Snowbeast

Good looking actors like Mimieux and Svenson and pretty scenery can only do so much to save a poorly written story. Snow Beast is a typical 1970s monster horror film and plays out like an over-long ancestral episode of the X-Files without any of the subplots that made that show tolerable. Of course it's about a yeti terrorizing a ski resort. But since the yeti itself (also a pretty good looking creature) only appears in the film for about 2 minutes scattered over the entire 86 minutes of the film, the resort is mostly inhabited by bad actors. Frankly, only Mimieux gives a performance worthy of recording, though Svenson seemed to at least be enjoying himself.

Svenson and Mimieux's characters are married, though seemingly becoming estranged because of Svenson deepening depression. Bob Logan plays a good friend of the couple who appears to be interested in Mimieux for reasons that go beyond friendship. Svenson's problem is that he regrets having given up skiing after winning five gold medals and becoming a champion. This sets up a subplot which is used to justify about 30 minutes of Corman-esquire scenes of people skiing. Svenson is a pretty poor skier for an ex-champion. The hunt for the yeti, which really couldn't justify more skiing scenes, instead explains why most of the last 15 minutes of the film consists of the principle cast riding around on snow mobiles. And lest I forget, Clint Walker shows up, playing himself in a County Sheriff's uniform and leads the snow-mobile brigade.

Like many "shockers" of the 70s, Snow Beast avoids an adequate special effects budget and an R rating (it's a TV movie) by not allowing the audience to see the beast itself or really, any of the horror scenes. You only see the beast when the actors do. And when they see it, they die, while you are only likely to experience narcolepsy.

It took me four nights to get through this one. I have read through some of the more enthusiastic reviews, and all I can say about them is that I am glad that diversity thrives here on IMDb.

This was filmed partially in Crested Butte, Colorado for the ski slope shots, and 30 miles away in Gunnison, Colorado for fill shots. They shot the 'Winter Wonderland' High School dance sequence in the gym at the high school. This was a pretty big deal for all of the students. A real "Hollywood" movie! I remember Yvette being very petite and very quiet during her on-camera parts. One of the shots has Bo sitting in the middle of a bunch of students in the bleachers. Look close (and quick) and you'll see a geeky guy in glasses behind him. I remember wearing a bright shirt that day. We all had to sign the waivers and promise to be polite and quiet. The director would lay out what was going on in that particular shot and how we were supposed to act. They replaced the glass in one of the gym doors so the Beast could stick his arm through it. They seemed to be careful to not let us see the whole beast. Only parts of it. Bo was a large guy, as I remember. And nice. I was a freshman or sophomore at the time so this was being filmed in the 1976-77 time frame. My friends dad was principal at the time. I remember him being very stressed about all the diversions. Not education friendly I guess. But it was a neat learning experience in another way. And I get to say I was in a movie with Yvette and Bo. Thanks.

An annual Colorado skiing event is terrorised by a Yeti.

Not to be confused with 2011's Snow Beast. Veteran TV director Herb Wallerstein's 1977 outing is a competently made, poor mans, TV version of Jaws but doesn't reach the summer blockbusters depth, tension or flair. Written by Joseph Stefano (who wrote the screenplay for Psycho) offers the expected slow talky dialogue which is broken up by the occasional glimpses of the Yeti, Bigfoot-like Snow Beast.

Robert Prince music is fitting, notable is a set up where the beast is glimpsed at a window which it then smashes through in front of a hall full of children and skiers. Endless Snow beast POV shots aside, the snowy on location shoot adds atmosphere with cinematography from Frank Stanley. The acting is of its time but better than today's low budget attempts and the man in a suit and real looking blood is still more effective than the bad CGI Syfy channel productions being put out.

It has higher-than-usual production values especially considering it's a made-for-television movie. As Yeti films go, it's worth checking out especially for those wanting a 70s fashion nostalgia ride.

For a low budget, made-for-TV movie from 1977, this one packs quite a wallop. Sure, we never really get to see the monster and there is an abundance of non-professional extras on hand, but the lead performances (Bo Svenson, Yvette Mimieux and Clint Walker) are just fine. There are two very strong qualities which take this film into the recommendable range. One is the excellent location photography. Sure, the Colorado mountains are gorgeous, but the stedicam work around the slopes really add to the tension. Second is the musical score. It is just excellent, so far about the norm for a TV movie of the era. I don't have the composer credit at hand, but it's my guess that there was a connection between him and Joseph Stefano, who wrote the film and was a veteran of Outer Limits, also noted for its engaging musical score. Anyway, between the music and the swooping camera work, this film is often genuinely creepy, almost from the first few minutes. And bless her sweet soul, isn't Yvette gorgeous? She sure grew from the Time Machine into a beautiful woman. Final word: it's hard not to notice the plot similarity between this feature and Jaws. Made two years after the Spielberg classic, we're still dealing with a monster on the loose and a town that doesn't want to admit it for fear of losing tourist dollars. Maybe Jaws on the Slopes would be a good subtitle here.

SNOWBEAST is about the Rill Ski Lodge, its 50th anniversary celebration, and the huge, hairy monster that wrecks it all.

The wanton slaughter starts right away, leaving unwary skiers slumped on the slopes. Of course, lodge owner, Carrie Rill (Sylvia Sidney) won't entertain the idea of closing the place down. After all, what are a few deaths, when a winter carnival is at stake?

Enter Gar and Ellen Seberg (Bo Svenson and Yvette Mimieux). He's an 8 foot tall man in need of a job and a confidence boost, and she's his long-suffering wife. Can they put their soap opera marriage on hold long enough for Gar to help track the creature? When 9 foot tall Sheriff Paraday (Clint Walker) gets involved, it takes a while to convince him, and then the hunt is on.

As made-for-TV, killer Bigfoot movies go, this one's not too bad. It's also fairly talky, and has several lengthy shots of people just skiing along, like they're in a travelogue.

THE BEST PARTS ARE: #1- When the beast attacks the lodge, ruining the night for the winter carnival queen! #2- The monster's assault on the sheriff's camper! The yowling yeti unleashes an avalanche of -conveniently placed- logs that defy physics and all logic, by hopping into the camper sideways!

A frigid feast of furry fun!...