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The Murder of Fred Hampton

  • 1971
  • Not Rated
  • 1 Std. 28 Min.
IMDb-BEWERTUNG
7,6/10
624
IHRE BEWERTUNG
The Murder of Fred Hampton (1971)
Crime DocumentaryBiographyCrimeDocumentaryHistory

Füge eine Handlung in deiner Sprache hinzuA chronicle of Fred Hampton's revolutionary leadership of the Illinois Black Panther Party, followed by an investigation into his assassination at the hands of the Chicago Police Department.A chronicle of Fred Hampton's revolutionary leadership of the Illinois Black Panther Party, followed by an investigation into his assassination at the hands of the Chicago Police Department.A chronicle of Fred Hampton's revolutionary leadership of the Illinois Black Panther Party, followed by an investigation into his assassination at the hands of the Chicago Police Department.

  • Regie
    • Howard Alk
  • Hauptbesetzung
    • Skip Andrew
    • Edward Carmody
    • James Davis
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    7,6/10
    624
    IHRE BEWERTUNG
    • Regie
      • Howard Alk
    • Hauptbesetzung
      • Skip Andrew
      • Edward Carmody
      • James Davis
    • 14Benutzerrezensionen
    • 15Kritische Rezensionen
    • 86Metascore
  • Siehe Produktionsinformationen bei IMDbPro
  • Siehe Produktionsinformationen bei IMDbPro
    • Auszeichnungen
      • 1 wins total

    Fotos8

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    Topbesetzung16

    Ändern
    Skip Andrew
    Skip Andrew
    • Self - Attorney
    • (Archivfilmmaterial)
    Edward Carmody
    • Self - State's Atty Police
    • (Archivfilmmaterial)
    James Davis
    • Self - Police Officer
    • (Archivfilmmaterial)
    • (as James 'Gloves' Davis)
    Rennie Davis
    Rennie Davis
    • Self
    • (Archivfilmmaterial)
    Fred Hampton
    Fred Hampton
    • Self
    • (Archivfilmmaterial)
    Edward Hanrahan
    Edward Hanrahan
    • Self (Illinois State's Attorney)
    • (Archivfilmmaterial)
    • (as Edward V. Hanrahan)
    Brenda Harris
    • Self
    • (Archivfilmmaterial)
    Deborah Johnson
    Deborah Johnson
    • Self
    • (Archivfilmmaterial)
    Lawrence Kennon
    • Self - Cook County Bar Assn.
    • (Archivfilmmaterial)
    Don Matuson
    • Attorney in trial re-creation
    James Montgomery
    • Self - Attorney
    • (Archivfilmmaterial)
    Renault Robinson
    Renault Robinson
    • Self - Pres., Afro-American Police Assn.
    • (Archivfilmmaterial)
    Bobby Rush
    Bobby Rush
    • Self
    • (Archivfilmmaterial)
    Ronald Satchel
    • Self
    • (Archivfilmmaterial)
    • (as 'Doc' Satchel)
    Bobby Seale
    Bobby Seale
    • Self
    • (Archivfilmmaterial)
    Tom Streeter
    • Self - Maywood Councilman
    • (Archivfilmmaterial)
    • Regie
      • Howard Alk
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen14

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    tedg

    The Great Oil Spill of Chicago

    If you lived through the 60s, or if you are a student of political movements and truth, you will find this fascinating.

    The facts are simple enough: The US had an overtly racist political system, working differently in big northern cities than backwards southern towns. Although the major sweep of protest was a noble, steady stand for simple justice, some hotheads took a violent stand. One of these was the Black Panthers, and a stronghold was Chicago.

    Chicago was famously corrupt in the sense of an inbred political establishment, including the police. Loyalty to the establishment was the game and the truth was expendable, malleable, inventable. Well, that is an old story.

    The interesting element is the Panthers. We have this film as consisting of footage from before and after the murder. The Panthers are possibly honest but probably not so. They surely are passionate, and committed to "the people." The striking thing is how utterly stupid the politics is: a combination of plain unrealistic Marxism, uneducated rhetoric and logic and earnest but goofy metaphors. These guys are basically well-meaning, frustrated nitwits with guns, who had a genuinely honest complaint and a lucked into an adversary that was incompetent at lying.

    The second half of this film was produced by the Panthers (and their white lawyers) as detectivework to show the lies of the Chicago police. There is no controversy about what happened and it is instructive to compare it to today's obsession with terrorists.

    There is a frustrated people who take up an armed struggle. They mix their aggressiveness with service programs for an underserved society on whom they depend for support. In this case, it was breakfast and "education" programs. This is the model for Al Qaeda, Hamas and Hezbollah. A large establishment opposes them, fears about safety abound. There is a threat of overthrow, destruction. Each side vilifies the other. But one side has governmental stability and organized forces. So they do what they believe is necessary, constitution be damned.

    No one listening to the news actually believed the police story, neither white nor black. Whites fabulated a story to explain away the discrepancies from the truth. This differs from today where torture is openly supported rather than lied about. But otherwise this film does what the best of history can do: give us insight into ourselves.

    Yes, the filmmakers, presenters and detectives are not admirable. Yes, you would not want to sign up for their childish politics. Unless you are grasping for a manufactured ethnic identity, the language and means of expression grate, embarrass. But they were fighting a great lie, a great lie in front of a great injustice.

    And the footage is real. So this matters.

    Ted's Evaluation -- 3 of 3: Worth watching.
    10diana-45

    I showed this movie around in the '70's

    I saw this movie when i was a journalism student at NYU in the '70's. the organization that I belonged to-The Revolutionary Student Brigade-took the movie around to different collages and also showed it in Newark at a Project where a young boy-Charles Sutton-had been shot. The movie is an eye opener. There is no doubt in your mind as to why Fred Hampton was killed. It's a great job of investigative reporting. If your stomach is not already turned by what is currently called "news" this will do it for you. It will also make you mad to see what we were once, what we could have done-what we did do and how our potential was destroyed by the powers that be. We can all get along-we can doanything as long as we recognize who the enemy really is. The people united will never be defeated.
    8gbill-74877

    Chilling

    This documentary was released just a year and half after Black Panthers leader Fred Hampton and his colleague Mark Clark were killed in a raid by Chicago policeman, who were there ostensibly to serve a warrant at a pre-dawn hour. It's an operation that is now widely considered to have been a brutal political assassination for Hampton's revolutionary views, and because of that, the interviews, press clips, and speeches assembled here are incredibly important, and still chilling 51 years later.

    The first half of the documentary show the political movement Hampton was a part of without sugar-coating it, which I thought was important, even as I wished it had been pared down (especially that fictional "People's Court") and narration provided to better frame the context. Through speeches and discussions, though, we see that the movement was one that advocated an overthrow of the oppressive, capitalist system that had exploited the common man and people of color for centuries, in order to advance to the "utopia of the communist state" of being. It advocated for blacks arming themselves and then killing policeman who "bother the people." It acknowledged cases where revolution had led to the revolutionary becoming an oppressor himself, like François "Papa Doc" Duvalier in Haiti, and yet still held out hope for the communist systems in Cuba and China, and indeed there are posters of Mao Zedong on walls. That's certainly not something that's aged well, but can you blame people for searching for an alternative when they're in a system that brutalizes them? And this quote early on is one that eerily rings true today:

    "...racist, decadent, capitalist, imperialist America is a phony state. That a phony state exists here and that these pigs are doing nothing but protecting the avaricious businessman and the demagogic politicians, protecting the exploitative system that they got going. That, in fact, we are tired of it, we are sick of it. You've been brutalizing black people. You've been murdering and lynching them. Black people are tired of it!"

    We also see the movement trying to provide for the community, e.g. Setting up medical care that's more concerned with public health that it is about profit, something which has gotten far worse all these decades later. They were for education, and standing up for their legal rights in a system that was trampling them. They were also dead on in their assessment that oppressed people had been successfully turned against one another by their oppressor, e.g. Poor white people against black people, something remarkably still true today. It's also important to note that they were young - Hampton was just 21 - and look at the arc of his colleague Bobby Rush, who was 23 here, and who would go on to serve in Congress for 30 years, announcing his retirement just this year.

    Whatever you believe about the political views and lyrics to songs being chanted about killing policemen, no one should be executed over them, least of all in a country that prides itself on its freedom and democracy. You also have to understand where these views come from, and I wish the documentary had provided a little bit more by way of that.

    Where it delivers best, however, is in its second half. There's something spine tingling about hearing Fred Hampton telling those in the audience to say "I am a revolutionary" before going to bed at night in case they don't wake up, and then seeing soundless footage of his dead body being carried out on a stretcher and all the blood at his apartment. From there the cutting back and forth to the establishment's version of events, given by police officers and Cook County State's Attorney Edward Hanrahan, and those who were in the apartment under a hailstorm of bullets and those who examined the scene afterwards, is as mesmerizing as it is disturbing. The inconsistencies in the State's story, the horrifying actions by the police, and the depraved indifference to both life and the truth are all outrageous. The fact that the documentary was made, bearing witness to what happened, is important, and it's one I wish was included in U. S. history curriculums. Sadly, that may be illegal now in some states, which is also outrageous.
    Nanhut60

    I toured the apartment after the murder

    I was 10 years old when this happened and I was taken to the apartment with my mother (a Chicago school teacher) and several of her co-workers. The black community was so up in arms about this that the schools pretty much closed down that day. We toured the apartment with the Panthers (not a police in sight). They had marked how all the shots in the walls were coming from outside to the inside. We saw the blood soaked mattress and how the apartment drawers and closets were all over turned like they were looking for something. Chicago PD was and still is crooked as hell. Fred Hampton was only 21 years old. Those young brothers (Mark Clark also) were about something great for the community and they were murdered!! Rest in Peace.
    9treywillwest

    Clear demonstration of murder by the capitalist state

    Fantastic documentary- both a great piece of journalism and a beautiful example of verite-filmmaking. It shows the truly socialist character of the Black Panthers as they feed and educate oppressed people of many backgrounds.

    The radical journalists who made this film make clear that the Chicago police felt the need to execute Hampton, an important Black Nationalist, potentially an important Marxist revolutionary leader, before he developed any more of a mass, multi-national following. The fact that Hampton was convicted of clearly trumped-up charges of robbery by an all-white jury shows that the general white populace feared Black people, yet the many white progressives and radicals in Hampton's circle shows that the racial divide was gradually declining in the near- revolutionary climate of the late-'60s, at least among young people. The film thus makes terrifyingly comprehensible the capitalist state's desire to quash Black Power before it could be equated with, in Hampton's words, "Brown Power for Brown people, Yellow Power for Yellow People..." and even "White power for White people."

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    • Wissenswertes
      My uncle was involved with this film. The cameraman, Mike Gray, had to go into hiding in CA for months with the film canisters because he fillmed the evidence of the real bedroom door with bullets going one way. He went behind the yellow police tape the day before Hanrahan's men switched to the false door that showed 2 way shooting.
    • Zitate

      Bobby Seale: You know what we are gonna do? We are going to defend ourselves. Because Huey P. Newton says that power - power is the ability to define phenomena and make it act in a designed manner. Power is the ability - to define phenomena - and make it act in a designed manner. What kind of phenomena? Social phenomena! What is a social phenomena? Black people, Mexican Americans, any kind of people, begins to learn that the social phenomena is that, in fact, U.S., racist, decadent, capitalist, imperialist America is a police state. And a police state exists here and that these pigs are doing nothing but protecting the average businessman and the demogoging politicians, protecting the exploiting system they got going. That, in fact, we are tire of it, we are sick of it. You've been brutalizing black people. You've been murdering and lynching us. Black people are tired of it!

    • Verbindungen
      Featured in Underground (1976)

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    Details

    Ändern
    • Erscheinungsdatum
      • Mai 1971 (Vereinigte Staaten)
    • Herkunftsland
      • Vereinigte Staaten
    • Sprache
      • Englisch
    • Auch bekannt als
      • Hampton
    • Drehorte
      • Chicago, Illinois, USA(location)
    • Produktionsfirma
      • The Film Group, Chicago
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    Technische Daten

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    • Laufzeit
      1 Stunde 28 Minuten
    • Farbe
      • Black and White
    • Sound-Mix
      • Mono
    • Seitenverhältnis
      • 1.37 : 1

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