IMDb-BEWERTUNG
7,6/10
1204
IHRE BEWERTUNG
James Onedin heiratet Anne Webster, um in den Besitz eines Schiffes zu kommen. Doch die Ehe entpuppt sich als eine wahre Liebe.James Onedin heiratet Anne Webster, um in den Besitz eines Schiffes zu kommen. Doch die Ehe entpuppt sich als eine wahre Liebe.James Onedin heiratet Anne Webster, um in den Besitz eines Schiffes zu kommen. Doch die Ehe entpuppt sich als eine wahre Liebe.
- Nominiert für 4 BAFTA Awards
- 4 Nominierungen insgesamt
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I have finally been able (thanks to a generous poster on YouTube) to watch all 91 episodes of this series, having given up waiting for them all to be released on DVD in Region1. I know that a company called BFS Video released the first 8 episodes on DVD, but that was it. I emailed them to ask why they didn't release the rest, but did not get a reply.
I vaguely recall seeing a few episodes of this series on TV in the 1970's as a kid. I don't know if it was on PBS at the time, because I think there were commercials cut into the programs.
But at long last to be able to see every episode has been a treat. I found the earlier seasons the best and more interesting, but as it wore on to the later seasons, the flaws began to appear. Certain characters (who either got tired of their roles) were written out (or killed off) from the series too hastily and never appeared again. That is the writers fault and leaves unfortunate gap explanations.
But the attention to detail in terms of production design, costumes, and the ship scenes are standard quality for BBC programs during this period. As usual with these British productions during the 70's, they interweave (through editing) studio set videotaped scenes with outdoor filmed sequences, which is a bit annoying at times. Some gaffes here and there with continuity in terms of the characters clothing not matching in some of these spliced-together scenes.
Kudos go to Peter Gilmore who appears in all 91 programs and has to carry the whole series. He did an excellent job. Also to Anne Stallybrass, Howard Lang, Jessica Benton and Mary Webster. The Onedin offspring were not great actors, and I don't recognize them having appeared in subsequent BBC productions.
91 episodes is quite long and probably would never happen today. I used to think the original Upstairs,Downstairs was quite long at 63 parts or Poldark, until this one.
I recommend this series highly especially as I said, the earlier seasons.
I vaguely recall seeing a few episodes of this series on TV in the 1970's as a kid. I don't know if it was on PBS at the time, because I think there were commercials cut into the programs.
But at long last to be able to see every episode has been a treat. I found the earlier seasons the best and more interesting, but as it wore on to the later seasons, the flaws began to appear. Certain characters (who either got tired of their roles) were written out (or killed off) from the series too hastily and never appeared again. That is the writers fault and leaves unfortunate gap explanations.
But the attention to detail in terms of production design, costumes, and the ship scenes are standard quality for BBC programs during this period. As usual with these British productions during the 70's, they interweave (through editing) studio set videotaped scenes with outdoor filmed sequences, which is a bit annoying at times. Some gaffes here and there with continuity in terms of the characters clothing not matching in some of these spliced-together scenes.
Kudos go to Peter Gilmore who appears in all 91 programs and has to carry the whole series. He did an excellent job. Also to Anne Stallybrass, Howard Lang, Jessica Benton and Mary Webster. The Onedin offspring were not great actors, and I don't recognize them having appeared in subsequent BBC productions.
91 episodes is quite long and probably would never happen today. I used to think the original Upstairs,Downstairs was quite long at 63 parts or Poldark, until this one.
I recommend this series highly especially as I said, the earlier seasons.
Gosh, this is good.
I started watching the repeats as it's a programme that my parents used to watch every week and I remembered the great opening credits with the scenes of the ship out at sea and the famously romantic music.
For all its technical limitations, this show could give any modern TV series a run for its money. Fascinating historical detail, intelligent and well-rounded characters, great performances, and a profoundly gritty realism without being self-consciously so.
The women are also a joy: complex, able and utterly real.
Granted, the studio-bound scenes look really clunky, but this is offset by the myriad location work either in port or out at sea.
Recommended.
I started watching the repeats as it's a programme that my parents used to watch every week and I remembered the great opening credits with the scenes of the ship out at sea and the famously romantic music.
For all its technical limitations, this show could give any modern TV series a run for its money. Fascinating historical detail, intelligent and well-rounded characters, great performances, and a profoundly gritty realism without being self-consciously so.
The women are also a joy: complex, able and utterly real.
Granted, the studio-bound scenes look really clunky, but this is offset by the myriad location work either in port or out at sea.
Recommended.
I watched the series in the 70s,...Sunday evenings around the TV with my Mum an Dad and my sister. I enjoyed it then. Now I am watching the whole thing all over again in the afternoons. Its not just a bit of nostalgia, its absolutely marvellous. Production values may seem low at first compared to today's blockbuster serials, but the sharply drawn characters are brought to riveting life by a first class cast (special mentions to Peter Gilmore, Jessica Benton and Anne Stallybrass as James, Elizabeth and Anne Onedin respectively). Proof (as if it were needed) that script and cast can overcome any weaknesses or paucity of cash elsewhere in a production. One noticeable aspect is how fully rounded the women characters are, how equal in every way to the male characters. That this is immediately apparent is a sad reflection on the way women's roles have retreated in the last decade or so. Maybe 70s feminism had something to do with it. But these women are not all about shoe shopping and chocolate! As an adult I really see the nuances of the story telling, and the richness of characterisation, historical context etc, Fantastic.
A BBC serie. And the another definition becomes bizarre. Because it is the serie of many youths. Defined by costumes, atmosphere, the feeling of salted air, more than reasonable performances. And by a sort of flavour. Enigmatic, powerful, seductive, delicate, bitter. A serie about a man, his love and his ambition. And, sure, about the sea and the spirit of a period. All - impecable. And preserving, after decades, the fresh air of pure adventure.
This series was immensely popular in Britain during the 1970's. Its combination of boardroom antics and exciting seafaring action had Sunday evening audiences hooked. Containing some excellent location work and a memorable musical score, this was costume drama at its best.
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- WissenswertesPeter Gilmore (James Onedin) and Anne Stallybrass (Anne Onedin) were married in real life as well as in The Onedin Line. They owned a cottage which they called Onedin House, in Dartmouth, Devon. It was used as a filming location for the series.
- VerbindungenFeatured in The Little and Large Show: Folge #2.0 (1980)
- SoundtracksOpening music from Spartacus Suite
Written and conducted by Aram Khachaturyan (as Khachaturian)
Performed by Wiener Philharmoniker
Adapted by Anthony Isaac
[series title theme]
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By what name was Die Onedin Linie (1971) officially released in India in English?
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