Eine neue Schülerin an einer noblen Ballettakademie stellt nach und nach fest, dass die Schule nur eine Fassade für etwas viel Unheimlicheres und Übernatürliches darstellt, als sich dort ein... Alles lesenEine neue Schülerin an einer noblen Ballettakademie stellt nach und nach fest, dass die Schule nur eine Fassade für etwas viel Unheimlicheres und Übernatürliches darstellt, als sich dort eine Serie von grausamen Morden ereignet.Eine neue Schülerin an einer noblen Ballettakademie stellt nach und nach fest, dass die Schule nur eine Fassade für etwas viel Unheimlicheres und Übernatürliches darstellt, als sich dort eine Serie von grausamen Morden ereignet.
- Auszeichnungen
- 1 Gewinn & 4 Nominierungen insgesamt
Miguel Bosé
- Mark
- (as Miguel Bosè)
Eva Axén
- Pat Hingle
- (as Eva Axen)
Handlung
WUSSTEST DU SCHON:
- WissenswertesDirector Dario Argento's original idea was that the ballet school would accommodate young girls no older than 12 years. However, the studio and producer Salvatore Argento (his father) denied his request because a film this violent involving children would almost certainly be banned. Dario raised the age limit of the girls to 20 years but did not rewrite the script, hence the naiveté of the characters and the occasionally childlike dialogue. He also put all the doorknobs at about the same height as the actress' heads so they would have to raise their arms in order to open the doors, just like children.
- PatzerDario Argento's face can be seen reflected on the taxi's glass partition in the opening sequence. Assumed by many people to have been a mistake coming from a rushed shoot, Argento has gone on record to say it was intentional.
- Zitate
Dr. Frank Mandel: Bad luck isn't brought by broken mirrors, but by broken minds.
- Crazy CreditsYou have been watching "SUSPIRIA"
- Alternative VersionenThe remixed soundtrack on the Anchor Bay release omits a line of dialogue near the conclusion when Susy is creeping down the secret hallway. It cuts out Tanner's faintly-heard declaration "All right, we must come to a decision. The situation can no longer be tolerated."
- VerbindungenFeatured in Heiße Katzen in der grünen Hölle (1981)
- SoundtracksMarkos
Adapted from "Music in Similar Motion" by Philip Glass
Arranged by Claudio Simonetti, Fabio Pignatelli, Agostino Marangolo and Massimo Morante
Performed by Goblin
Ausgewählte Rezension
Having heard such mixed things about "Suspiria," I was actually somewhat pleasantly surprised. My main interest in seeing the movie was because of Joan Bennett and Alida Valli.
The sets are quite marvelous and the opening sequence appropriately gripping. I can't say that I was scared by the film. The maggot sequence was actually pretty funny. One minute they're dropping all over the place and the next there's poor Joan Bennett (I read somewhere that she did the film so she could go abroad) in her best finishing school posture and accent explaining away the problem. Don't get me wrong, but there are some genuinely creepy bits. The scene with Jessica Harper walking down the hall and seeing the old woman and the little boy and then her dance class with the sadistic Alida Valli character was unnerving.
The script needed some work. It is, as others have said, a very dreamlike/nightmarish film, but I need some sort of narrative cohesion in my movies. I also have to agree with the reviewer here who questioned the whole sleep apnea thing.
The acting is . . . uneven. Jessica Harper does fairly well as the young woman who's come to the dancing school and discovers there's much more going on. I'm not sure what to say about Bennett and Valli. I've seen it suggested that their performances were supposed to be like that--why, I don't know--but it would be to their credit if that were the case, because both of them gave much better performances in their careers. Still, glad I saw it and I will probably watch it again.
The sets are quite marvelous and the opening sequence appropriately gripping. I can't say that I was scared by the film. The maggot sequence was actually pretty funny. One minute they're dropping all over the place and the next there's poor Joan Bennett (I read somewhere that she did the film so she could go abroad) in her best finishing school posture and accent explaining away the problem. Don't get me wrong, but there are some genuinely creepy bits. The scene with Jessica Harper walking down the hall and seeing the old woman and the little boy and then her dance class with the sadistic Alida Valli character was unnerving.
The script needed some work. It is, as others have said, a very dreamlike/nightmarish film, but I need some sort of narrative cohesion in my movies. I also have to agree with the reviewer here who questioned the whole sleep apnea thing.
The acting is . . . uneven. Jessica Harper does fairly well as the young woman who's come to the dancing school and discovers there's much more going on. I'm not sure what to say about Bennett and Valli. I've seen it suggested that their performances were supposed to be like that--why, I don't know--but it would be to their credit if that were the case, because both of them gave much better performances in their careers. Still, glad I saw it and I will probably watch it again.
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Details
Box Office
- Weltweiter Bruttoertrag
- 47.000 $
- Laufzeit1 Stunde 28 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1
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