Invocation of My Demon Brother
- 1969
- 12 Min.
IMDb-BEWERTUNG
6,5/10
2123
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuExperimental short, featuring strobe-like erotic imagery with several shots of the Rolling Stones in performance and an original synthesizer score by Mick Jagger.Experimental short, featuring strobe-like erotic imagery with several shots of the Rolling Stones in performance and an original synthesizer score by Mick Jagger.Experimental short, featuring strobe-like erotic imagery with several shots of the Rolling Stones in performance and an original synthesizer score by Mick Jagger.
Kenneth Anger
- The Magick
- (Nicht genannt)
Bobby Beausoleil
- Lucifer
- (Nicht genannt)
Bill Beutel
- Deacon
- (Nicht genannt)
Harvey Bialy
- Brother of the Rainbow
- (Nicht genannt)
Timotha Bialy
- Sister of the Rainbow
- (Nicht genannt)
Speed Hacker
- Wand bearer
- (Nicht genannt)
Mick Jagger
- Self
- (Archivfilmmaterial)
- (Nicht genannt)
Lenore Kandel
- Deaconess
- (Nicht genannt)
Anton LaVey
- Satan
- (Nicht genannt)
Van Leuven
- Acolyte
- (Nicht genannt)
Anita Pallenberg
- Self
- (Archivfilmmaterial)
- (Nicht genannt)
Keith Richards
- Self
- (Archivfilmmaterial)
- (Nicht genannt)
Empfohlene Bewertungen
Don't listen to the guy above, since he thinks all art films are supposed to hold your hand, and tell you what to think and believe. This film is obviously an artifact of subjective, artistic expression (like all real art usually is). But I happen to think it's genius. Just because I don't like the images (which I in fact do) doesn't dis-validate it as art. Art is not for entertainment, as it is the allowance of the artist to express themselves in a certain language/form/deliverance.
This film can be interpreted as a view on the artist's fascination with the occult, life, or just certain images in general. Some parts remind me of how sensitive we are to certain images, and so on. Every film isn't like Hollywood, tied up with a neat little bow, were can all hold hands and skip down the yellow brick road. Sometimes, it portrays what goes on the psyche of certain people. Look at Jordorwosky, for instance.
This film can be interpreted as a view on the artist's fascination with the occult, life, or just certain images in general. Some parts remind me of how sensitive we are to certain images, and so on. Every film isn't like Hollywood, tied up with a neat little bow, were can all hold hands and skip down the yellow brick road. Sometimes, it portrays what goes on the psyche of certain people. Look at Jordorwosky, for instance.
A very strange film. The sound track - done on a Moog synthesizer - is repetitious and droning, which adds to the atmosphere, though can be annoying if you're not "into it". It's creepy. There really isn't a lot to say - only watch this film if you understand what you're getting into. By far more creepy and off-putting than most modern Hollywood horror films, in part because the film style gives it a more immediate presence. The cinematography isn't polished, the sound and setting aren't polished, but that's half of what makes it work so well.
I'm sorry. Some things don't stand the test of time. I lived through all this stuff when everyone was smoking or taking acid and thought these kinds of films were so cool. Now they seem laughable. Apparently, this helped to put the Rolling Stones' Satan stuff in some sort of visual realm. Instead, it looks like something a bunch of high school kids did in their art class. Throbbing and endless.
I disagree with the comment that angers film is amateurish and boring. what you have to keep in mind is that is was made in 1969 on a shoestring budget. also that the whole MTV aesthetic was not even thought of then, and it would take 30 years until the way Anger does film would be incorporated into the mainstream music videos of acts like Nine inch nails,Marilyn Manson, etc.
The use of juxtaposing sound and film, editing them in a way that creates maximum contrast and dynamic is something every video director - directly or indirectly - has gotten from Anger. he was the first to fuse rock music and experimental films, thereby by accident creating the seed of the rock video.
Angers short films -and especially this one - has probably been more important in shaping pop and art culture than any other single short film. for that he deserves credit and recognition.
The use of juxtaposing sound and film, editing them in a way that creates maximum contrast and dynamic is something every video director - directly or indirectly - has gotten from Anger. he was the first to fuse rock music and experimental films, thereby by accident creating the seed of the rock video.
Angers short films -and especially this one - has probably been more important in shaping pop and art culture than any other single short film. for that he deserves credit and recognition.
This is from the second DVD of a set called "The Films of Kenneth Anger"--a collection of avant garde films by this odd film maker. I found the first disk to be more satisfying--the second has a lot about Aleister Crowley and Satanism that I found a bit dreary.
This film is purely for someone who loves art films and has a very, very high tolerance for this sort of thing. While my tolerance is higher than the average viewer, I found this entire short filled with self-indulgence and silly imagery. I am sure that the folks who made this film loved it, as did their friends, but I seriously doubt that more than 1 or 2 in 100 who might otherwise see it actually enjoying the film. It's just NOT a film for the average viewer.
It consists of lots of bizarre imagery, an albino, references to Satanism and various ancient religions, rituals, pot use, dead cats, dead cat heads, a visit from Anton LaVey (founder of The First Church of Satan) in Satanic regalia (looking a lot like 'Hot Stuff' the cartoon character, actually) and lots of crotch shots of naked men. To each his own...
By the way, for a great practical joke, show this to your mother or some of your friends and insist with a straight face that it's the greatest film ever made. Then wait to see their reactions! Be sure to get it all on video or digital film.
This film is purely for someone who loves art films and has a very, very high tolerance for this sort of thing. While my tolerance is higher than the average viewer, I found this entire short filled with self-indulgence and silly imagery. I am sure that the folks who made this film loved it, as did their friends, but I seriously doubt that more than 1 or 2 in 100 who might otherwise see it actually enjoying the film. It's just NOT a film for the average viewer.
It consists of lots of bizarre imagery, an albino, references to Satanism and various ancient religions, rituals, pot use, dead cats, dead cat heads, a visit from Anton LaVey (founder of The First Church of Satan) in Satanic regalia (looking a lot like 'Hot Stuff' the cartoon character, actually) and lots of crotch shots of naked men. To each his own...
By the way, for a great practical joke, show this to your mother or some of your friends and insist with a straight face that it's the greatest film ever made. Then wait to see their reactions! Be sure to get it all on video or digital film.
Wusstest du schon
- WissenswertesThe star of this short film, Bobby Beausoleil, is currently in prison serving a life sentence for murder for his part in the Manson killings.
- VerbindungenFeatured in Anger Me (2006)
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Details
- Erscheinungsdatum
- Herkunftsland
- Sprache
- Auch bekannt als
- Заклинание моего демонического брата
- Drehorte
- Westerfeld House, 1198 Fulton Street, San Francisco, Kalifornien, USA(staircase scene and title shot)
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