Ein Mann will nach oben

In pre-WWI Germany life of the common people was a seemingly endless struggle for mere survival. Even the most basic human needs like food and shelter frequently seemed out of reach for some. The talents of able bodied men were exploited and miserably compensated to assure highest profits for the "bosses". Is it any wonder that the time was ripe for a revolt by the struggling masses? Who was going to finally give them their fair deal in an industrial revolution?

Our hero Karl Siebrecht comes of age during this time. He is a well educated newly orphaned 16 year old who decides to leave his provincial home with no more than a suitcase and 10 Goldtaler selflessly given to him by an elderly family friend. He was off to find his way to success in Berlin, the city where hard work and good ideas would always be rewarded. - Enthusiasts of regional German dialects will enjoy the rich flavor of Berliner Schnauze, which had it's Golden Age during the early 1900s!

From the beginning, Siebrecht is supported by loyal friends, and also surrounded by those who want to turn Siebrecht's genius to their own financial advantage, even trick the man out of his fortune. From ca. 1910 right up to and beyond the Great Inflation of 1923, many brutal failures always turned back around to new fortunes. Although rightfully viewed as arrogant, even tyrannical, Karl Siebrecht never totally loses his moral compass, his sense of right and wrong. He would never be the kind of "rich man" who would walk all over "little people". In his utopia, the tide lifts all boats, not just a few big ones.

This 13 part series nicely combines personal i.e. family drama of the principles with the turbulent social and political changes during a particularly eventful period in German (and World) History. With an undying human spirit to face any and all troubles life can throw at you, people forged on. A small scene toward the end of the story shows the long suffering and tirelessly working Rieke busy handling the many orders for special sewing. She can't believe people would sacrifice valuable cloth just to hang flags out of their windows. Without any commentary, we see large piles of flags: One with the dominant Nazi symbol, the other Communist. A quiet way of saying: We don't care who hires us to do work, we need the money to survive.

This gem of a TV series is historical fiction at its best. I give it my highest recommendation.

This classic miniseries portrays Berlin during the "age of founders" when ambitious men were establishing the businesses that would dominate a world-class economy. It pits loyalty and friendship against ambition and greed as a charming threesome thrown together by their poverty are split apart by their differing measures of "success". The production, featuring young actors who have themselves been very successful subsequently, is as apt now in the Internet age as when it was filmed 20 years ago, or when Fallada wrote it a century ago.