IMDb-BEWERTUNG
6,4/10
4403
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuA troubled young woman who visits a psychotherapist to help her quit smoking undergoes hypnosis and finds herself reliving a tragic Victorian romance from a past life.A troubled young woman who visits a psychotherapist to help her quit smoking undergoes hypnosis and finds herself reliving a tragic Victorian romance from a past life.A troubled young woman who visits a psychotherapist to help her quit smoking undergoes hypnosis and finds herself reliving a tragic Victorian romance from a past life.
Handlung
WUSSTEST DU SCHON:
- WissenswertesAccording to the 1974 biography "Barbra Streisand: The First Decade", this was originally envisioned as a three-hour "road show" extravaganza, and included many sequences of Daisy's other lives (photos of which were printed in some pre-release promotions), but director Vincente Minnelli and the studio felt it would be too long, especially since musicals had already begun to fail at the box office. In addition to all but the briefest of Jack Nicholson's scenes being cut, a musical number sung by him and Streisand, "Who Is There Among Us Who Knows?," was also cut, as well as "Wait Till We're Sixty-Five," a duet between Larry Blyden and Barbra Streisand. Producer Howard W. Koch conducted a search for the deleted footage in 1994, particularly Nicholson's song, which he wanted to showcase during the AFI tribute to the actor. Nothing turned up at Paramount. Koch asked Streisand and Minnelli's widow if they had remnants of the cut footage, but neither did. Koch determined that if the film still exists, it's probably in a mislabelled canister.
- PatzerThe telephone ring in Chabot's office is not a typical Bell company ring, even though the story is supposedly set in New York.
- Zitate
Dr. Marc Chabot: I used to be in love with answers, but since I've known you I'm just as astounded by questions. Answers make you wise, questions make you human.
- VerbindungenFeatured in Paramount Presents (1974)
Ausgewählte Rezension
Just saw it, and I loved it! What struck me was the beauty of the writing; truly intelligent and exciting dialog, solidly worldly and then suddenly transcendent. There was this one moment near the end where Montand is giving Daisy his impassioned pep talk, leading to a capstone pronouncement. He pauses.... And I knew exactly what he was going to say before he said it; and not because it was melodramatically predictable, but rather because it was magnificently true.
My only qualification is a "drat it" regret that not all the songs were great. Half were well crafted, and the other half are poor-to-middling, with one having truly cringe-inducing lyrics. That's too bad; dropped the ball there. But the blockbuster songs are excellent. I'd always wanted to hear more Montand, and there he was giving the songs the timing and smooth delivery one expects from a great entertainer.
I can see why some folks think of this as a lesser period piece. But, like I said, I feel the writing lifts this out of the period and invites us to listen and watch with everything we have. And isn't that what art is supposed to do? Watch it.
My only qualification is a "drat it" regret that not all the songs were great. Half were well crafted, and the other half are poor-to-middling, with one having truly cringe-inducing lyrics. That's too bad; dropped the ball there. But the blockbuster songs are excellent. I'd always wanted to hear more Montand, and there he was giving the songs the timing and smooth delivery one expects from a great entertainer.
I can see why some folks think of this as a lesser period piece. But, like I said, I feel the writing lifts this out of the period and invites us to listen and watch with everything we have. And isn't that what art is supposed to do? Watch it.
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Details
Box Office
- Budget
- 10.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 14.000.000 $
- Weltweiter Bruttoertrag
- 14.000.000 $
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Oberste Lücke
By what name was Einst kommt der Tag (1970) officially released in India in English?
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