in this movie: the storyline is right for her, and she was the right person to play Wynne. I could gladly watch this movie over and over again.

A 14-year old Catholic girl Wynne(Jenny Agutter)falls in love with her older adoptive brother.Her crush is growing stronger as she believes that he is the local sex killer of young girls."I Start Counting" is a subtle exploitation film which touches several taboo subject matters including incest,drugs,rape and teenage sexuality.The story is fascinating and often confusing and the film is full of symbolism.The purity and innocence of Wynne slowly becomes corrupted.The girl believes she sees the statue of Jesus in church weeping blood.The climax of "I Start Counting" is very powerful and memorable.Along with "Night After Night After Night" a forgotten genre essential from late 60's.8 out of 10.

For me this movie was quite a find. It appeared late at night on what was normally waste-of-time English-language cable station in Turkey. The syrupy opening theme song nearly made me turn it off, but it caught my attention because it featured underrated British actress Jenny Agutter, most famous for appearing in the superb Australian art-house film "Walkabout" and playing the female love interest in a smattering of more mainstream fare like "Logan's Run" and "American Werewolf in London". Because her international debut "Walkabout" was much more famous for it's incredible cinematography of the Australian outback than it's very understated acting and almost non-existent dialogue, Agutter would become much more renown for her incredible five-minute nude swimming scene than any thespian talent she might have displayed. Her subsequent international roles were thus somewhat limited (for example, even in the PG-rated "Logan's Run" she somehow managed to have a completely gratuitous full-frontal nude scene). Only older British viewers who remember her work as a child actress on obscure BBC television programs would have too much idea of her acting talent.

This movie would rectify that immensely if it ever finds a larger audience. Agutter (a couple years younger than she was in "Walkabout")plays a troubled pubescent girl in love with her older foster brother. When she begins to suspect that he is a serial killer terrorizing the local neighborhood she chillingly begins to cover up for him, but the truth turns out to be something quite different.

The movie manages to be both a tense thriller and a sensitive coming-of-age flick while deftly avoiding the excesses of either genre. It obviously takes place at a time when London was in full swing (which can be seen in the panty-flashing mini-skirts worn by the characters' slightly more experienced best friend), but the movie also remains somewhat provincial and very British, kind of an early version of a Mike Leigh film. This would make a good double-bill with "Deep End", another superb but sadly forgotten film of 60's era British youth. My only complaint is the music, which aside from a smattering of Jimi Hendrix, is absolutely wretched, especially compare to the music that was coming out of Britain at that time. Nevertheless, I would definitely recommend this one.

Though I can't remember it in detail, I do remember liking this film a lot and as a teenager going to bed scared, as well as having impure thoughts about Jenny Agutter, (again.) Very atmospheric, very English and very 60s, full of the kinds of faces you seemed to only get during that decade.

I don't know why it's hardly ever shown, but if someone were to air it occasionally, I'm sure it would gradually start to pick up a reputation as a bit of lost cult classic (a la the Wickerman.) I did find a fairly negative review in Time Out, but that probably says more about them than this film.