Füge eine Handlung in deiner Sprache hinzuMartial arts star Cheng Pei pei and versatile director Ho Meng hua were a great team, who elevated this tale of a virtuous swordswoman's revenge on the Black Demon who injured her to one of ... Alles lesenMartial arts star Cheng Pei pei and versatile director Ho Meng hua were a great team, who elevated this tale of a virtuous swordswoman's revenge on the Black Demon who injured her to one of the best of both their careers.Martial arts star Cheng Pei pei and versatile director Ho Meng hua were a great team, who elevated this tale of a virtuous swordswoman's revenge on the Black Demon who injured her to one of the best of both their careers.
- Wu Chang-chun
- (as Lieh Lo)
- Chiu Yun
- (as Kang Chia)
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This is quite a lively film which has the added appeal of having two female leads and all the male characters tending to be supporting players. The plot is quite nice and it doesn't overdo the "living in secret" thing more than is reasonable. From this point the training is quite good and the series of fight sequences are mostly enjoyable. The climatic fight on and around a pagoda is the best but all the skirmishes are enjoyable (and there were plenty). The one thing I didn't care for was some of the graphic gore – so people taking needles to the eyes and the like, it felt unnecessary and a bit gaudy. The "normal" violence was well done and I liked that it had a certain dramatic impact due to some main characters being in real danger. There are little moments of comedy too, but mostly it is a harder film in terms of action and events.
The cast is pretty good. I liked Cheng Peipei but I did think she did look a little too young for the role; the irony is that I think she was over 30 when she did this film, but she looks a lot younger and it didn't fit my vision of this legendary master. Shih Szu is must better cast; she has a sass of youth to her and has the bright eyes of enthusiasm which can give way to hurt or disillusionment well. Lo Lieh works well with both of them and, although a bit hammy, I enjoyed Wang Hsieh as the villain of the film. The filming is professional and makes good use of external locations and the action is well put together without being excessively choreographed.
Some of the violence didn't really work for me personally, but other than this I did enjoy the characters, the plot and the action. It was an added bonus to have it be all female leads and for both actresses to be good in their roles (although Shih is the better of the two.
Since others have covered the plot quite well, I'll write about the similarities to "Crouching Tiger". The love triangle is clearly repeated in the Ang Lee film. Two super fighting women and a man who is quite frankly not their fighting equal but the object of their affection. The younger woman goes on an angry mission to defeat the number one martial artist which includes a fight in a tavern (albiet an open air one). "Crouching Tiger" is not a remake but I would wager that it was influenced by this film.
The martial arts in the film are OK until the last third when the fight scenes go into overdrive. There's a noticeable chambara influence which in this case, unlike other Shaw films, is very good. Some of the martial arts are unfortunately simulated by camera tricks but the story keeps that from being a problem. Strangely the young woman is introduced as a whip master but at some point the whip disappears and she never uses it again.
A good story driven kung fu film.
I would like to give respectful mention to Hoa Li-Jen ('1911-1978). I call him "Old Snaggletooth" so as not to confuse him with other bit players at Shaw Brothers. He has over 222 movie credits over a 24 year career. He probably played "villager" more than any actor in history. More specifically he played "drunk villager", "villager at execution", "suffering villager" and "old villager". Yes, he could fill an entire village playing one villager at a time. He was not limited to that role as he also played "waiter", "beggar", "rebel", "vendor" and even "mental patient, dies in bed". He seemed to peak at such roles as "kung fu master", "Chief Imperial doctor", and the unsurpassable "Village God". I consider his absolute best career moment to be when he played a relative of Bruce Lee in "Enter the Dragon". In this movie he played "The Explainer". His dialog explains to Shih Szu what is going on with the thugs selling magic tokens to prevent death by ghost.
Lo Lieh has a quiet supporting role here as the Lady Hermit's unrequited love interest. He started as one of the few lead actors proficient in martial arts before acting. He played the ideal hero and peaked with his title role in "King Boxer". After that he was cast primarily as a villain and is remembered as such by most fans. Sadly, when the camera was not rolling, he was always at the end of a lit cigarette and died relatively young because of smoking related causes.
This movie is a classic that all fans of the genre know so my recommendation is meaningless. For the trouble of my review I get to add a number to the ratings and that would be a solid eight out of ten considering the year and genre.
Wonderful movie. Everything you'd expect from a genre classic of the early 70s is there, blood and tears, love and hate, fights and drama. Not unusual for the time period, violence is close to the edge of cartoon style. Pei-pei Cheng has one scene when she tells 3 rogues she will cut an arm, a leg and the head off one of them each. A few seconds later - whoosh, slash, aaargh - guess what's lying on the floor? An arm, a leg and a head. But there are always the emotional moments, too, which make the characters interesting, for example the storm scene, when the roof is torn off and Lady Hermit offers shelter to Chang Chun. Memorable and highly recommended.
Wusstest du schon
- WissenswertesWas the last, and more successful, wuxia movie in (Pei-Pei Cheng) career before emigrating to U.S. and abandon martial arts performances by many years.
- Zitate
'Lady Hermit' Shang Yu-ling: I want your head! Your leg! Your arm!
- VerbindungenReferenced in Little Red Riding Hood (2009)