Der Mann mit der eisernen Maske

This and The Count of Monte Cristo were both made for television in the late 1970s and starred the talented Richard Chamberlain. Yet, because they were originally made for TV, they seem to have vanished and I haven't seen either on TV since the early 1980s (though I did copy them to now worn out videotapes). It's a real shame, as they were first-rate and every bit as good as any Hollywood production--maybe better.

The Man in the Iron Mask was the better of the two stories, but both are about as good Alexander Dumas stories as you can find. This is due to the overall package--exceptional music, acting, writing and pacing. I simply don't know how you could have made them much better.

This is an epic retelling about the durable Alexandre Dumas's novel and is set in 17th century French court where appears two twins brothers (Richard Chamberlain playing a double role) , separated at birth , one nasty become in Louis XIV of France married to Mª Teresa of Spain (Vivien Merchant) and the other Phillippe who is unjustly imprisoned in the Bastilla . Both of whom are sons of the Queen mother , Anna of Austria (Brenda Bruce) . Later on , Phillippe is jailed in an island and hidden his identity wearing an iron mask but his existence threatens the reigning . But D'Artagnan (Louis Jourdan) and the Prime Minister named Colbert (Ralph Richardson) scheme a plan to free Phillippe clashing against a malicious Fouquet (Patrick McGooham) , the Louis XIV's favorite.

It's an excellent rendition from the immortal novel with quite budget , though is made for television . The picture contains rousing action , intrigue , exciting swordplay , romantic adventure , mayhem and results to be pretty entertaining . Marvelous casting with a magnificent Richard Chamberlain as a suffering inmate turning valiant swashbuckler and a selfish King . He gives a charming acting and manages to use his fists , swords and to do some acrobatics . Exceptional cinematography by the classic cameraman Freddie Young who has a distinguished and long career crowned with three Oscars for David Lean's films . Spectacular and evocative musical score by Allyn Ferguson . Lush production design by John Stoll is well reflected on the luxurious interiors and exteriors filmed in England and French palaces (Fointeneblau , Versalles , among others) . The motion picture was well realized by Mike Newell .

This classy story is previous and subsequently remade in several versions , firstly is shot with Douglas Fairbanks (mute rendition , 1929) and the first sound (1939) retelling was made by James Whale with Louis Hayward and Joan Bennet . A French adaptation (1962) by Henry Decoin with Jean Marais , Jean Rochefort , Claudina Auger , Sylva Koscina . A 1998 recounting by William Richert with Edward Albert , Dana Barron , Timothy Bottoms , Meg Foster , James Gammon . And finally in 1998 , the most recent and lavish adaptation of the classic story by Randall Wallace with Leonardo DiCaprio , Jeremy Irons , Gerard Depardieu , John Malkovich . This is the better adaptation for TV of the classy and will appeal to the costume genre fans

While watching this film it's hard at times to remember this was only meant to be a TV production. This must be the most lavish and successful television movie made in the 70's that I have seen. I saw it first time as a child and was much fascinated. Now almost two decades later I still love to see it again on DVD. Here Alexandre Dumas' classic story has received an equally classic adaption.

Richard Chamberlain in the double role of the royal twin brothers has often been compared favorable to Errol Flynn and I quite agree. It's not just the mustache but the swashbuckling and charisma also, not forgetting that he is a truly fine actor. Here it shows especially well because the whole cast is absolutely loaded with talent and presence; Ralph Richardson, Ian Holm, Louis Jourdan, Jenny Agutter and one of my favorite British actors, Patrick McGoohan as the most sinister minister. Mike Newell's directing combined with obviously a very healthy budget, handsome shooting and locations has worked wonders. The film does not only look wonderful, it also have a wonderful feeling in it. As a piece of classic romantic adventure stories in film from the last three decades I consider this one of the best.

I had never read Dumas' novel, or made it through any filmed versions before, so only had the vaguest notion of what the story was about. What a sumptuous production it is. The scenes of the Sun Kings' soirées at his châteaux were splendidly staged and, one can only hope, historically accurate. Could he really have been so rude to his wife in public? It was so outrageous that 'you couldn't make it up'! So it must be true! The main attraction was of course McGoohan and he did not disappoint. I knew things were going to be good when he made no attempt at one of those dodgy accents he is prone to. His clipped, calculating tones were brilliant as the scheming Fouquet. For me, the first half of the production was by far superior. The scene between Richard Chamberlain and McGoohan in the coach was superb and only topped by the sequence of Chamberlain being fitted with his mask as McGoohan regards him like a cat does, its victimised mouse.

I'm probably wrong but I also felt McGoohan must have had a hand in the terrific sequence of Chamberlain thrashing about in his cell, trying to reason why he was being picked on. The anguish of his Kafkaesque imprisonment was superbly executed and that shot of the departing boat through the squares of the barred window…..I expected to see McGoohan's stern face approaching at light speed with a clanging crash at any second!

Lew Grade and Patrick McGoohan – funny how good they were together. It would be nice to think they did meet during the course of the filming process, even if Mr. McGoohan had to get out of bed at 5am to get to Lord Grade's office in time for his 6am appointment!

Pure excellence. Wonderful script. Production, directing and acting was superb. Great ensemble cast. What more can one ask from a made for t.v. movie? This one had all the qualities of a big budget film. Highly recommended.