Füge eine Handlung in deiner Sprache hinzuA flying saucer hidden in a Red Chinese peasant village is sought by teams from the United States and U.S.S.R. On finding it, they band together to explore the saucer and take a trip into sp... Alles lesenA flying saucer hidden in a Red Chinese peasant village is sought by teams from the United States and U.S.S.R. On finding it, they band together to explore the saucer and take a trip into space.A flying saucer hidden in a Red Chinese peasant village is sought by teams from the United States and U.S.S.R. On finding it, they band together to explore the saucer and take a trip into space.
- Regie
- Drehbuch
- Hauptbesetzung
William Mims
- Joe Vetry
- (as Bill Mims)
Bill Baldwin
- TV Reporter
- (Nicht genannt)
Frank Gerstle
- Technician at Radio
- (Nicht genannt)
Buck Young
- Pete
- (Nicht genannt)
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I love older sci-fi movies but in my 67 years I had never heard of this one. I have never seen it on TV and have never seen it in any lists of sci-fi movies. As this movie is fairly well done-the color for example is very good and the acting is good and the story is interesting-I wonder why it is so little known? The main drawback of the movie is that it is way too talky. As well, the outdoor scenes were so obviously not taken in China and the saucer special effects were not great for 1968 but I've seen worse even for that time. Sadly the last film for Dan Duryea who died too young.
The makers of this film put a lot of effort into trying to make an exciting science fiction adventure yarn. However they don't fully succeed because they try to cram too much into the film and the characters never rise above being little more than cliches. But in the end, the film does promote the message of the need for the world to unite, stop fighting and start building a better tomorrow. Deserves points for effort.
The 1960s Cold War....
A flying saucer.....
American and Soviet Russian teams in Communist China!
What on earth (if not from Earth) connects these seemingly disparate elements?
A test pilot is about to have his perspective on life irrevocably altered as he becomes one of the "more than 5,000,000 persons who claim to have actually seen unidentified flying objects" and for whom "no explanation is necessary" while "to all others no explanation is possible."
Some viewers might raise the point that the film feels more like a throw-back to sci-fi films of the 1950s and compare it unfavourably to such films as 2001: A Space Odyssey. Perhaps, but at least the film has an engaging plot with a good mixture of entertainment, action, pacing, drama and some humour. It doesn't seem to be laying claim to being a 'work of art' that's in search of a good story to tell and which could result in audiences nodding off or losing the will to live! And yes, the film is peppered with stereotypical elements in terms of gender and Cold War national and ethnic cliches, but so what? It is easy enough to treat it as a snap shot of a particular time in history and consider whether or not we really have made that much progress in almost 60 years. After all, we've yet to "meet 'them' face-to-face!"
What on earth (if not from Earth) connects these seemingly disparate elements?
A test pilot is about to have his perspective on life irrevocably altered as he becomes one of the "more than 5,000,000 persons who claim to have actually seen unidentified flying objects" and for whom "no explanation is necessary" while "to all others no explanation is possible."
Some viewers might raise the point that the film feels more like a throw-back to sci-fi films of the 1950s and compare it unfavourably to such films as 2001: A Space Odyssey. Perhaps, but at least the film has an engaging plot with a good mixture of entertainment, action, pacing, drama and some humour. It doesn't seem to be laying claim to being a 'work of art' that's in search of a good story to tell and which could result in audiences nodding off or losing the will to live! And yes, the film is peppered with stereotypical elements in terms of gender and Cold War national and ethnic cliches, but so what? It is easy enough to treat it as a snap shot of a particular time in history and consider whether or not we really have made that much progress in almost 60 years. After all, we've yet to "meet 'them' face-to-face!"
The budget for this movie was never going to allow it to get beyond the B level, barely at that. The cast and crew seems to have decided that despite the limitations, they were going to make an honest effort in a bad situation. They succeed in creating a movie that manages to be worth watching as a curiosity. Notable successes are some decent scientific references, the authentic Russian language, proper weapons for the Russians and Chinese and acting that is better than expected. There were some good people at work here. Inevitably, some contemporary clichés slip in (e.g. seemingly canned feminine screams, California scenery you have seen many times before) that date the film in a way that pulls it back into its B level pedigree. If you are a genuine movie buff, you'll probably like this but it is limited.
Dan Duryea is "Peters", and American leading a team racing to beat their Soviet counterparts to a remote "Red" Chinese village where they think there might be a flying saucer that was involved in an incident with one of their fighters. Needless to say, the Chinese are after it too and a combination of circumstances mean that when they find the thing, the rivals must team up in order to avoid capture and to get it airborne. I suppose that by being about a flying saucer in the first place, there is little point is saying how implausibly daft the rest of it is. We start our search with a wonderful child's drawing of a flying saucer that somehow manages to get into the hands of the Americans several thousands of miles away - and that pretty much sets the tone. It's further cluttered up by a bit of an awkward romance between "Norwood" (John Dickson) and the Soviet team member who manages to interpret for everyone "Anna" (Lois Nettleton) and the rest of it is just standard "Outer Limits" fayre with pretty ropey airborne saucer effects and a plot that seems to enable them to activate the auto-pilot as if it were a dishwasher. It is also far too long; we could easily live without much of the first half hour. Pretty poor, sorry.
Wusstest du schon
- WissenswertesLast film of Dan Duryea.
- Zitate
Hank Peters: As much as we'd like to shoot each other, we can't afford the racket. So now what?
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- Laufzeit1 Stunde 43 Minuten
- Seitenverhältnis
- 1.85 : 1
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