Nackte Eva

If you're like me, you grew up watching late nite softies on Cinemax every Friday nite. If this is the case, then you have definitely heard and probably seen quite a bit of the lovely Laura Gemser. After seeing "BLACK EMANUELLE" many, many moons ago, I became an instant fan and have since viewed several of her films.

This particular gem qualifies as one of her lesser known films. Essentially, this is a variation on her Emanuelle role with Jack Palance and a whole lot of snakin' goin' on! Fun stuff most likely, if you are a fan of Gemser.

Gemser plays an exotic dancer named Eva. Performing with snakes is her specialty. No, not those kind! Now, you're getting ahead of me!

Anywayz... Gemser's real-life husband, Gabrielle Tinti, portrays Jules Carmichael. Jules is an executive of some sort, who persuades his brother Judas (Palance) to visit a nightclub with him to watch one of Eva's nightly performances.

Judas loves snakes (No, not those kind!) and his apartment is filled with them. So, along with her beauty, it's natural that Judas would fall for a gal like Eva. He soon arranges to meet and introduce her to his snakey friends. Judas hires Eva to take care of his pets while he is away on business. From here on out, you know the drill... While the cat's away, the mice will play... and dance around naked with the cat's snakes.

We soon learn that Eva really digs the lady-lovin' which overrides her tendencies to charm any snake other than the reptile kind. Several nude scenes later, Eva's girlfriend is killed mysteriously and Eva must find out who killed her and why. This is a common filmmaking trait known as a "mild plot motivator". I guess they need to keep things moving along but I, for one, wasn't complaining. I thought the pacing was just fine. Do what you gotta do, Eva. I'm all for it.

These are all the details I gathered. Aside from Gemser and the fact that this was one of those "Palance earns a week's pay" performances, I deemed all other plot elements unnecessary and naturally focused on the good parts, of which there are plenty.

You cannot go wrong with any film featuring a topless Gemser within the first five minutes, and fully nude around the eight minute mark. It's just a damn fact. Why can't more filmmakers hint on this?

"BLACK COBRA" was directed by the masterful eye of Joe D'Amato (Aristide Massaccesi), who would later collaborate on several films with Gemser and eventually go on to a successful career directing real pornos with an entirely different breed of snake.

Sadly, Gemser has pretty much left the filmmaking scene and her films no longer play on Cinemax. Most of them have since gone out of print on video here in the States, making them nearly impossible to find.

A quick program note: This is a long, long movie! Over four hours in length! Actually, it only clocks in at around 90 minutes, but if you find yourself using the slow-motion and pause feature on your VCR as much as I did, expect to gain an additional 2 1/2 hours of screening time.

In closing, I highly recommend this film. A truly uplifting experience! Teachers, show it to your classes today. They'll thank you for it! Trust me.

Later kids! -NM.

When Laura Gemser and Joe D'Amato team up to make a movie; you can bet that no matter what the movie is about or what character Gemser is playing that some of the alternate titles will include the word 'Emanuelle'. And this film is no exception, as it got branded with the unimaginative title 'Emmanuelle Goes Japanese'. Naturally, the film has nothing to do with Gemser's most famous character and thankfully the title Black Cobra Woman is generally the more accepted one - and the one that I saw the film under. From the plot description I was actually thinking that this film might be half decent...and it does at least get off to a decent start. The film focuses on Judas; a rich man who surrounds himself with exotic snakes but has little contact with people. One night, Judas goes with his brother to see an act at a nightclub that involves a beautiful woman dancing with a snake. Naturally, he is immediately taken in by this woman (she's played by Laura Gemser so this part of the film is quite realistic) and decides to take her back to his home...

Laura Gemser takes the lead role and spends most of the film either naked, getting it on with other women or both; which is all well and good, but anyone familiar with Gemser's filmography will have seen it all so many times before and it's particularly disappointing in this film as we actually have the basis for a decent plot here. One of the more bizarre casting decisions is represented by Jack Palance, who I guess was either not getting a lot of work around the time or just couldn't resist a starring role alongside the beautiful Laura Gemser. Naturally for a Joe D'Amato flick, it features plenty of sleaze and it's really all encompassing so there wouldn't really have been room to flesh out the story even if the director wanted to. The film does at least deliver on the title's implied promise of featuring snakes; and seeing Gemser dance with a big Cobra is worthwhile. A scene that sees a snake skinned alive and cooked was a bit needless, though. Overall, however, this film is not really worthwhile; it's better than some of the lesser Emanuelle flicks, but that's not really saying anything. I can't recommend tracking Black Cobra Woman down.

First off, yes, Eva (Laura Gemser) is absolutely beautiful. Whether clothed or unclothed she's breathtaking. That said, she's just not that interesting as a character. Ms. Gemser's performance in EVA NEGRA (aka: BLACK COBRA WOMAN) is every bit as languid as her other Emmanuelle outings.

Presented as an "erotic thriller", this movie is obviously just another excuse for Ms. Gemser to get naked every 15 minutes. On that score, even the steamy scenes get tiresome. Without a real plot or direction, there's really nowhere to go with this.

Oh, there are some poisonous snakes thrown in as well.

One highlight is Jack Palance's perverted performance as the Eva-obsessed Judas. Gabriele Tinti is also memorable as his unhinged, even more Eva-obsessed brother Jules.

As part of watching a handful of Laura Gemser movies, I happened to stumble upon the 1976 drama "Eva Nera" (aka "Black Cobra"), and I must admit that I was rather surprised to see that the movie had the likes of Jack Palance in a leading role. I never figured that he would be in a movie such as this.

But nonetheless, I opted to sit down and watch what writer and director Joe D'Amato had to offer with this 1976 movie. Sure, I had never heard about it, as the type of movie that this actually is just simply usually falls outside of my field of interest. But I do believe in watching a movie once and giving it a fair chance.

Writer and director Joe D'Amato didn't exactly deliver a movie that fell into my liking here with "Eva Nera". The narrative of the movie was just simply too bland and slow paced. Nothing of any interest or worth actually happened as the movie paced on in snail pace.

The acting performances in "Eva Nera" were as expected, though I must admit that I was surprised to see Jack Palance in a movie such as this. I will say, though, that he actually was nicely cast though, as his charisma and presence added something to the movie. And Laura Gemser is, well, she is Laura Gemser, let's not dance around the bush here - pardon the pun.

I am sure that there is an audience out there for a slow burn such as "Eva Nera", but I just didn't happen to be a part of that particular target audience. And as such, then "Eva Nera" wasn't a movie that entertained me.

My rating of the 1976 drama from writer and director Joe D'Amato lands on a three out of ten stars.

Eva Nera (1976), directed by Joe D'Amato, attempts to weave an exotic tapestry of erotic adventure and intrigue but ultimately falls short of its ambitions. The film's premise, centering on the illicit and seductive allure of Southeast Asia, offers ample potential for a thrilling narrative. Unfortunately, despite the lush, picturesque settings and the tantalizing promise of forbidden romance, the story stumbles in its execution. The plot, which follows Eva (played by Laura Gemser) and her journey through a world of smuggling and seduction, often feels disjointed and underdeveloped, leaving viewers with more questions than answers.

The performances in Eva Nera are a mixed bag. Laura Gemser, known for her work in the Emanuelle series, brings a certain enigmatic charm to her role. However, the supporting cast fails to rise to her level, delivering lackluster and sometimes wooden performances that detract from the film's overall impact. The chemistry between the characters, which is crucial in a film of this nature, often feels forced and unconvincing, further distancing the audience from the unfolding drama.

One of the film's notable aspects is its cinematography. The exotic locales are captured with a vividness that highlights the natural beauty of the settings, providing a visually stimulating backdrop for the narrative. However, even this strength is undermined by inconsistent editing and pacing issues. At times, scenes drag on unnecessarily, while crucial plot points are glossed over, disrupting the flow and leaving the viewer feeling disengaged. The music score, while attempting to heighten the sense of eroticism and adventure, occasionally feels out of sync with the on-screen action, adding to the overall sense of disarray.

In conclusion, Eva Nera is a film that promises much but delivers little. Despite its alluring premise and visually appealing settings, it is hampered by a weak script, uneven performances, and poor pacing. For fans of Laura Gemser or those intrigued by 1970s erotic adventure films, it might hold some nostalgic value.