Voodoo Child

The writings of the great H.P. Lovecraft have lead to some truly great films, but unfortunately his stories aren't always enough to carry a film through, and despite the fact that this film features all the elements of a successful Lovecraft adaptation - The Dunwich Horror is a sadly lacklustre movie. It has to be said that the film does look very nice - for a low rent early seventies production, the cinematography is surprisingly crisp and the locations look good - but this isn't matched by the story, which is always intriguing but director Daniel Haller lets the suspense build and build and then makes the cardinal blunder of not giving his audience a worthwhile payoff at the end. The plot revolves around one of Lovecraft's most famous creations - the Necronomicon, a book which can supposedly summon alien Gods to Earth. Wilbur Whateley wants this book so that he can complete some ancient rite, and in order to do so he needs the services of Nancy Wagner - a young University student that offered him a lift home when he unfortunately missed his bus.

The film is packed with provocative imagery (for the time), and includes a nude scene for Sandra Dee and a whole host of trippy psychedelic scenes. However, while he was doing all this stuff, the director forgot that he was actually filming a horror film - and because of that, there's barely any horror on display at all and the closest we really get to anything horrifying is a vibrating door with a bolt on it. Naturally, it's not long before all this starts to get more than a little bit boring as you can only watch a bunch of meaningless characters swan around for so long. However, the way that the director builds suspense is sometimes intriguing, and I have to admit that I did want to know what was going on - the fact that the ending is so pithy pretty much cancels that out, however. There is a good sequence mid-way through in which we find about the birth of the main character and some other scenes are interesting (like the fight between our warlock and a library security guard...), but overall there really isn't much to recommend this film for and I don't doubt that my fellow Lovecraft aficionados will be disappointed.

Dean Stockwell (sporting a 'fro and looking like a sinister disco king) visits Miskatonic University in hopes of "borrowing" the original Necronomicon. It seems that Dean is the grandson of a powerful wizard, and the illegitimate son of a woman who is finishing her days in the padded room of an insane asylum. Sandra Dee and her huge helmet of blond hair accompany Dean back to his isolated farmhouse where she is quickly drugged, talking about sex, having orgasms on altars and dreaming about strange beings (who rather resemble Manson Family members) who chase her along the misty sea cliffs. Suspicious friends arrive to help the stoned Miss Dee, who has no desire to be rescued from her creepy new boyfriend or his awful perm. But the well meaning friends learn some shocking truths about Dean anyway: he has a twin brother, and if looks are anything to go by, then their Daddy was a mutant sushi dinner.

There's some pretty decent creepy moments to be found in this film. The mood is nice and eerie, the atmosphere as thick and creepy as the fog that lies thick along the coastline beside Dean's house. We don't get to see much of the Twin Brother, but the POV shots are nice, done in blood red negatives. Dean Stockwell delivers a truly icky performance as the not-quite-human Wilbur who succeeds in seducing virginal Sandy, whose Good Girl image goes bye-bye here pretty quickly. The ending is a tad rushed and somewhat silly, but everything leading up to it is nice and tense, with minimal gore and some haunting sound effects. I give it a fat 8 on a scale of 10.

Interesting film about a young college coed who becomes involved with a young man who has connections that extend well into the underworld and who only needs the right book to unleash them. Sandra Dee in a surprisingly sexy role as the young student and Les Baxter's very nice soundtrack just about save an effort where the actual film doesn't do justice to its title. Nonetheless the production design creates creepy atmosphere especially in the seaside alter where Dee is nearly undressed while Stockwell prepares her for the arrival of Satan himself. And there is a certain amount of imagination involved in the film that combines a nice mixture of classic horror themes with hip sensibilities.

"The Dunwich Horror" of 1970 may not be great Horror, but it is nonetheless a worthwhile little film that has many qualities. The film is based on the writings of the almighty H.P. Lovecraft, which may be one of the reasons why many fellow Horror lovers find it to be disappointing. Many films based on Lovecraft writings are downright brilliant all-time Horror-greats, above all Roger Corman's "Haunted Palace" (1963) with Vincent Price (which was marketed as a Poe-adaptation), Sam Raimi's "Evil Dead" (1981) and Stuart Gordon's "Re-Animator" (1985), just to name three absolute masterpieces inspired by this great writer's work. "The Dunwitch Horror", of course, comes nowhere near the brilliance of films like those just mentioned, it is not even comparable to films like these, and it is certainly no classic, but while the film has its flaws, it is still an entertaining film that has its qualities.

I will not go into detail regarding the plot, but, as usual for Lovecraft adapt ions, the Necronomicon, and the 'Old Ones' play an important role. The quality of the performances differs. Sandra Dee, is sexy and nice to look at in the female lead, and she even reveals some of her charms, but her performance is quite awful. Dean Stockwell (who sports one of the most fake-looking mustaches in motion picture history) arguably delivers the best performance in the film, and the cast furthermore includes Sam Jaffe and the weird-looking Ed Begley ("12 Angry Men", "Hang 'Em High") in one of his last roles. Talia Shire also has a small role. The visual style is very much a matter of personal taste. The film has a nice general atmosphere and cool settings. The occasional flashy colors, in which the whole screen turns at some points, don't really fit in and annoy at times. The films greatest aspect is the excellent score by Les Baxter, which contributes a lot to the atmosphere. The film has a brilliant animated opening credit sequence, which is another reason to give it a try. All things considered, "The Dunwich Horror" is certainly no great film, but even though it is quite cheesy and never really suspenseful it is yet a highly entertaining little film that I recommend to fans of occult fun.

I liked this one, but it was not without its faults. One of these is clearly the monster. It does not look to good, but on the bright side they try to cover up its appearance with weird flashing lights and they usually only show it by showing its point of view. Another problem is I found myself pulling for Wilbur to succeed in his rituals. I am sure that is not the makers of this movies intent. This one has a man wanting to see a book at a library that contains many rituals for bringing those called the "old ones" to the earth. He can't convince the man in charge of the book to loan it to him, but he does get a gal to drive him home and stay the weekend. His house is rather drab, but she seems okay with it. She soon becomes part of his plans to bring the "old ones" to earth. Meanwhile, her friend and the guy with the book investigate the guy. Overall I liked it, but I wasn't thrilled with the ending as it did not seem right to me. The old guy was about three or four steps behind in everything to me, so it didn't seem right that it should end that way. Some nudity in this one, but not all that much. Could have used a bit of gore too, but the story is interesting enough to keep my attention anyway. Based on a Lovecraft story that probably explains the monster. He always describes such horrors in his story that they are nearly impossible to duplicate by building them or using computer graphics.