IMDb-BEWERTUNG
7,1/10
3078
IHRE BEWERTUNG
Ein Raumschiff von der Erde stürzt auf einem erdähnlichen Planeten ab, auf dem alles, einschließlich der menschenähnlichen Bewohner, zwölfmal so groß ist wie sein Gegenstück auf der Erde.Ein Raumschiff von der Erde stürzt auf einem erdähnlichen Planeten ab, auf dem alles, einschließlich der menschenähnlichen Bewohner, zwölfmal so groß ist wie sein Gegenstück auf der Erde.Ein Raumschiff von der Erde stürzt auf einem erdähnlichen Planeten ab, auf dem alles, einschließlich der menschenähnlichen Bewohner, zwölfmal so groß ist wie sein Gegenstück auf der Erde.
- Für 2 Primetime Emmys nominiert
- 3 Nominierungen insgesamt
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Irwin Allen produced series about a spacecraft crashing on a land of giant people, animals, insects, etc.
The last of Allen's four science fiction TV shows of the 60s. Personally, I liked the other three (Voyage, Time Tunnel, Lost in Space) more but Giants is still one of my favourite TV shows ever.
The Allen directed, John Williams scored opening episode - The Crash - is perhaps 50% of what makes Giants special. Seriously, if the series did not begin with such a knockout opener it is quiet possible I would not rate the series so highly!
I am not bashing the rest of the series but it is true that eight of the 51 episodes were total stinkers. Nearly all those stinkers came from season two when the once deadly serious tone of the series was transformed into something less interesting.
There are two ways to watch the series: in production order and out of production order. Go for the production order on the DVDs (atleast the Australian DVDs). The first seven or so hours begin with the giants being mostly silent (as seen in The Crash) and this is the best of Land of the Giants.
Season two had three very memorable time travel episodes (A Place Called Earth, Home Sweet Home and Wild Journey) written by Time Tunnel's William Welch. These are must see hours with quality guest stars like Warren Steven and Bruce Dern turning up!
This review might come over as a bit confusing as I say this is one of my favourite TV shows ever then I say eight episodes are trash?? Let me just repeat that I have a very special fondness for the opening hour, The Crash. From the way Valerie (Deanna Lund) behaves, to the energetic John Williams score, to the epic Allen direction and even having the giant land covered in mist (no mist in the other episodes) - this is what makes it special.
The Crash is without question one of the very greatest hours of film ever made! Enjoy.
The last of Allen's four science fiction TV shows of the 60s. Personally, I liked the other three (Voyage, Time Tunnel, Lost in Space) more but Giants is still one of my favourite TV shows ever.
The Allen directed, John Williams scored opening episode - The Crash - is perhaps 50% of what makes Giants special. Seriously, if the series did not begin with such a knockout opener it is quiet possible I would not rate the series so highly!
I am not bashing the rest of the series but it is true that eight of the 51 episodes were total stinkers. Nearly all those stinkers came from season two when the once deadly serious tone of the series was transformed into something less interesting.
There are two ways to watch the series: in production order and out of production order. Go for the production order on the DVDs (atleast the Australian DVDs). The first seven or so hours begin with the giants being mostly silent (as seen in The Crash) and this is the best of Land of the Giants.
Season two had three very memorable time travel episodes (A Place Called Earth, Home Sweet Home and Wild Journey) written by Time Tunnel's William Welch. These are must see hours with quality guest stars like Warren Steven and Bruce Dern turning up!
This review might come over as a bit confusing as I say this is one of my favourite TV shows ever then I say eight episodes are trash?? Let me just repeat that I have a very special fondness for the opening hour, The Crash. From the way Valerie (Deanna Lund) behaves, to the energetic John Williams score, to the epic Allen direction and even having the giant land covered in mist (no mist in the other episodes) - this is what makes it special.
The Crash is without question one of the very greatest hours of film ever made! Enjoy.
Having just read all the comments I had an idea of why this show made such a strong impression on so many.
It seems many of the people that were fans were kids when this first aired (I was six, probably became truly imprinted on my neural circuits in early syndication). I believe this show connected so much with its audience because as young children we all felt in some way that we were living in a Land of the Giants and so we identified very much with all the characters.
Anyway, sorry for the cheesy pop psychiatry, but that's my theory and I'm sticking with it.
Now if I can only figure out why I loved so many other 60's/70's TV sci-fi (Star Trek, Lost In Space, UFO, Space 1999, etc)
It seems many of the people that were fans were kids when this first aired (I was six, probably became truly imprinted on my neural circuits in early syndication). I believe this show connected so much with its audience because as young children we all felt in some way that we were living in a Land of the Giants and so we identified very much with all the characters.
Anyway, sorry for the cheesy pop psychiatry, but that's my theory and I'm sticking with it.
Now if I can only figure out why I loved so many other 60's/70's TV sci-fi (Star Trek, Lost In Space, UFO, Space 1999, etc)
After "Voyage to the Bottom of the Sea," along with "Lost in Space" had made their four-year and three-year runs, respectively, Irwin Allen returned to television with this ambitious show about seven travelers (eight, if you count the dog) lost on a world wherein they are "six inch oddities" amongst giant EVERYTHING. The pilot episode, appropriately entitled "The Crash" was, by far, the best of the entire two-year life of the show. Featuring spectacular set pieces, a brilliant John Williams' score, and good (for the budget and the era) special optical effects, though the giant spider didn't work so well.
It's a shame, however, that the show didn't live up to the promise of weekly adventure as exhibited in the pilot. It's obvious that Allen was looking for another Will Robinson/Dr. Smith pairing with the characters of Barry and Commander Fitzhugh. Though actors Stefan Arngrim and Kurt Kaszner did their best, the scripts and the interplay between the two was not convincing.
As far as the other characters, they fit the typical stereotypes: the spoiled rich girl (Deanna Lund), the self-centered businessman (Don Matheson), the brave captain (Gary Conway), the dependable stewardess (Heather Young) and the "token" co-captain (Don Marshall). The latter has the distinction of being the sole African-American to star in an Irwin Allen television production; obviously, the producer was buckling, deservedly so, to have a better representation of the real look of America, as well as the world.
Of the four shows produced by Allen during the 60's, "Land of the Giants" possibly is the most difficult to categorize or even to recommend. It's not campy enough to be remembered as fondly as "Lost in Space"; it's not as adventurous as the underwater adventures of the submarine Seaview in "Voyage to the Bottom of the Sea"; and neither is it as innovative as the time travelers in the shorter-lived "The Time Tunnel" It's just a nice trip down memory lane for those of us that happened to have been around when Sunday nights meant "Lassie," "The Ed Sullivan Show," "Bonanza," and, of course, for two years, "Land of The Giants".
It's a shame, however, that the show didn't live up to the promise of weekly adventure as exhibited in the pilot. It's obvious that Allen was looking for another Will Robinson/Dr. Smith pairing with the characters of Barry and Commander Fitzhugh. Though actors Stefan Arngrim and Kurt Kaszner did their best, the scripts and the interplay between the two was not convincing.
As far as the other characters, they fit the typical stereotypes: the spoiled rich girl (Deanna Lund), the self-centered businessman (Don Matheson), the brave captain (Gary Conway), the dependable stewardess (Heather Young) and the "token" co-captain (Don Marshall). The latter has the distinction of being the sole African-American to star in an Irwin Allen television production; obviously, the producer was buckling, deservedly so, to have a better representation of the real look of America, as well as the world.
Of the four shows produced by Allen during the 60's, "Land of the Giants" possibly is the most difficult to categorize or even to recommend. It's not campy enough to be remembered as fondly as "Lost in Space"; it's not as adventurous as the underwater adventures of the submarine Seaview in "Voyage to the Bottom of the Sea"; and neither is it as innovative as the time travelers in the shorter-lived "The Time Tunnel" It's just a nice trip down memory lane for those of us that happened to have been around when Sunday nights meant "Lassie," "The Ed Sullivan Show," "Bonanza," and, of course, for two years, "Land of The Giants".
Let me tell you for all the people out there who think the props on LAND OF THE GIANTS was cheap, it coast IRWIN ALLEN 100,0000 an episode, AN EPISODE! So think about it,back then that was not cheap that was a lot of money and the props were pretty good for the 60s.I do however agree about the part about the hand,you can see how fake it was.Also,this was after all a kids television show.I know this for a fact because i met DEANNA LUND and we talked about that very same isue.So don't go selling this series so short,it was a fun and exciting series at the time, and a fun filled show you can watch even today.
Recently,I got a chance to see some of the episodes on a local cable channel,and this was my favorite Irwin Allen series of them all. Several people including the dog,have crash-landed on earth,but its not the same planet that their ship was from. The special effects here are unforgettable which involved the characters to find themselves in some odd situation after another (especially in one episode where they are in a little girl's room where they take refuge in a doll house,only to be stalked by a giant cat!) Basically everything went just right with this series which didn't last long when it ran on ABC from 1968-1970,but it was a classic worth seeing.
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- WissenswertesAt the time of its debut, this was the most expensive show produced on television.
- PatzerIn the first several episodes of the series, during daylight hours at the spaceship campsite, the sound of tropical birds can be heard. This was an obvious mistake on the part of the sound editor - on seeing the abundant foliage around the campsite, he probably assumed that the ship had crashed in a jungle setting (as per the series it was established as a giant city park). This sound track was removed in later first season episodes.
- Alternative VersionenStarting in March 2008, the American Life TV Network has aired second season prints that use the first season's theme music in the main title sequence while retaining the second season title's visuals.
- VerbindungenEdited into Lost in Space Forever (1998)
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