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Süß, aber ein bißchen verrückt

Originaltitel: That Girl
  • Fernsehserie
  • 1966–1971
  • TV-PG
  • 30 Min.
IMDb-BEWERTUNG
7,3/10
3542
IHRE BEWERTUNG
Süß, aber ein bißchen verrückt (1966)
Home Video Trailer from Shout! Factory
trailer wiedergeben1:24
5 Videos
99+ Fotos
Romantic ComedyComedyDramaRomance

Füge eine Handlung in deiner Sprache hinzuAn aspiring actress moves from her hometown of Brewster, New York, to try to make it big in New York City, having to take several offbeat "temp" jobs to support herself in between her variou... Alles lesenAn aspiring actress moves from her hometown of Brewster, New York, to try to make it big in New York City, having to take several offbeat "temp" jobs to support herself in between her various auditions and bit parts.An aspiring actress moves from her hometown of Brewster, New York, to try to make it big in New York City, having to take several offbeat "temp" jobs to support herself in between her various auditions and bit parts.

  • Stoffentwicklung
    • Sam Denoff
    • Bill Persky
  • Hauptbesetzung
    • Marlo Thomas
    • Ted Bessell
    • Lew Parker
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    7,3/10
    3542
    IHRE BEWERTUNG
    • Stoffentwicklung
      • Sam Denoff
      • Bill Persky
    • Hauptbesetzung
      • Marlo Thomas
      • Ted Bessell
      • Lew Parker
    • 49Benutzerrezensionen
    • 8Kritische Rezensionen
  • Siehe Produktionsinformationen bei IMDbPro
    • Für 7 Primetime Emmys nominiert
      • 3 Gewinne & 11 Nominierungen insgesamt

    Episoden137

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    Videos5

    Funny Women of Television
    Video 3:41
    Funny Women of Television
    That Girl
    Trailer 1:24
    That Girl
    That Girl
    Trailer 1:24
    That Girl
    That Girl: Seasons One Through Five
    Trailer 1:24
    That Girl: Seasons One Through Five
    That Girl: Season Three
    Trailer 1:26
    That Girl: Season Three
    That Girl: Season One
    Trailer 1:26
    That Girl: Season One

    Fotos294

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    Topbesetzung99+

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    Marlo Thomas
    Marlo Thomas
    • Ann Marie
    • 1965–1971
    Ted Bessell
    Ted Bessell
    • Donald Hollinger…
    • 1965–1971
    Lew Parker
    Lew Parker
    • Lew Marie…
    • 1966–1971
    Bernie Kopell
    Bernie Kopell
    • Jerry Bauman
    • 1966–1971
    Rosemary DeCamp
    Rosemary DeCamp
    • Helen Marie
    • 1966–1970
    Bonnie Scott
    • Judy Bessemer
    • 1966–1967
    Carolan Daniels
    Carolan Daniels
    • Ruth Bauman
    • 1967–1969
    Alice Borden
    • Ruth Bauman
    • 1969–1971
    Dabney Coleman
    Dabney Coleman
    • Dr. Leon Bessemer
    • 1966–1967
    Bobo Lewis
    Bobo Lewis
    • Gloria…
    • 1967–1971
    Bob Ross
    • Waiter…
    • 1970–1971
    Sam Denoff
    • Big Better…
    • 1969–1971
    Mabel Albertson
    Mabel Albertson
    • Mildred Hollinger…
    • 1966–1970
    Ruth Buzzi
    Ruth Buzzi
    • Pete Peterson
    • 1967–1968
    Ed Peck
    Ed Peck
    • Bart…
    • 1966–1970
    Jesse White
    Jesse White
    • Eddy Edwards…
    • 1968–1969
    Renata Vanni
    Renata Vanni
    • Mrs. Rose Brentano…
    • 1967–1969
    Gino Conforti
    Gino Conforti
    • Nino
    • 1969–1971
    • Stoffentwicklung
      • Sam Denoff
      • Bill Persky
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen49

    7,33.5K
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    Empfohlene Bewertungen

    10earlytalkie

    Love That Girl

    "That Girl" is one of those shows that I enjoyed during it's first run on ABC and in it's reruns over the years, but it's been many years since i saw this as it has not been on TV in a while. The re-discovery of this on DVD reveals that it is even better than I remember it. The cast in all instances is first-rate, and the scripts are crisp, funny, full of heart and do not date one bit. Marlo Thomas supposedly had a hand in most of the aspects of this classic series, and I say a great job well done. Like John Forsythe in "Bachelor Father", this show was her baby and no show could have had a better mother. ME-TV has just begun re-running this as of this writing, and my partner and I were laughing out loud at many of the antics on the marathon which launched the series on New Year's Day. The film quality of the show has been so beautifully preserved that it looks brand-new. The 1960s background makes the series a kind of time capsule back to those fashions and some of the early episodes especially feature some great location footage shot in N.Y.C. which add to the "theatrical" look of this series. Each episode has the look of a mini-movie, being shot with one camera. The laugh-track is present but not overdone or intrusive. The format of the single girl trying to make it on her own would be echoed a few years later in the super-classic "Mary Tyler Moore" show. "That Girl" had great writing throughout it's five seasons, and Ms. Thomas wisely opted out of the show before it became stale as so many other long-running shows of the period did. She also avoided knuckling under to the network by not having Ann and Donald marry. This was her personal decision and in retrospect, a wise one. Marlo Thomas herself, being the daughter of the great Danny Thomas, had to prove herself with this series and boy, did she ever. Having "Make Room For Daddy", one of the great shows of it's own era, and "That Girl", one of the greats of the 60s, one hopes that there will be another generation of the Thomas family to give us yet another great series to enjoy. If this review sounds like a love letter to Marlo Thomas, so be it. It is.
    VetteRanger

    One of the rare 'bright' comedies

    'That Girl' is a 60s sitcom that holds up much better than most when viewed almost 40 years later.

    Altho Marlo Thomas provides most of the zaniness that sitcoms often seek to provide, my favorite role was actually Ted Bessel's Don Hollinger. The character of Don was, for the most part, a very calm, composed influence on the show. He seldom got flustered in the face of Ann's occasional hysterics or her father's often stern disapproval. Despite the 'character of his character', he was no straight man. Each episode has several intelligent witticisms or truly amusing wry comments from Don.

    The series stayed remarkably consistent through the entire run, in my opinion never 'jumping the shark', as so many long running sitcoms are prone to.

    Don and Ann set a good example for a mature and caring relationship, even in the face of comedy script episodes and antics.

    Highly recommended.
    8AlsExGal

    Lew Parker as Wile Coyote and Ted Bessell as The Roadrunner...

    ... or if not that, Ted Bessell as one of the most sexually frustrated men of 1960's New York City. If the Mary Tyler Moore show had first aired in 1966 instead of 1970, it would have been this show. American culture changed that quickly. Marlo Thomas plays a young woman, Ann Marie, from the village of Brewster, New York who comes to the big city to become an actress, which is a tough career to break into, thus she takes a series of quirky jobs to get by which often become the central theme of certain episodes. In the very first episode she meets Donald (Ted Bessell), a writer for a magazine, and they are a couple for the next five years, a couple that - apparently - never has sex.

    Back home, Ann's dad (Lew Parker) never quite trusts Donald's intentions with his daughter, and believes that girls should live at home until married. Thus a mainstay of the show is dad bursting in on Ann and Donald, either incidentally or intentionally, only to find them in what appears to be a compromising position (Ah ha! I've got him!) that in the end has a logical and platonic explanation.

    If you didn't live through this period in history, you might think of the 1960's and believe it was nothing but an endless parade of hippies, pot smoking, and student/police confrontations over the Vietnam War. The fact is, most people in 1960's America were still living in the 1950's at the time, and women were still largely accepted only in traditional professions - teaching, nursing, secretarial work, acting - you know, jobs that involve either serving men or children. So That Girl was about as far as network TV could go with this topic - a young woman living in her own apartment pursuing a career in ANYTHING in New York City - without raising middle class eyebrows.

    It was bright, funny, and innocent, sometimes to the point of being naive, but I'll always look back fondly on "That Girl" of my youth.
    10bedfordfalls

    Marlo Thomas was a role model for many of us in that era!

    To many of us born in the fifties and becoming teen-age girls by the mid-late 60's, THAT GIRL was THE show to tune in to and see the hair and fashions and enjoy the comedy. My very favorite episode is when Donald tries to teach Ann to drive his manual (stick) shift car!!! The chemistry between the two actors is just great. Marlo Thomas is adorable in this series. The show was well casted and polished. My best friend in the 60's and I never missed an episode on Tuesday nights and now they are available on wonderful DVDs to enjoy again and again. Hollywood did not spoil Marlo, as she went on to author several wonderful books and of course, carry on her father's work for St.Jude Hospital for the children. She is to be admired.
    assadleon

    Lost Episodes?

    One TV Encyclopedia I consulted claims that since THAT GIRL was canceled in mid-season in 1971, there are "lost episodes" which were never aired, having to do with Ann and Don's wedding plans. IS ABC/TVLAND holding out on us? Can any one confirm or debunk this? As I recall-being 10 years old at the time---the couple spend that entire season looking at furniture, dreaming of a new house, pricing the wedding dress, etc. Also, I find it strange, given that the two are engaged during the last season, that Marlo Thomas supposedly demanded the marriage never take place? What was she going to do; have Ann leave Don at the altar?

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    Handlung

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    • Wissenswertes
      The running gag of having the pre-credit sequence ending with a character referring to Ann as "that girl" was originally only supposed to be used in the pilot as it was believed that they would never be able to keep finding ways to work it into the conversation. It ended up being used in almost all the episodes.
    • Patzer
      Ann Marie moves to New York City from Brewster, NY, which is on the Metro North Railroad's Harlem Line to Grand Central Terminal. The footage behind the credits was shot on New Jersey Transit's Northeast Corridor Line (photographed from the rear of a train leaving New York and then shown backwards so the train appears to be going to New York, although on the wrong track).
    • Crazy Credits
      The opening for season 1 only is not the famous train tracks, but a breathless and beautiful Ann Marie running across a NY street to a building, dressed in a pale blue coat, white gloves and shoes, white pocketbook under her arm. The train tracks don't come until seasons 2, 3, & 4, and season 5 adds lyrics to the up-tempo opening music ("Diamonds, daisies, snowflakes...").
    • Verbindungen
      Featured in 7 Nights to Remember (1966)
    • Soundtracks
      Minnie the Moocher
      Lyrics by Irving Mills and Clarence Gaskill

      Music by Cab Calloway

      Performed by Lew Parker

    Top-Auswahl

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    FAQ

    • How many seasons does That Girl have?
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    Details

    Ändern
    • Erscheinungsdatum
      • 1965 (Vereinigte Staaten)
    • Herkunftsland
      • Vereinigte Staaten
    • Sprache
      • Englisch
    • Auch bekannt als
      • That Girl
    • Drehorte
      • Downtown Manhattan Heliport, Manhattan, New York City, New York, USA(Closing theme; Seasons 2 thru 5)
    • Produktionsfirma
      • Daisy Productions
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

    Technische Daten

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    • Laufzeit
      30 Minuten
    • Farbe
      • Color
    • Sound-Mix
      • Mono
    • Seitenverhältnis
      • 1.33 : 1

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