The Vulture

I haven't seen this since I was a kid, but I remember:

The leading man played a scientist who pronounced "nuclear" and "nuke-you-lar" through the whole film.

It was about some giant mutant vulture but they were too cheap to get a whole bird (fake or real), there was just this pair of big rubber bird feet that landed on the shoulders of bit actors and supposedly carried them off.

The whole thing was so dreadfully low-budget that I think the people at Mystery Science Theater 3000 should have a good look.

As another user mentioned, I also caught this film by accident on my VCR -- and in b&w. I've since picked up a color DVD-R. In B&W it has more of the feel of a Mexican monster picture from the 50s-60s. By his presence, Akim Tamiroff elevates the picture to a slot above similar mid-sleaze trash. Even hobbling around on 2 canes (I imagine he thought a walker would look silly), he sparks up the interest every time he appears on screen (not often). Broderick Crawford doesn't, and Robert Hutton performs with the same level of "excellence" he always demonstrates. Watch it for Akim, and for being the only picture to equal the hilarious sfx of "The Giant Claw."

The first thing I would say about this film is that it contains much THE AVENGERS series DNA. Mystery in the English countryside with many creepy and totally crazy scenes. OK, this is not a masterpiece, but don't watch it as if it was, don't expect anything great, then you won't be deceived. Typically british and far enough for my taste.

The Vulture is a rather tedious movie for the most part, with lots of talk and very little action, but the basic premise is so supremely daft that it results in one or two priceless moments of unintentional hilarity that no fan of bad horror movies will be able to resist.

The film opens in Cornwall, as teacher Ellen West (Annette Carell) takes a late night walk home through a reputedly haunted churchyard; her stroll is interrupted by something monstrous emerging from a grave and flying away, leaving the teacher in a state of severe shock. After hearing about the incident, and doing some investigative work, American nuclear scientist Eric Lutens (Robert Hutton) concocts a crazy theory involving a centuries old Spaniard, a box of treasure, a bird of prey, and an experiment involving 'nuclear transmutation' which he believes has resulted in a half-man/half-vulture creature. The police aren't convinced, but it turns out he's on the money, and the vulture is intent on revenge, targeting the family of Eric's wife Trudy (Diane Clare).

After the well-executed opening scene in the churchyard, The Vulture settles into monotony for quite some time, as writer/director Lawrence Huntington fleshes out his silly story, providing exposition about his creature and the reason for its grudge, as well as introducing an obvious red herring in the form of Melcher (Edward Caddick), a crazy albino sexton. It should be blatantly obvious who the real culprit is: antiquarian Prof. Hans Koniglich (Akim Tamiroff), who is the only other option once Melchor has been discounted -- he walks with the help of two canes, wears a large cape (perfect for concealing wings and feathers), and he's German!

No doubt due to budgetary limitations, there is very little of the actual vulture in the film, but what we do get is pure comedy gold, as a large pair of ridiculous looking talons drop into frame, grabbing hold of its victims shoulders to carry them away to its lair. Also rather amusing is the fact that the film would have us believe that Windsor is on the doorstep of Cornwall, Eric and Trudy repeatedly making the five hour journey in a matter of minutes.

3.5/10, rounded up to 4 for IMDb.

After an ancient legend / curse seems to have come true, a nuclear scientist (Robert Hutton) does his best to solve the mystery. Scotland Yard are also on the case, but consider the facts to be too fantastic to be believed.

In THE VULTURE, superstition merges with mad science to produce the flying monster of the title. Is it absurd? Yes, but that takes nothing away from its entertainment value. In fact, it only adds to it. This is especially true since everyone plays their roles straight, solemn, and serious. Especially Mr. Hutton, whose character is on a crusade to track down the marauding mutant, right from the start. Broderick Crawford is on hand as the skeptical American zillionaire.

Special Note: Watching Mr. Crawford being lifted off his balcony is one of the rib-tickling reasons to watch this opus!

Extra Points: For the amazing woo woo music!

A mostly-forgotten film from an era when such fare was more commonplace. Worth a watch on a lazy Saturday afternoon...