Der größte Liebhaber der Welt

Back in April of this year I heard that The Worlds Greatest Lover was going to be on AMC and I was like yes I'm finally going to get to see this movie, I'm a big Gene Wilder fan so.....yeah, anyway the only problem was that it was going to come on at 3 in the morning on a Monday which was a school night for me so I asked my mom to record it for me, so when I came home from school I saw it and thought it was awesome, two or three months later I ordered the DVD off of Barnes and Nobles and I now have it on DVD what I had heard from this movie was that Gene not only stars in this movie but writes, directs, produces, and surprisingly wrote a song for the film as well, I think Gene's take on Rudolph Valentino was pretty cool and I think he came up with some clever ideas like "histerical laryngitis" and sticking your tongue out or twisting your words around whenever his character is nervous. I also thought Carol Kane was wonderful as Rudy's wife Annie and Dom Deluise was as funny as usual as movie mogul Adolph Zitz, one thing you probably found annoying was Gene Wilder's constant screaming and going into hysterics all the time but he does it brilliantly, plus the character of Rudy was very high-strung kinda like Leo Bloom right? so if you like slapstick comedy or if your a fan of Gene Wilder, I highly recommend this and I'd say its another one of Gene Wilder's forgotten films and its a great one to look out for, I'd give it a 7.5 out of 10.

I personally thought the film was too long, and had too many belabored or slowly timed gags. They needed to be more crisply and unselfconsciously performed to work.

The Abalone character was great, and his give and take with people was one of the better points. Still, to have the A-Baloney bit pounded into the ground didn't improve the humor. Too much of a good thing is too much of a good thing.

Same is true for the 'sex by numbers' bit. Clever, but needed tightening up.

This said, I'm usually a big fan of Wilder's work. This one just fell a bit flat for me.

This movie studies a handful of themes, among them: romantic problems, issues of the individual versus conformity, and beauty versus mediocrity. It is set during the Hollywood silent movie days, when Rudolph Valentino was the rage. Wilder plays the lead role, the husband of a Valentino fan, who has to muster up the sexy man in himself in order to save the day. The sets are lush, Carol Kane is gorgeous, Wilder gives one of his most heartbreaking performances, and Harry Nilsson devotes his song "Ain't it kind of wonderful" to the soundtrack. Very ambitious, especially considering that Wilder wrote, directed and produced it.

Yes, it's true some of the gags are dated or overdone, but there are other things to enjoy. It's in the same league as Woody Allen's early slapstick comedies, like "Sleeper" and "Play it again, Sam", as well as the Mel Brooks' oeuvre.

A motion picture which causes reactions even if it is not watched for a period of time. Last time I watched this film it was summer now Christmas is approaching fast. I missed it. I put it on my daily list with a reminder. I cannot give up this movie. I was so young when I first watched it on tv. It's pure , tells the truth , picks the fun out of stressful situations. It's a masterpiece of bringing together characters out of order , building a concrete storyline, making sense , printing scenes of incredible cinematography all that and more without becoming boring uninteresting out of time. There's nothing to discuss of the actors: adorable acting so precise and comprehensive so much flavor comes out of their being in this movie. To me a whole era is revealed by watching those people doing whatever each of them has to do so as to be a precious piece of that puzzle. It's silent movies meeting sound and colors. The characters meet on the set and plot using their dreams their duties their realities. Stars of silent movies producers who seek the future and a lovely couple all find a way in the cinematography world.

Interesting that 20th Century Fox gave Gene Wilder a second chance to develop his talents as a writer-director-star (and producer AND songwriter this time) after "The Adventure of Sherlock Holmes' Smarter Brother" left most critics indifferent. "Brother" wasn't terrible, and it reportedly grossed twenty million dollars, but as comic movie-making it was a botch (it had too much manic energy for one picture). Here, Wilder plays a Milwaukee schnook who travels to Los Angeles in the 1920's with his new bride to audition for Rainbow Pictures' answer to Rudolph Valentino. Wilder doesn't float gags around, he hammers away at them without much subtlety or finesse; he loves a good burlesque gag and he's fond of old-fashioned slapstick, but he needs more soft edges (the best scenes are the ones featuring Carol Kane, who is handled gingerly playing the wife). Lots of running jokes (bad ones, like Gene's character being named Rudy Valentine, that simply don't pay off), and too much of Dom DeLuise, bring the picture down. There are some laughs: Gene making eyes at a plain Jane on the train, an overflowing bathtub in a posh hotel. Wilder certainly has lots of ideas, but the results are more miss than hit. ** from ****