Alles dreht sich um Bikinis

This is a different kind of flick because it doesn't have Frankie Avalon and Annette Funicello. Also, the score is probably more different than the ones used in the Avalon/Funicello epics. However, this film is not on the same league with those films. The only thing that I really enjoyed was watching the Castaways perform their garage/punk anthem "Liar, Liar". You pretty much can tell that this film was done on even more of a shoestring budget than the AIP films. Tommy and Deborah are sure no Frankie and Annette.

I caught this movie on cable one day and actually really enjoyed it. I even looked for the movie to buy but I'm assuming it's not out on DVD.

Mike is your stereotypical male chauvinist. He has to be the best at everything and when a girl comes along and challenges him at different events, he feels he must beat her. He also ends up falling for her and pretends to have a dweeby twin brother named Herbert. The girl falls for Herbert and Mike has to figure out how to tell her who he actually is.

There is also a cameo by The Animals and a groovy skateboard race scene.

It's Christmas in Los Angeles, and yet there are still kids hitting the beach in the early morning hours! Brrrr. Tommy Kirk plays the local Lothario who gets put down by the new girl on the block; he dons nerdy glasses and attempts to woo her Clark Kent-style, but she's more interested in showing up his alter-ego at skateboarding and speedboat racing. Stephanie Rothman directed, and though she doesn't cut back on the cheesecake factor, neither does she seem to know where exactly to point the camera. We get glimpses of behinds and legs and exposed tummies, but without faces and personalities it's all a beach blur. The skateboard race around local side streets is fun, and Deborah Walley twinkles and giggles pleasantly enough, but the quasi-pop art look is scuttled by the low budget and the musical numbers are lethargic. In fact, nearly everyone here seems to be dragging their feet, as if benumbed by the whole enterprise. *1/2 from ****

"It's A Bikini World" was a production of famed B movie studio American- International Pictures, but was released under their Trans American Films label. A.I.P. used that label on movies they handled that they thought might tarnish their reputation, and it's easy to see why they were probably uneasy about this movie. Unlike their other beach party movies, this movie is sorely lacking in energy. Scene after scene goes by that immediately falls on the ground with a thud. There's also not much of a story on display here, resulting in a lot of padding. Even the music (save for when The Castaways perform their hit "Liar, Liar") is nothing special. Sid Haig is kind of fun in his scenes, but he doesn't get a lot of screen time. A beach blanket bomb!

As a fan of the original beach party flicks, it was sad and disappointing to discover this rarely seen bit of cinematic fluff. By the time it was released, the genre had run its course and this was in no way going to revive it. It took the original pairing of Frankie Avalon and Annette Funicello to resuscitate it in Back To the Beach, a fond look back at the genre.

Deborah Walley, who co-starred in some of the original beach party movies gets to star here along with Disney alum Tommy Kirk, who really should have hit the gym before running around with his shirt off. The movie has a poverty row feel about it. The jokes fall flat and the hipster lingo and characters are just embarrassing, as they probably were in the late 60's.

The only reasons to see this are for an early film appearance by Sid Haig who has recently had a career resurgence of sorts with his turn as Captain Spaulding in Rob Zombie's House of 1,000 Corpses and its sequel The Devil's Rejects; and of course for the music and the groups. They are still pretty cool, and the only way this film got 3 stars from me.

Stick with the original beach party movies, they are way more fun.