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Stille Tage in Clichy

Originaltitel: Stille dage i Clichy
  • 1970
  • 18
  • 1 Std. 31 Min.
IMDb-BEWERTUNG
5,1/10
1221
IHRE BEWERTUNG
Paul Valjean in Stille Tage in Clichy (1970)
DramaKomödie

Füge eine Handlung in deiner Sprache hinzuTwo broke writers share a Paris flat, surviving on little food but maintaining high spirits. They pursue sexual encounters with various women - from neighbors to teens to foreigners - treati... Alles lesenTwo broke writers share a Paris flat, surviving on little food but maintaining high spirits. They pursue sexual encounters with various women - from neighbors to teens to foreigners - treating them as casual conquests.Two broke writers share a Paris flat, surviving on little food but maintaining high spirits. They pursue sexual encounters with various women - from neighbors to teens to foreigners - treating them as casual conquests.

  • Regie
    • Jens Jørgen Thorsen
  • Drehbuch
    • Henry Miller
    • Jens Jørgen Thorsen
  • Hauptbesetzung
    • Paul Valjean
    • Wayne Rodda
    • Ulla Koppel
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    5,1/10
    1221
    IHRE BEWERTUNG
    • Regie
      • Jens Jørgen Thorsen
    • Drehbuch
      • Henry Miller
      • Jens Jørgen Thorsen
    • Hauptbesetzung
      • Paul Valjean
      • Wayne Rodda
      • Ulla Koppel
    • 19Benutzerrezensionen
    • 30Kritische Rezensionen
  • Siehe Produktionsinformationen bei IMDbPro
  • Siehe Produktionsinformationen bei IMDbPro
  • Fotos55

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    Topbesetzung27

    Ändern
    Paul Valjean
    • Joey
    Wayne Rodda
    • Carl
    Ulla Koppel
    • Nys
    • (as Ulla Lemvigh-Müller)
    Avi Sagild
    • Mara
    Susanne Krage
    • Christine
    Louise White
    • Surrealist
    Petronella
    • Adrienne
    Elsebeth Reingaard
    • Colette
    Lisbet Lundquist
    Lisbet Lundquist
    • Jeanne
    Olaf Ussing
    • Father
    Noemi Roos
    • Mother
    Anne Kehler
    • Corinne
    Herman Wolsgaard-Iversen
    Britten Jensen
    Elsa Jackson
    Mette Aarre Thorsen
      Marianne Bergh
      Maj Wechselmann
      Maj Wechselmann
      • Regie
        • Jens Jørgen Thorsen
      • Drehbuch
        • Henry Miller
        • Jens Jørgen Thorsen
      • Komplette Besetzung und alle Crew-Mitglieder
      • Produktion, Einspielergebnisse & mehr bei IMDbPro

      Benutzerrezensionen19

      5,11.2K
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      Empfohlene Bewertungen

      4movieman_kev

      tedious days in Paris

      Joey, a writer, and Carl, a Frenchman, are two bohemians living in Paris spending all their time looking for more poon. All the women are slut and/ or mentally unstable and stupid only good for what's between their legs in their world view and the film itself seems to suggest that the idea is true. Based loosely on the Henry Miller book which was in turn based loosely on his actual life. Made and seems to be only for the pretentious and unbearable Art-house crowd. (hey even THEY have base interests..I think) For the rest of you people (Ie. Normal) just go rent some real porn instead, you'd get more out it. And likely more of a plot to boot. I usually like the movies that Blue Underground choose to release, but this one is a vast disappointment. It is however the most anti-feminist movie you'll likely ever see. I guess that deserve something.

      My Grade: C-

      DVD Extras: "Dirty Movies, Dirty books" featurette; an 11 minute piece on the music, Poster and stills gallery; Bios of Henrey Miller and Jens Thorsen

      DVD-ROM: Court Documents

      2 Easter Eggs: highlight the word EXTRA in the extras menu, and the word CLICHY in the talent bios menu for 2 more clips of Barney Rosset interviewed

      Eye Candy: Ulla Koppel. Suzanne Krage, Lisbet Lundquist, and Louise White all so much flesh
      1m-prior-1

      A seriously awful film

      If you were there at the time the film makes sense. All of the taboos were there to be broken and this one tried to break them all at once just to prove it could get away with it. So there's naked women everywhere (in poses 'pushing out the envelope' of the day), bad language and lavatorial humour in abundance. My guess is that the producers were so fixated on pushing back the boundaries of the then conventional taste, that even the most the most rudimentary craftsmanship was contemptuously discarded.

      So it's a pity that the acting is terrible, wit is noticeable by its absence and the nudes aren't really all that exciting. Some gross outs can be amusing. These ones were not.

      With very little effort this could have been so much more fun and put one over on the wicked establishment at the same time.

      Watch 'I Am Curious' instead. It's (they're) no great shakes but much better than this.
      2IWrightStuff

      Rotten film, rubbish acting

      My girlfriend said she'd never seen a porno film, so she dragged me into the cinema to see "Stille Dage i Clichy" in Copenhagen, when the film was new. To say it's a bad film is to overvalue Warhol's "Flesh." It was worse. The only good bit was right at the beginning, with the play on "Gray Day." After that, it was downhill all the way.

      The acting was abysmal. The plot... well, what plot? The "Germs won't attack a starving man" scene was memorably sickening. The bonking was overdone and hugely "in your face."

      For a poetic film, See "Last Year in Marienbad." Spot the difference.

      IMHO, Miller wasn't a particularly good writer. His books did, however, mark a turning-point in censorship. This film, though, has about the same artistic qualities as "The Texas Chainsaw Massacre" and "The Toolbox Murders."

      When the film ended, though, it was interesting to note that, while the women in the audience stood and put on their cardis and coats, the blokes sat quite still for a minute or so :-) .
      4Bunuel1976

      QUIET DAYS IN CLICHY (Jens Jorgen Thorsen, 1970) **

      I only heard about this when the Blue Underground DVD first came out; of course, I was aware of controversial author Henry Miller, on whose novel the film was based - whose work, incidentally, was contemporaneously being transposed to celluloid for the first time via the late Joseph Strick's TROPIC OF CANCER (1970).

      Anyway, it was merely a coincidence that I ended up acquiring the two film versions of the book (the other being the 1990 adaptation by Claude Chabrol) virtually simultaneously! Since I was going through a retrospective of that director's work anyway, I decided to check this one beforehand; well, I am glad that my generally negative reaction to it did not give me second thoughts about passing on the remake (as the latter was a more rewarding, and altogether different, experience – but more on that in its own review)! Anyway, I have never been fond of Erotica per se and this is pretty much what one got here: some critics praised the kaleidoscopic style adopted here (actually borrowed from Richard Lester) but this particular approach dates the film more than anything else. Besides, it is further bogged down by the lack of a proper plot (a fault which is much better disguised in the later version), revolting detail (the graphic sexuality on display got it banned in the U.S. on original release – atypically, this is a Danish picture shot in the English language and black-and-white) and characters who seem to have crawled from under rocks (especially the two leads)!

      In essence, we follow the dreary and over-sexed exploits of two penniless bohemians (the more studious-looking of whom is supposed to be an alter-ego for the author himself); they become involved with several women, of various ages and nationalities, and not even that good-looking in many cases. Eventually, they both become attached to someone in particular but, with respect to the protagonist's companion, the girl in question is a 14-year old half-wit!; in the end, the film just ends abruptly as if its makers had suddenly run out of money themselves…or film stock or, quite simply, ideas! However, the eclectic score is a big plus – some of it typically French and the rest comprised of numerous conceptual songs by Country Joe (McDonald) of the psychedelic and radical "Country Joe & The Fish" band fame.
      1briandaniel67

      Extremely disappointing

      I am a fan of Henry Miller and have read many of his books. When I saw a DVD of "Quiet Days in Clichy" on my local video store's "Staff Pick's" shelf, I excitedly plucked it off and read the back.

      It sounded great, an artistic rendition of one of Miller's works. I took it home practically rubbing my hands.

      As the previous reviewer commented, the acting is abysmal. Painful to watch. What a disappointment.

      The photography is good. There are some (filming) tricks employed, but do nothing to salvage this failure.

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      Handlung

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      Wusstest du schon

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      • Wissenswertes
        When the film came to the United States, it was seized by the authorities as pornography. The years have melted away its controversy and the uncut version was released to DVD in 2004.
      • Zitate

        Joey: She had the typical seductive charm of the Nordic woman in whom lasciviousness and prudery battle for supremacy.

      • Verbindungen
        Edited into Call-Girl-Report (1971)

      Top-Auswahl

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      FAQ14

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      • What are the differences between the British and German Theatrical Versions?

      Details

      Ändern
      • Erscheinungsdatum
        • 27. Februar 1971 (Westdeutschland)
      • Herkunftsland
        • Dänemark
      • Sprachen
        • Englisch
        • Dänisch
      • Auch bekannt als
        • Quiet Days in Clichy
      • Drehorte
        • Paris, Frankreich
      • Produktionsfirmen
        • Dans-Svensk
        • SBA
      • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

      Technische Daten

      Ändern
      • Laufzeit
        • 1 Std. 31 Min.(91 min)
      • Farbe
        • Black and White
      • Sound-Mix
        • Mono
      • Seitenverhältnis
        • 1.66 : 1

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