IMDb-BEWERTUNG
7,5/10
1964
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuConcert footage and offstage documentary of singer Elvis Presley.Concert footage and offstage documentary of singer Elvis Presley.Concert footage and offstage documentary of singer Elvis Presley.
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- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 1 wins total
Estell Brown
- Self
- (as Estelle Brown)
Christopher Riordan
- Self
- (Archivfilmmaterial)
Sylvia Shemmell
- Self
- (as Sylvia Shemwell)
Empfohlene Bewertungen
I should stay on the fence for this one.
I mean, it's always an either/or situation when it comes to Elvis Presley: either you subscribe to a fanatical worship of him, going so far as to calling him the King, or you attack him with a generous portion of cynicism, remarking more about his capes, kung fu and his weight than about his music. Well, for me, it's always about the music. His music is what lives on. And the music is what works best in this film. Being able to watch him rehearse with band mates while backstage was an amazing 'fly on the wall' experience. Elvis had a love for music that was inspiring, and as you can see on the film, even his band members shared in the love for music and were very much in awe of him and his musical abilities. I guess that's what I take away from the film most, his love for music, whether it's country, blues, gospel or rock and roll, Elvis loved music. It was also a great thrill to see his band working out through their first live rendition of 'Burning Love' or to hear his dramatic rendition of 'Bridge Over Troubled Water'. These moments are definitive proof of Elvis' ability to captivate an audience, just stunning.
However, I could have done without the cheesy '2001' intro, but you must remember, it was the 70's and who knows, you may get a perverse chuckle from hearing it. The 'Love Me Tender' film montage left me feeling sad in a number of ways. 1) In the clips we see Elvis as a young man, fit and charismatic, brimming over with so much promise. Then to cut back to see the current Elvis on stage in his capes. Just depressing.
2) The film images for the montage were taken from all of those films he made when he should have been concentrating on his music. Ironicly, the films kept him from making great music for a long period of time. Given the choice, I would rather he made music instead of 'Girls Girls Girls' or 'Viva Las Vegas' or any movie. It almost gives credence to something that is said in the film, in a totally non related way, when a loud speaker declares, "The Elvis Presley Show is a complete sell out".
All in all.....fans will loooooove the movie. People who can take or leave Elvis will deal with the movie and appreciate his talents, or at least they should. Those who are not fans will laugh at his costumes, his posse and his sides....hairy and otherwise. And you know, that's just not a good enough reason.
Me? I guess I lean more towards the 'either'.7/10.
Clark Richards
I mean, it's always an either/or situation when it comes to Elvis Presley: either you subscribe to a fanatical worship of him, going so far as to calling him the King, or you attack him with a generous portion of cynicism, remarking more about his capes, kung fu and his weight than about his music. Well, for me, it's always about the music. His music is what lives on. And the music is what works best in this film. Being able to watch him rehearse with band mates while backstage was an amazing 'fly on the wall' experience. Elvis had a love for music that was inspiring, and as you can see on the film, even his band members shared in the love for music and were very much in awe of him and his musical abilities. I guess that's what I take away from the film most, his love for music, whether it's country, blues, gospel or rock and roll, Elvis loved music. It was also a great thrill to see his band working out through their first live rendition of 'Burning Love' or to hear his dramatic rendition of 'Bridge Over Troubled Water'. These moments are definitive proof of Elvis' ability to captivate an audience, just stunning.
However, I could have done without the cheesy '2001' intro, but you must remember, it was the 70's and who knows, you may get a perverse chuckle from hearing it. The 'Love Me Tender' film montage left me feeling sad in a number of ways. 1) In the clips we see Elvis as a young man, fit and charismatic, brimming over with so much promise. Then to cut back to see the current Elvis on stage in his capes. Just depressing.
2) The film images for the montage were taken from all of those films he made when he should have been concentrating on his music. Ironicly, the films kept him from making great music for a long period of time. Given the choice, I would rather he made music instead of 'Girls Girls Girls' or 'Viva Las Vegas' or any movie. It almost gives credence to something that is said in the film, in a totally non related way, when a loud speaker declares, "The Elvis Presley Show is a complete sell out".
All in all.....fans will loooooove the movie. People who can take or leave Elvis will deal with the movie and appreciate his talents, or at least they should. Those who are not fans will laugh at his costumes, his posse and his sides....hairy and otherwise. And you know, that's just not a good enough reason.
Me? I guess I lean more towards the 'either'.7/10.
Clark Richards
The final era of the 20th Century's most respected Rock icon-Elvis Aaron Presley is captured here by MGM doing what he did best of all: Performing to various live audiences around the U.S.
It's almost a couple of years on from the first MGM filmed documentary about the Man and his live act, 'That's The Way It Is', and 'On Tour' is filmed in a different retrospective. In this one there aren't as many as those annoying fan interviews and interruptions and mainly concentrates on the different performances that Elvis manufactures to create his touring Stage-Show at this time.
Some of the old favourites are in there such as 'Johnny B.Goode'(Great opener to the film!), 'Polk Salad Annie'(Performed somewhat faster-wow!), 'Love Me Tender'(Nice touch showing some of the scripted movie kiss scenes!), 'Lawdy Miss Clawdy'(A total free-for-all with Elvis and the Band-magnetic!), 'I Got A Woman'(Amen to this!) and the finale sound of 'Can't Help Falling In Love'(Cape-wielding showstopper!).
New tunes 'The King' was bringing into his act at this particular time included 'Until It's Time For You To Go', 'Burning Love', 'An American Trilogy', 'You Gave Me A Mountain' and 'Never Been To Spain', and it's all a delight to hear and see him perform these in his own special, voice-to-the-limit, inimitable way.
After 32 previous attempts at trying to get himself recognised on film for the most part as a serious actor it's justifying that Elvis didn't need to act to do this, as the Golden Globe came winging it's way to 'On Tour' for Best Movie Documentary. Elvis appears slightly more weighty than in 'That's The Way It Is', with his hair somewhat longer and sideburned. The undeniable animal magnetism and aurora and God-gifted musical talent of this human being, which the film also sets out to portray, are here in evidence as a filmed testimony to any young, up and coming Singers even to this day who are trying to cut a niche for themselves in the unpredictable world of Pop Music-At the end of the day it's sheer hard work, just like in any job you may hold down, that helps to get you established and recognised for a lengthy period of time in the industry.
Elvis in 'On Tour' is dogged with personal problems and obviously reliance on prescription drugs are quite evident in some scenes, which ironically add to the sad and touching biography that is being told before you on the screen. Unlike 'That's The Way It Is', Elvis doesn't seem to enjoy himself as much surrounded by his so-called buddies, and it seems as though Vernon (his father)is more present than ever which certainly gave Elvis that family connection that he no doubt craved at this point, especially being on the road for weeks at a time. Infact, the only time Elvis seemed happy apart from on stage was when he was with his band in private singing many a gospel number.
Nevertheless, fan or non-fan, you'll love this and it's a unique testimony to a Performer who was being filmed for his official final movie in his career. The greatest triumph was still yet to come after this movie, in the form of his record-breaking Satellite TV Special the following year-'Aloha From Hawaii'. In this Special Elvis would never look and sound this consistently good again, but that was another time and another place...
It's almost a couple of years on from the first MGM filmed documentary about the Man and his live act, 'That's The Way It Is', and 'On Tour' is filmed in a different retrospective. In this one there aren't as many as those annoying fan interviews and interruptions and mainly concentrates on the different performances that Elvis manufactures to create his touring Stage-Show at this time.
Some of the old favourites are in there such as 'Johnny B.Goode'(Great opener to the film!), 'Polk Salad Annie'(Performed somewhat faster-wow!), 'Love Me Tender'(Nice touch showing some of the scripted movie kiss scenes!), 'Lawdy Miss Clawdy'(A total free-for-all with Elvis and the Band-magnetic!), 'I Got A Woman'(Amen to this!) and the finale sound of 'Can't Help Falling In Love'(Cape-wielding showstopper!).
New tunes 'The King' was bringing into his act at this particular time included 'Until It's Time For You To Go', 'Burning Love', 'An American Trilogy', 'You Gave Me A Mountain' and 'Never Been To Spain', and it's all a delight to hear and see him perform these in his own special, voice-to-the-limit, inimitable way.
After 32 previous attempts at trying to get himself recognised on film for the most part as a serious actor it's justifying that Elvis didn't need to act to do this, as the Golden Globe came winging it's way to 'On Tour' for Best Movie Documentary. Elvis appears slightly more weighty than in 'That's The Way It Is', with his hair somewhat longer and sideburned. The undeniable animal magnetism and aurora and God-gifted musical talent of this human being, which the film also sets out to portray, are here in evidence as a filmed testimony to any young, up and coming Singers even to this day who are trying to cut a niche for themselves in the unpredictable world of Pop Music-At the end of the day it's sheer hard work, just like in any job you may hold down, that helps to get you established and recognised for a lengthy period of time in the industry.
Elvis in 'On Tour' is dogged with personal problems and obviously reliance on prescription drugs are quite evident in some scenes, which ironically add to the sad and touching biography that is being told before you on the screen. Unlike 'That's The Way It Is', Elvis doesn't seem to enjoy himself as much surrounded by his so-called buddies, and it seems as though Vernon (his father)is more present than ever which certainly gave Elvis that family connection that he no doubt craved at this point, especially being on the road for weeks at a time. Infact, the only time Elvis seemed happy apart from on stage was when he was with his band in private singing many a gospel number.
Nevertheless, fan or non-fan, you'll love this and it's a unique testimony to a Performer who was being filmed for his official final movie in his career. The greatest triumph was still yet to come after this movie, in the form of his record-breaking Satellite TV Special the following year-'Aloha From Hawaii'. In this Special Elvis would never look and sound this consistently good again, but that was another time and another place...
If you're a fan of Elvis Presley like I am, then what's not to love about this thoroughly awesome documentary? It offers an excellent look at the King of Rock of Roll on tour exciting audiences as only he knew how. It's always very refreshing to see Elvis using his extraordinary talent and this film is no exception. A definite recommendation on my part.
This is Elvis at his total peak as a stage performer and ultimate 20th Century musical icon. The King has often been criticised at this point in his private life and career for one aspect or another - the separation from Priscilla, the reliance on prescribed medication, the extra pounds added to his waistline, the abundance of cover versions in his stage act, etc., etc. But what people fail to realise - here was a man who naturally was suffering with a certain amount of stress at this particular phase of his showbiz and personal life, especially having contracted glaucoma and having to cope with a gruelling touring schedule. Elvis might have been carrying a few extra pounds since MGM filmed him on and off stage in his previous documentary, but he still looked in peak physical condition and could certainly move and shake better than any would-be contender to his throne - check out 'Polk Salad Annie', the opening credit montage of 'Johnny B. Goode' and the energetic displays of on-stage Karate routines. Elvis had just recorded some future classic hits at this point when the movie was being filmed namely 'Always On My Mind' and 'Burning Love'. The other songs that had been certified global hits just before filming commenced for "On Tour" were 'An American Trilogy' and 'Until It's Time For You To Go'. The inspirational album 'He Touched Me' had just given Elvis his second grammy award in five years, and three of the gospel numbers on the album were to be featured rehearsal performances in "Elvis On Tour". A couple of months later The King embarked on another concert performance milestone with a full weekend of sell-out shows at New York's Madison Square Garden - John Lennon, George Harrison, David Bowie and Paul Simon were in attendance. The album recording of the Saturday night concert at The Garden achieved gold status. Before the pinnacle of the record-breaking 'Aloha From Hawaii' Satellite Concert in January 1973, "Elvis On Tour" had been nominated for a Golden Globe award for Best Documentary - it ended up as the winner. So, as anyone can see here, there were so many high points that are frequently overlooked in the year Elvis1972. And, as for performing such covers as 'Proud Mary', 'Bridge Over Troubled Water', and 'I Can't Stop Loving You' - he did them His way!
I've never been a big fan of Elvis Presley, though I will admit he could certainly belt out a great song, and he also knew how to put on a good show in front of an audience. "Elvis on Tour" is without doubt a valuable rock and roll concert documentary, capturing what Elvis was like in a key part of his career. It shows that he still had considerable singing chops and magnetism.
But at the same time, something often seems to missing as he's singing, almost like he is just going through the motions. It may be because he was older, it may be because of the narcotics he was taking - I'm not sure why he isn't as energetic as he was just a few years earlier. The only portions of the documentary where he performs with genuine enthusiasm and energy is with a couple of gospel songs.
The behind-the-scenes portions of the documentary are also a bit of a letdown. We learn very little about Elvis, like what he's thinking about this entire tour, what he thinks about where he is in his career, and a number of other unanswered questions.
I will say, however, that the musical numbers in the movie are very well directed and edited; the split screen techniques bombard the viewer with a lot of information, giving the feeling of actually being at an Elvis concert. This does make up for Elvis' somewhat lack of the energy he had in the past, and push the movie up to being an okay viewing experience, though more for real Elvis fans than more casual appreciators like myself.
But at the same time, something often seems to missing as he's singing, almost like he is just going through the motions. It may be because he was older, it may be because of the narcotics he was taking - I'm not sure why he isn't as energetic as he was just a few years earlier. The only portions of the documentary where he performs with genuine enthusiasm and energy is with a couple of gospel songs.
The behind-the-scenes portions of the documentary are also a bit of a letdown. We learn very little about Elvis, like what he's thinking about this entire tour, what he thinks about where he is in his career, and a number of other unanswered questions.
I will say, however, that the musical numbers in the movie are very well directed and edited; the split screen techniques bombard the viewer with a lot of information, giving the feeling of actually being at an Elvis concert. This does make up for Elvis' somewhat lack of the energy he had in the past, and push the movie up to being an okay viewing experience, though more for real Elvis fans than more casual appreciators like myself.
WUSSTEST DU SCHON:
- WissenswertesMartin Scorsese was the montage supervisor for this documentary.
- Zitate
Elvis Presley: [introducing band members to audience] "... and the guy that gives me my water and my scarves and so forth, his name is Charlie Hodge."
- Alternative VersionenDue to music licensing issues, substitutions were made for the 2010 DVD/Blu-Ray release. The opening song, Johnny B. Goode is replaced with Don't be Cruel, while the Also Sprach Zarathustra (Theme from 2001 - Odyssee im Weltraum (1968)) opening bars have been replaced with a generic piece of music.
- VerbindungenEdited from Die wilden Weiber von Tennessee (1964)
- SoundtracksSee See Rider
Traditional, also credited to Ma Rainey
Arranged by Elvis Presley
Performed by Elvis Presley
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Details
Box Office
- Budget
- 600.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 587.818 $
- Weltweiter Bruttoertrag
- 587.818 $
- Laufzeit1 Stunde 33 Minuten
- Seitenverhältnis
- 2.35 : 1
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