Flucht vom Planet der Affen

Despite a conclusion showing the planet's destruction, 20th Century Fox requested another sequel, turning the films into a franchise.

Arthur P. Jacobs recruited Paul Dehn to a new script with a brief telegram: "Apes exist. Sequel required." Dehn immediately started work on what became the third film titled Escape from the Planet of the Apes. The film would once again change directors, Don Taylor was hired to direct and had a greatly diminished budget of $2.5 million dollars, which required a tight production schedule.

In the film, Zira and Cornelius are initially accepted by American society, but human fears that their child will bring about the destruction they predict to lead to their dates.

Compared to it's predecessors, Escape dwelt more heavily on themes of racial conflict, which became a primary focus through the rest of the series. The film opened on May 21, 1971, less than a year after the previous film and was well received by critics. It also performed really well at the box office, though not as strongly as the first two. Fox ordered a third sequel.

The story is just great, especially after the second film's poor story and the writer did a great job with creating this sequel's story. The direction and action is just amazing and cool. The film is really quick and amazing, but I just ran along with it.

The acting is just amazing in this one and the actors are just amazing. Kim Hunter and Roddy McDowall are good in there roles. Natalie Trundy is really good and is fantastic in her role. Bradford Dillman, Ricardo Montalban and Eric Braeden are really good in their new roles and they are fantastic and amazing.

Overall, ESCAPE FROM THE PLANET of the APES is really amazing and fantastic and it is one movie that definitely makes up for the previous film.

8/10.

ESCAPE FROM THE PLANET OF THE APES is a tale set in the madness of a paranoid 1970's in which zira and cornelius must fight for their lives and the life of their unborn baby. Using taylors ship zira and cornelius time warp to 1970's earth and are embraced by mankind. They soon become the target of a government think tank who fears their unborn child. In a era that listened to HAL LINDSEY scream the anti christ is coming this film taps into that paranoid vein with the "john birchish" character of Hessline who fears ziras baby. The film deals with the two apes dealing with 20th century earth and attempting to survive the scrutiny of the government. One of the best and most original films in the series the story told in this film makes it stand out. A fine film.

Having narrowly escaped the destruction of Earth in the year 395something A.D., intelligent chimpanzees Zira (Kim Hunter), Cornelius (Roddy McDowall) and Milo (Sal Mineo) are thrown back in time, crash landing off the coast of Southern California in the year 1973. Picked up by the U.S. army, they are taken to a zoo for observation, where Dr. Lewis Dixon (Bradford Dillman) and Dr. Stephanie Branton (Natalie Trundy) discover that the apes can talk. Milo is tragically killed by a captive gorilla, leaving Zira and Cornelius to be questioned about the events leading to their arrival on Earth inside a spacecraft originally manned by American astronauts.

Successfully satisfying the enquiry with their answers, the chimps are moved to a fancy hotel and given a tour of the city (during which Zira announces she is pregnant!). However, when suspicious Dr. Otto Hasslein (Eric Braeden) gets Zira gets drunk on Grape Juice + (Champagne), he learns details about her work as a scientist and information about Earth's future that give him cause for concern. Convincing the authorities that the chimps should be questioned further, Hasslein has them taken to an army base where Zira is administered a truth serum. She admits that apes will one day become a threat to the human race, and so a commission decides that Zira's baby should be aborted and that both chimps should be sterilised, leaving the hairy couple no choice but to escape.

This second sequel to the 1968 sci-fi classic Planet of the Apes could easily have been a repetitive cash-grab (like Beneath the Planet of the Apes before it), but in setting the action in the present day, the intelligent script raises a couple of thought-provoking moral dilemmas that make it a very interesting watch. Should we judge another species for its inhumanity when humans treat other animals with the same lack of respect? And does the human race have the right to ensure that it remains the dominant species or should we allow natural selection to decide what happens next? These clever conundrums, coupled with fine performances from McDowell, Hunter, Dillman, and Ricardo Montalban as kindly circus owner Armando, plus a wonderfully silly twist ending, go to make this a very entertaining entry in this much-loved franchise.

MORD39 RATING: *** out of ****

This third APES film ingeniously manages to keep the franchise alive and produces what is arguably the second best film of the five originals.

After the ultimate ending in BENEATH, who could have believed a new story was possible? Here the tables are turned from the original film with a remarkable twist: now three of our chimpanzee characters take off in Charlton Heston's spaceship and wind up going BACK in time, to "present Day" Earth (1973 A.D.) Once it is learned that Zira (Kim Hunter in her best performance in the series) is pregnant with the child that could possibly turn our future into the PLANET OF THE APES, she and her husband Cornelius (Roddy McDowall) go from becoming honored celebrities to dangerous threats to humanity!

It's a brilliant idea, and now it is possible to start the series anew (chronologically, this movie comes first) and see whether or not Taylor's nightmare from the first film can be prevented or will rear its ugly head for mankind.

A little defending is in order here. Many people get hung up on the story's notion that the chimpanzees can actually manage to fix Taylor's ship from the first film and actually launch it. Well, I say that if you can suspend disbelief long enough to accept the idea of a society of talking apes, why can't you accept that one of them (Dr. Milo) is a super-intelligent ape, sort of the "Albert Einstein" or "Thomas Edison" of his time? Besides, when folks get stuck on a point like that it becomes impossible for them to have a good time with a film. As Cornelius said in the movie: "Dr. Milo was a genius well in advance of his time." He was able to fly the ship. Case Closed.

Next case: the "TV Movie" look of the film. SO WHAT? People have become so accustomed to garbage like 1999's THE MUMMY that unless all films are over-swamped with spectacular sets and numbing effects, they can't enjoy them. Well, ESCAPE needs none of these to tell its simple story. It's got something that sci-fi stories today have lost..."heart".

After "Planet of the Apes" was completed, its star, Charlton Heston, argued strongly that there should not be a sequel. The original film was complete in itself, and any sequel would only dilute its impact and tarnish its reputation. In the event, a sequel was made and Heston was reluctantly persuaded to appear in it. He suggested, however, that it should end with the destruction of the Earth, a denouement that, he hoped, would put paid to any attempt to extend the series beyond two films.

In one respect Heston was to be proved right. "Planet of the Apes" is a classic, one of the best science-fiction movies ever made and one that combines an exciting plot with philosophical depth. It is frequently said that sequels are generally inferior to the original films, but seldom is this is as true as in the case of "Beneath the Planet of the Apes", a hopeless mess of a film. Neither its lack of artistic merit, however, nor its explosive ending dissuaded the filmmakers from making a third "Apes" film. An ingenious device was found to avoid the problems posed by planetary destruction; it is explained that shortly before the Earth was destroyed three of the apes found the wreckage of Taylor's spacecraft, repaired it and used it to travel back in time to 1970s America.

Although one of the apes is killed in an unfortunate incident shortly after arrival, the American public take to the two survivors, Cornelius and his wife Zira (both of whom played important parts in the first two films). The two intelligent, talking chimpanzees become media celebrities, and the early scenes are much lighter in tone than the two earlier films, at times even comic, as the two apes become after-dinner speakers and discover the joys of alcohol. The tone, however, gradually darkens. Figures in the government become alarmed by talk of a future in which men are dominated by apes, and Dr Hasslein, the President's sinister Germanic adviser, (based on Henry Kissinger?) is convinced that Zira and Cornelius represent a threat to the human race, especially after it is discovered that Zira is pregnant.

My disappointment with "Beneath...." had hitherto dissuaded me from watching any more of the later episodes in the "Apes" canon, so I was pleasantly surprised by "Escape.......". Although it lacks the depth and brilliance of "Planet of the Apes", it is considerably better than its immediate predecessor. The reason for its relative success lies with the fine contributions of its two stars, Roddy McDowell and Kim Hunter. Their characters played important supporting roles on the original film; here they take centre stage. The original had Heston's character Taylor at its centre, a human in danger from the apes. In "Escape......" the roles are reversed, with two lovable, and deeply human, apes in danger from humans. There is, however, a difference between the two films. The danger to Taylor came largely from ignorance; the apes, particularly Dr Zaius, saw him as a brute beast, like the other humans of their planet, and refused to listen to the evidence that suggested that he was, in fact, an intelligent being like themselves. Cornelius and Zira are in danger because of both their human and their non-human characteristics. Hasslein knows that they are intelligent beings who seem human and yet are not, and hates and fears them for precisely that reason. Just as they pitied and befriended Taylor, so they are in their turn befriended by two human scientists who try and save them from Hasslein.

There are a couple of inconsistencies between this and the earlier films, where the apes' society is shown as being technologically less advanced than ours, on a par with sixteenth or seventeenth century Europe. It is not explained how individuals from such a society could have succeeded in repairing and operating a spacecraft. Another inconsistency is that Cornelius and Zira know how the apes came to seize control of the Earth from humans and even state that this story is told in the Sacred Scrolls, the holy books of the apes' religion. In "Planet of the Apes" we are to understand that the Scrolls explicitly deny that humans ever had the powers of speech and reason, which is why Zaius is so reluctant to admit that Taylor can speak. These inconsistencies, however, are not really plot-holes as such and are unlikely to worry those who come to "Escape......." without having seen its predecessors. "Escape......." can be seen as a film in its own right rather than as a mere sequel, a film which starts out as a comedy and then turns into a serious thriller as the apes try to escape from their human enemies. Although it is less philosophical than the first film, it can perhaps be seen as an allegory of racism as Hasslein's paranoia leads him to treat as enemies those who bear no ill-will to him and his kind and whose only crime is to be different from him. It is significant that his name is derived from the German for "hate". 6/10