Das Mädchen vom Korallenriff

He only wanted her for her body--to paint, of course....

I just saw this film and found it absolutely delightful. As others have noted, Helen Mirren is a wonder as a young girl working out the relationship between her body's strength and its beauty, and how each can help her get what she wants. There is one moment, when she takes control of a motorboat after having dumped a would-be lover overboard, when I saw the future Jane Tennison. James Mason is also marvelous as the obsessive painter. The natural setting, on the Great Barrier Reef, is liberating and beautiful but the heart of the movie is the little cabin which goes from a dump to a layered, painted work of art. This man's passion to make things, to create color and line on every available surface, seems to fill the movie's surface too. Near the end, when Cora enters the cabin and we see her surrounded by his paintings of her, the relationship between art and life seems to be a very happy one. It's too bad Michael Powell didn't get to make more films in the 1960s and early 70s. I think that if I could have seen this film at the time it was made (when I was a girl in my late teens, for whom nudity was not an option) it would have meant a lot to me.

A famous painter retreats to a somewhat remote island in Australia's Great Barrier Reef to inspire his creativity and finds a young woman to pose for him. Mason is fine as the painter. In one of her earliest roles, Mirren looks amazingly young and alluring as the object of Mason's desire. MacGowran provides the comedy as Mason's unwanted guest on the island. There isn't much of a plot in this laid-back and light-hearted comedy, but it features a quirky cast of characters and is quite enjoyable. The dog is cute and receives on-screen billing. The island setting is beautifully filmed under Powell's masterful direction.

This was a wonderful movie. Those who criticise it probably missed the sixties. It was a liberating expression of moral freedom in its time. Cora spent most of the film frolicking about naked and what a wonderful lindsayan figure of a woman she was! I just loved this movie and would recommend it to anyone to see. Take a moment out to travel back in time to the beginnings of your moral freedoms.

Never viewed this film before and always enjoy James Mason pictures and was surprised to see that it was showing for the first time on TCM TV and Robert Osborne and Michael Powell's wife gave a review and history of this film. There is plenty of comedy, and a very interesting story about an elderly artist named, Bradley Monahan, (James Mason) who is getting tired of being recognized for his great paintings and wants to find a very quite place where he can create some new paintings and he selects Australia's Great Barrier Reef for his retreat. Bradley soon finds out he is not alone on this island and runs into all kinds of people. However, he does meet a very cute young girl named Cora Ryan, (Helen Mirren) who is only a young teenager and he makes a deal with her to buy her fish that she catches and chicken's that she steals for a living to support her old aunt who loves gin. Eventually Bradley convinces Cora to pose for him in the nude and he draws all sorts of paintings of her. This is truly a great film and I was so glad I was able to view this film which is rarely seen in the United States, enjoy.

I caught this rather odd but interesting movie at 1 AM on TCM one night (I guess insomnia isn't always a bad thing). James Mason stars as famous, very jaded middle-aged painter who decides to get away from the frustrations of his public life by relocating to a rural Australian island. Unfortunately, once there he finds more frustrations with his eccentric and annoying neighbors, and bothersome former associates who show up unexpectedly. He also meets a young girl (Helen Mirren) who, uh, "re-inspires" him by agreeing to pose for him in the nude.

The tone of this movie is kind of strange, going from light-hearted comedy to sudden tragedy and back again. It was directed Michael Powell, after this once- respected director had pretty much torpedoed his own career with the movie "Peeping Tom", which was considered unforgivably sleazy in its era in Britain, but is regarded as somewhat of classic today. Mason (who also co-produced) plays a role similar to the one he played in Stanley Kubrick's notorious film version of "Lolita". He walks the same fine line between an erudite artist trying shake off the shackles of bourgeois morality and a mere pervert lusting after some nubile flesh. Nevertheless, this movie doesn't take the predictable May-December sex route. It may be a little "politically incorrect" by today's standards, but I actually found far less creepy than the hypocritical morality of America today (where the media goes into morally-outraged hysterics every time some celebrity nymphet appears in a racy photo or video clip, even as they show this same photo or clip over and over. . .).

For what it's worth, Helen Mirren was well over "the age of consent" in real-life here, and she has the same GREAT body that would become in fixture in British art films and theater over the next three or four decades (even if she doesn't quite demonstrate the acting chops that recently earned her academy award for playing Queen Elizabeth II). This movie has its problems, including its very uneven tone, but it's definitely worth watching.