Füge eine Handlung in deiner Sprache hinzuSatirical look at a world where women rule and men are objectified.Satirical look at a world where women rule and men are objectified.Satirical look at a world where women rule and men are objectified.
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I have always been a fan of Norman Lear, with his vision and unique sense of humor. "All That Glitters" was one of his best, and I really missed it when it vanished so abruptly. It's a shame that the networks are so quick to pull shows that are unconventional before they have a chance to prove themselves, despite rabid fan bases. (Examples (in alphabetical order): All's Fair, Early Edition, Earth 2, Family Law, Firefly, First Monday, Freaks and Geeks, Golden Years, L.A. Doctors, Ned and Stacey, Nightmare Cafe, Now and Again, Pretender, Prey, Push Nevada, Reasonable Doubts, Relativity, Space:Above & Beyond, Sportsnight, Strange Luck, The Days and Nights of Molly Dodd, Tracker, Vengeance Unlimited, VR.5, Witchblade, and possibly Mister Sterling) (You can't tell I'm a SciFi fan, can you?)
It's gotten so bad that I won't watch new shows that I've heard are great until it's been on at least 3 seasons - It seems that every time I get hooked on a show, it disappears... Of course, now, I just get the DVDs of the complete series. (That's how I've watched Angel, and will probably watch 24.)
Okay, done ranting now!
It's gotten so bad that I won't watch new shows that I've heard are great until it's been on at least 3 seasons - It seems that every time I get hooked on a show, it disappears... Of course, now, I just get the DVDs of the complete series. (That's how I've watched Angel, and will probably watch 24.)
Okay, done ranting now!
"All That Glitters" was undoubtedly Norman Lear's most cutting edge work. To say that this show was ahead of its time is an understatement. Staying very much in the vein of Lear's trademark "social commentary" brand of humor, the society into which this show's characters were cast portrayed women as dominant and men as submissive and oppressed.
The key to its charm was the blatant inversion of traditional gender power dynamics as well as the complete inversion of gender-based rituals and ceremonies. I recall one episode where a wedding took place where the groom--still dressed in traditional tuxedo--came down the aisle with his bouquet in hand to meet his bride waiting at the altar.
As a first run syndicated television show, "All That Glitters" never had a regular "national" primetime slot which would have made more of the public aware of its existence. But one thing was sure: the sexism inflicted by the women on the men in this show didn't look any better than it has coming from men. By switching the typical gender roles, Lear managed to make both a humorous and serious statement about the ugly side of sexism without preachingan all too rare occurrence in television. This one ended much too soon.
The key to its charm was the blatant inversion of traditional gender power dynamics as well as the complete inversion of gender-based rituals and ceremonies. I recall one episode where a wedding took place where the groom--still dressed in traditional tuxedo--came down the aisle with his bouquet in hand to meet his bride waiting at the altar.
As a first run syndicated television show, "All That Glitters" never had a regular "national" primetime slot which would have made more of the public aware of its existence. But one thing was sure: the sexism inflicted by the women on the men in this show didn't look any better than it has coming from men. By switching the typical gender roles, Lear managed to make both a humorous and serious statement about the ugly side of sexism without preachingan all too rare occurrence in television. This one ended much too soon.
I really hope that "All the Glitters" is rerun or that videos are made available. It was such a good show! I would love to see it again. It was intelligent and definitely ahead of its time. Norman Lear is a national treasure. I miss Dark Angel also. So many of the actors in All That Glitters were top notch and went on to do other things. Most of my friends missed All That Glitters when it was on tv. It's hard to explain to them how well done it was. I also felt maybe I had imagined it when it disappeared so fast. Maybe a cable channel will rerun it. Tina
This sit com came on the heels of "Mary Hartman, Mary Hartman" -- it "mysteriously" disappeared directly following an early episode which presented an older woman (Linda Gray?) in bed with a buff young black man. Zap. Gone. The network sponsors weren't having it. Most people don't remember the show -- it was canceled so prematurely -- because it touched too many nerves. Racism/age-ism/sexism -- it was incredibly smart. There should be a secret All That Glitters Society --people who "got it." I definitely did -- and I was only 15 at the time.
It is great to have finally found a site that includes some information on "All That Glitters". I was 19 years old and living in New Orleans when this unique show aired late at night after Mary Hartman, Mary Hartman. I loved it and have always wondered if I imagined it as not one single person I knew had seen it except a few guys who lived upstairs in my apartment complex. Lear was certainly right on with this way ahead of its time show. It would be awesome if TV Land could get a hold of the few episodes and get them repeated. It is a must see for all. The whole premise was terrific but I can see that it might have stirred up the TV censors for its time but would still be relevant now. Let's hope it can make it back on the small screen even if just to acknowledge Norman Lear's brilliance.
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- WissenswertesOriginally, the song, "You Don't Bring Me Flowers," was intended to be the theme song for this series. However, the premise of the series eventually changed enough to the point where that song was no longer considered appropriate and was replaced by "Genesis Revisited." However, the composer, Neil Diamond reworked the song to lengthen from 45 seconds to 3:17 minutes and released it on his album, I'm Glad You're Here with Me Tonight. Barbra Streisand covered the song later, and various radio stations playfully spliced her's and Diamond's recordings together to become a pseudo-duet. The popularity of that editing prompted Diamond and Steisand to collaborate on an official duet recording of the song, which went to #1 on the Billboard chart.
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