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Elvis - That's the Way It Is

Originaltitel: Elvis: That's the Way It Is
  • 1970
  • 0
  • 1 Std. 37 Min.
IMDb-BEWERTUNG
7,9/10
3375
IHRE BEWERTUNG
Elvis - That's the Way It Is (1970)
Trailer for Elvis: That's The Way It Is
trailer wiedergeben2:09
1 Video
62 Fotos
ConcertDocumentaryMusic

Füge eine Handlung in deiner Sprache hinzuAfter years of making movies, the King made a triumphant return to the stage in 1970. Now, see the backstage footage from rehearsals to relaxing at the hotel and the performances in one of t... Alles lesenAfter years of making movies, the King made a triumphant return to the stage in 1970. Now, see the backstage footage from rehearsals to relaxing at the hotel and the performances in one of the most intimate looks at Elvis captured on film.After years of making movies, the King made a triumphant return to the stage in 1970. Now, see the backstage footage from rehearsals to relaxing at the hotel and the performances in one of the most intimate looks at Elvis captured on film.

  • Regie
    • Denis Sanders
  • Hauptbesetzung
    • Elvis Presley
    • James Burton
    • Glen D. Hardin
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    7,9/10
    3375
    IHRE BEWERTUNG
    • Regie
      • Denis Sanders
    • Hauptbesetzung
      • Elvis Presley
      • James Burton
      • Glen D. Hardin
    • 67Benutzerrezensionen
    • 33Kritische Rezensionen
  • Siehe Produktionsinformationen bei IMDbPro
  • Videos1

    Elvis: That's The Way It is
    Trailer 2:09
    Elvis: That's The Way It is

    Fotos62

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    Topbesetzung43

    Ändern
    Elvis Presley
    Elvis Presley
    • Self
    James Burton
    James Burton
    • Self - Musician
    Glen D. Hardin
    • Self - Musician
    • (as Glen Hardin)
    Charlie Hodge
    • Self - Musician
    • (as Charley Hodge)
    Jerry Scheff
    • Self - Musician
    Ronnie Tutt
    • Self - Musician
    John Wilkinson
    • Self - Musician
    Millie Kirkham
    • Self - Background Vocalist
    Estell Brown
    • Self - Background Vocalist
    • (as The Sweet Inspirations)
    Sylvia Shemmell
    • Self - Background Vocalist
    • (as The Sweet Inspirations)
    Ann Williams
    • Self - Background Vocalist
    • (as The Sweet Inspirations)
    Roger Wiles
    • Self - Background Vocalist
    • (as The Imperials)
    Jim Murray
    • Self - Background Vocalist
    • (as The Imperials)
    Joe Moscheo
    • Self - Background Vocalist
    • (as The Imperials)
    Armando Morales
    • Self - Background Vocalist
    • (as The Imperials)
    Terry Blackwood
    • Self - Background Vocalist
    • (as The Imperials)
    Joe Guercio
    • Self - Conductor
    Richard Davis
    • Self - Memphis Mafia, Friend
    • Regie
      • Denis Sanders
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen67

    7,93.3K
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    Empfohlene Bewertungen

    dougdoepke

    Elvis, Not at His Best

    Looks to me as if the documentary reflects Elvis searching for a new direction. After all, he can't keep doing his standard R&R year after year. Hound Dog and the others undoubtedly revolutionized pop culture, making Elvis probably the most important musical performer of the last 60-years. But then styles do change. Still, it is almost painful to hear him toy with his signature songs in the Las Vegas stage act. I guess I'm still expecting 1956.

    To me, his career was a tragic one, perhaps too much success too soon. Unfortunately, he never found real artistic traction after his army stint. Hollywood and Las Vegas simply sapped his creativity, and except for a couple of invigorating TV specials, his career entered a slow down- spiral, becoming finally a sad parody. Yet he remains one of pop music's great raw talents.

    The documentary itself shows Elvis at ease in the jamming sessions, where he can be himself. That segment goes on a little too long, but is more revealing than the lengthy Las Vegas segment where Elvis the talent tries uncomfortably to fit into a casino stage act. To me, the act is something of a shambles, interrupted by his least little whim. Nonetheless, he's handsome as ever, still trim and slim, and looking great. Hard to say, however, what's going on with the inner Elvis since the 100-minutes manages very little of that. And that's likely the documentary's biggest failing. Nonetheless, hardcore fans should enjoy.
    8rbrb

    There is only one Elvis......

    Make no mistake this film is compelling.

    It is a documentary.

    Set in 1970 with Elvis preparing for his forthcoming Los Vegas shows. There can be no doubt that he is one of the most sexually appealing and charismatic performers in history.

    Elvis is an Icon and what impresses me is that he had so much talent and that is revealed in this movie.Talented too are the band and backing singers and the others who aided his performances.

    The sexual chemistry which connected him to his fans is unparalleled in show business history and this movie shows why.

    8/10
    gazzo-2

    Re-vamped 2001 edition is good...

    They cleaned up the print and soundtrack, got ridda interviews with the Velvet Elvis fan-clubs(the types who claim their Cats listen to the King), the array of Sammy Davis Jr. types in attendence, and put in more lost footage of Elvis jamming/rehearsing in LA with the band. There is a version of 'Get Back' that has to be heard-it medleys into 'Little Sister' and works great.

    As for the Hotel Casino concert that follows-it's great, of course. He trots out the expected hits-'Heartbreak Hotel', 'Can't Help Falling in Love', 'Suspicious Minds', etc. the last a highlight along with 'In the Ghetto' and 'Polk Salad Annie'.

    He is great form, both vocally, in front of the audience and with the band. Enjoyable also is the interplay between Elvis and Hardin, Scheff and Burton, a primo guitarist if there ever was one. You can also see Cissy Houston(Whitney's mom) as one of the Sweet Inspirations backing him up.

    Too often Elvis the musician, singer and regular guy-as reg as he could ever be-gets shoved aside by the nightmarish late period stereotype we all know and dread. This goes a good deal towards correcting that.

    *** outta ****-good show.
    7Gandalf-64

    One "movie" you can relax with

    Strictly speaking this is of course not a movie, but a documentary and a live recording of Elvis Presley in Vegas.

    No, I never was an Elvis fan. In the seventies Elvis was almost history and I went for Uriah Heep and other loud loud bands. I did not buy Elvis records and I hardly watched his movies, saw his concerts etc.

    Then this movie appears on the main screens. My curiosity wins...I am older now, my musical taste is much broader. So, I wanted to see it. I wanted to see the movie, to see what kind of guy Elvis was, or at least catch a glimpse of who he was. And I was pleasantly surprised.

    Then came the recording of his live concerts in Vegas in 1970. I sat, watched, listened, enjoyed....and almost became an Elvis fan myself...wooohhhh.......

    8/10
    Rusty-61

    My husband almost had to throw a bucket of cold water on me

    Sorry, but I'm not made of wood, people. I should probably mention right now as some sort of disclaimer that I'm going to do my best to focus on the details of the new Special Edition DVD here, but I was seriously distracted from technical details because Elvis looks so damn gorgeous and sexy in this footage. I'm not exaggerating, nor am I alone here. I've read at least 20 books about Elvis by those who were closest to him, and they all agree that he hit his peak around 69-70. By 68 he lost all the baby fat he had before and then some, was in the best shape of his life, tan, healthy, and confident. "Thin as a rake and more handsome than 10 movie stars" is the quote from a reporter that kept coming to my mind. Members of the Memphis Mafia said that around this time, they would frequently be looking for Elvis and find him admiring himself in the mirror and saying things like, "Damn, I'm one good-lookin' sonofagun!". Watching this movie, you definitely don't blame him one bit. I better just move on to the actual movie here before I start really embarrassing myself, but I think most people would agree that it's probably impossible for anyone to watch this and not see why Elvis caused women to completely lose control around him.

    OK, anyway, where was I? Since this hasn't gone into wide release as of this writing, we were lucky to find a rental DVD copy a few days ago. I'd heard it was great, but expected maybe 1 or 2 new songs or alternate takes and 5 minutes more of rehearsal footage, plus a better picture/ sound quality. This is just like a second (better, I thought) version of the movie. Most of the footage of the fans that went on too long in the first version is gone. I have to admit that some of the original interviews with babbling fans loaded down with every type of Elvis souvenir (and it if it was wearable, wearing it all at once) probably helped cause the stereotype most people have of Elvis fans as lunatics. I've had people (usually, they were born after Elvis passed away) look at me like they way they would at a member of a cult dancing around in an airport when I mention that I'm a big Elvis fan. This version might make those people change their mind, or at the very least, see why Elvis has so many fans in the first place.

    Instead of the insane fan interviews, there's plenty of rehearsal footage. Most of it is new, and amazing. It also reminded me strongly of the section of the 68 comeback special (and also "One Night With You") where Elvis jammed with his old band, just having fun. Again, I'm kind of fuzzy on the exact songs and the order they're in, ("Little Sister" was probably the best) but most of it is not in the 1970 version, including him talking to the Sweet Inspirations and joking with the band. The concert footage is amazing. Even though it's spliced together using the best of 6 different shows (not that I would have minded sitting through all of them) the performance is so energetic and intense that I can't believe that Elvis did his act twice a night, 7 days a week. Biographers say that Elvis actually requested not to have a day off because he was having so much fun when he first started playing Vegas, and it's obvious from watching this footage that he was having the time of his life. Most of the patter between songs is different, and so are some of his interactions with the audience. There's an extended version of "Suspicious Minds" that's even more impressive than the other one, using alternate takes (they leave out "I hope this suit don't tear up baby", and put in more of the type of dancing that, how do I put this politely, got him banned from the waist down in the 50's ). Just a complete show-stopper. You have to see it to believe it. And if you already thought Elvis was hot, you might want to have that bucket of cold water handy to pour over your head before you sit down to watch this.

    Some of the extras include an extremely entertaining trailer that makes you want to watch the movie again immediately, and a pretty interesting "making of" documentary. Obviously, a lot of care and time was taken to produce this new version; this is not something they just slapped together at the last minute just to cash in on the popularity of special edition DVDs. Elvis fans, you have got to own this-or at least see it ASAP, at which point you'll want to buy a copy. I still haven't picked my jaw up off the floor. At some points when you're watching the movie, it's hard to believe he's gone. But it's not hard to believe he would have been very proud of this edition.

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    Handlung

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    • Wissenswertes
      Footage of the party held in Elvis Presley's suite after his August 10th, 1970 opening show finds him in the company of Sammy Davis Jr., Cary Grant, Kenny Rogers, and Roman Polanski.
    • Zitate

      Elvis Presley: If the songs don't go over, we can do a medley of costumes.

    • Crazy Credits
      The end credits showed Elvis greeting people backstage following the show.
    • Alternative Versionen
      In 2001, a new version of That's the Way it Is was compiled. The new version eliminated much of the documentary and non-Elvis content of the original in favor of adding additional performances of Elvis rehearsing and in concert. The final film runs 12 minutes shorter than the original, but contains more music, although several performances included in the original film are omitted (most notably the concert performance of "I Just Can't Help Believin'", even though the new version of the film features footage of Presley rehearsing the song and being concerned about remembering its lyrics on stage). The special edition was released on January 19, 2001, when this new version made its worldwide debut on the cable network Turner Classic Movies, and was produced by award-winning producer Rick Schmidlin. In August 2007 a two-disc DVD "special edition" was released by Warner/Turner that has both the reworked version plus the original cut. The original, however, has only a mono soundtrack (it was made with four-track stereo). The DVD also includes approximately 35 minutes of additional performances and other footage that was not included in either edition.
    • Verbindungen
      Edited into Elvis: The Lost Performances (1992)
    • Soundtracks
      One Night with You
      Written by David Bartholomew & Earl King

      Performed by Elvis Presley

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    Details

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    • Erscheinungsdatum
      • 20. August 1971 (Westdeutschland)
    • Herkunftsland
      • Vereinigte Staaten
    • Offizieller Standort
      • Warner Bros.
    • Sprache
      • Englisch
    • Auch bekannt als
      • Elvis: That's the Way It Is
    • Drehorte
      • Metro-Goldwyn-Mayer Studios - 10202 W. Washington Blvd., Culver City, Kalifornien, USA(Studio)
    • Produktionsfirma
      • Metro-Goldwyn-Mayer (MGM)
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    • Weltweiter Bruttoertrag
      • 34.301 $
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    Technische Daten

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    • Laufzeit
      1 Stunde 37 Minuten
    • Farbe
      • Color
    • Sound-Mix
      • 4-Track Stereo(original version)
    • Seitenverhältnis
      • 2.35 : 1

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