Kalter Schweiß

'Cold Sweat' is a 70's actioner I was actually quite pleasantly surprised by. Charles Bronson plays a guy whose cronies have caught up with him after spending many years in jail for a crime that he fled from. He's in sanctuary in France with his wife (played, rather slummingly wouldn't you say? By Liv Ullmann), and what do you know, his evil friends from the past catch up with him and takes his whole family hostage so that they can complete the One More Job together. Bronson accepts, but since this is a Bronson film, He's Got Other Tricks Up His Sleeve. So begins a fun little cat and mouse game, mainly dealing with the daughter or other of the bad guys (played hilariously by James Mason) and the trade-offs Manson and Mason are fun to watch. There's lots of chases too! Wee! Finally, I just want to comment on the print of the film I saw on DVD. It looked somewhat banged up, but I thought it just added to the viewing aesthetic of the movie! I just felt I was in a New York grindhouse movie theater, with this double featured with say, Dolomite or something.

I watch movies for specific reasons. I don't always look for such things as a plot. What did I get out of "Cold Sweat"?

First, a reminder to mix business AND pleasure. The gentlemen who produced this could have filmed in New Jersey. Rather, they chose the south of France. Good choice! Beaulieau-sur-Mer in the south of France, as well as the lovely French countryside way down south.

Charles Bronson pumped up, as usual. It appears that he does a set of push-ups before every scene. He's cut, in a black T-Shirt for the whole film. And he's not in his famous revenge mode. Here, he calculates. And expresses himself, emotionally. See the quote section...

Terrance Young's direction. Yes, the early Bond-film director is at his bond-vivant! best, with rich panoramas and an eye for pretty things. I'll have another, garson.

Nice Airport and a really cool 1970 hair salon. Think Korova milk bar ala Clockwork Orange.

Old French cars from the late 60's. Those Citroens are cool. And that off-roading experience in that red sedan was hilarious. Also, the close-up of the bias-ply tire folding over...priceless.

Finally, attractive leading ladies.

If you can find this movie, watch it! I found my DVD at Fleet Farm coupled with another Bronson movie, "Chino" for the reasonable charge of $4.99.

Charles Bronson takes his drearily and ultra-violent vendetta after his spouse , Liv Ullman and daughter , are kidnapped by a drug boss , James Mason , and his hoodlums: Michael Constantine , Luigi Pistilli , Jean Topart.

This brutal thriller contains noisy action , car chases , intrigue , and lots of violence among crooks . However , filmmaking and writing are average .Typical Bronson flick has Charles in his ordinary role as an avenger taking law on his own hands. Based on the novel by Richard Matheson called "Ride the nightmare" which is butchered to produce the ordinary vengeance movie .It boasts superior cast with prestigious secondaries as Luigi Pistilli, Michael Constantine , the great James Mason and Jill Ireland, Bronson's wife. Special mention for Jean Topart as a moronic henchman and Liv Ulmman who gives a nice acting as anguished and captured wife.

It displays an atmospheric and thrilling score by Michael Magne. Including evocative cinematography shot on location in Francia , Azul Coast. This turgid motion picture was regularly directed by the prolific Terence Young, including some flaws and gaps. Young was an uneven filmmaker with hits and flops. As he made three of the best Bond films :Doctor No , Thunderball, From Russia with love , he also directed other genres , Western : Red Sun , Dramas /intrigue : Klansman, Bloodline , Jigsaw man , The poppy is also flower, wait until dark ; Costumer : Adventures of Moll Flanders , Adventure : The Rover and WWII : Triple Cross .Rating 5,5/10 , acceptable and passable . The movie will appeal to Bronson fans. Charles does all that can be expect of him and he will reward his legions of enthusiasts.

Usually this Italian Charles Bronson outing gets torn to shreds, but I found this sturdy, vigorous and taut crime feature to be modestly well-done in what it sets out to achieve with its modest budget. This would be the first international production (the others to follow 'Red Sun (1971)' and 'The Valachi Papers (1972)') and the weakest of three films, which director Terence Young would have Bronson in the leading role. Bronson is reliable and looks in good shape. Along side him there are recognizable faces in James Mason, Liv Ullmann, Jill Ireland, Luigi Pistilli, Michel Constantin and Jean Topart. The lesser support cast do an admirable job, but the likes of Mason, Ullmann and especially Ireland hit the bottom. Mason basically chews on his lines. Ullmann doesn't look all that comfortable and Ireland just makes you cringe. The former two are wasted. Other than Bronson, it's the villainous side-kicks Pistilli, Constantin and the cold-blooded Topart that are the life of the party. The script falls on the flimsy side. A tightly drilled and violently gritty story, but elementary straight-laced all-the-same. A former soldier/drug smuggler attempts to start a new life in the south of France with his family, but some of his ex-comrades return to settle a score. What begins as slow-grinding, laying out the premise's predicament would gradually unfold into a collection of grit-your-teeth, cat-and-mouse set-pieces. Thrillingly fast, long-winded and twisty-turny cars chase being the pick of the lot. It's not until the last half of the story when the raw, brutal explosiveness kicks in. The pace moves well enough, and the scenic photography of the European locations is fittingly captured. The bravura camera-work solidly gets amongst the action and the swirling music score is penetratingly overstated in a gusty fashion. Durable action joint.

Though proudly billed as Terence Young's COLD SWEAT, this turned out to be a below-average international concoction: the plot is formulaic – albeit adapted from a novel by Richard Matheson – one that Bronson often returned to, of a man whose past catches up with him (in fact, I recently watched Sergio Sollima's similar but superior VIOLENT CITY [1970]).

The film is doubly disappointing, however, for wasting the talents of actors of the caliber of James Mason and Liv Ullmann – the latter clearly wishes she was elsewhere, while the former often resorts to hamminess (with a ridiculous American accent to match). As expected, the narrative flanks Bronson with real-life spouse Jill Ireland – here in perhaps her most embarrassing performance as a spoiled hippie brat; needless to say, the star more often than not lets his physique do the acting for him – but his is an undeniable screen presence and, as I've written elsewhere, he just happened to fit the bill for what was required of an action star in the late 60s/70s.

The supporting cast also includes Michel Constantin (who was also in VIOLENT CITY), "Euro-Cult" regular Luigi Pistilli, and Jean Topart – all of them appearing as members of Mason's gang, with the latter being the most villainous of the lot and who gets his just desserts in memorable fashion. The best thing the violent film has going for it are the plentiful and exciting action sequences, particularly a lengthy – if somewhat irrelevant – car chase towards the end (once again, the work of Remy Julienne). Though the budget DVD at least presented it in the correct aspect ratio, the print for COLD SWEAT (which, along with a few other Bronson titles, has fallen into the public domain) was still too soft and murky to do justice to its variety of European locations.