Sechs Schwedinnen im Pensionat

I actually watched the follow-up to this first, Swedish Gas Pump Girls, and found it to be better in nearly every regard (and these two movies share several common themes). Swedish Boarding School Girls is completely plotless, and runs a full 90 minutes. At least Gas Pump Girls humors you with a flimsy plot.

With this Full Moon release, you are stuck with one audio track: A horrible English dub. And when I say English, I mean English: The Swedish girls speak with a proper British accent. And some of the guys have Cockney accents! I can't think of a bigger buzzkill. (Well, the men's pose-down late in this flick was right up there). When I think of foxy naked blonde "Swedish" ladies, British accents don't even figure into the equation. Also, I'm fairly sure they don't refer to their underwear as "knickers" in Sweden.

Much of the nudity in this is obstructed, as they spend a lot of time in the woods and overgrown fields. Was Edwin C. Dietrich being artsy? No mistaking his intentions in the follow-up; it was there, in your face, AND it lingered! Also, a few clever ideas in that one. This one seems generally favored over Swedish Gas Pump Girls, and I have to strongly disagree. Then again, this dub may have tainted my entire experience.

I watched this movie expecting to get the same old erotic movie. Boy, was I surprised when I watched this movie. You get to see female nudity from head to toe and male nudity. Girls are playing with themselves while the teacher gets hot herself. There is also lesbian scenes with good description and sex scenes tied in with some of the best comedy since, Benny Hill. If this movie does not turn your buttons you must be dead in certain parts of your anatomy. Don't miss the butterfly catching scene. I gave this movie a 10 because it steams adult erotic with good old fashioned humor. Rent this movie and than buy it because it is one of a kind.

Although Six Swedes on a Campus and Amorous Sisters seem to have most of the same cast & director, not to mention basic premise, they are different in content. Amorous Sisters is much shorter (about 65 mines), but contains slightly stronger material, and Six Swedes on a campus seems to be better made, and more of a full-length movie. In 6 Swedes, the girls mess around with the rather camp muscle-bound PE teacher outdoors, whereas in Amorous Sisters, he's pounced upon inside.

Perhaps there was originally one big movie, and was then made into little ones. I'd say 6 swedes was the better one, because the film quality is higher. Don't bother with 6 Swedes in Ibiza by the way, it's rubbish: 6 Swedes at the pump is OKish, but beware of the 6 Swedes at the Alps - the version I had which is supposedly uncut is very tame.

Six Swedish Girls in a Boarding School is a classic example of writer-director Erwin C. Dietrich's signature style, delivering a sexy and fantasy-filled romp with his trademark trashy comedy twist. This Swiss-French co-production, also known as Six Swedes on Campus, offers a fun yet forgettable experience.

The film is set in a Swedish boarding school, where a group of perfect-looking young ladies begin to explore their curiosity about sex. True to form, Dietrich ensures his cast gets naked at every opportunity, providing ample fan service for audiences seeking titillation.

Leading the cast is Brigitte Lahaie, who delivers a standout performance as one would expect from the veteran actress of such films. Her talent, along with the enthusiasm of the rest of the cast, helps elevate the otherwise thin material.

While Six Swedish Girls in a Boarding School offers some entertaining moments and is a visually stimulating experience, it ultimately falls flat due to its shallow plot and excessive focus on nudity over meaningful storytelling. This film will primarily appeal to fans of erotic cinema or those seeking a mindless, sexy comedy.

In summary, Six Swedish Girls in a Boarding School is a mixed bag. It has its moments of fun and delivers on the promise of sexy Swedish students, but don't expect a deep or memorable cinematic experience.

For fans of Dietrich's work and the era's sexploitation genre, this film will be a welcome addition to their collection. However, for those seeking a more substantial and engaging narrative, look elsewhere.

So, if you're in the mood for some light-hearted, sexy escapism and don't mind the lack of depth, give this one a go. Just don't expect to remember much about it afterward.

The first and best of Swiss Czar of Carnality Erwin C. Dietrich's increasingly explicit "Swedish" skin flicks, a domestically popular porn series which was eventually to comprise four official entries, five if you count his acquisition of Ann Perry's all star US hardcore BALLGAME as "6 Swedish Girls Behind Bars" ! Funny thing about Dietrich. While trash film fans have accorded him a certain degree of street cred as producer of a number of Jess Franco's (comparatively) classier '70s skin flicks like JACK THE RIPPER and LOVE LETTERS OF A Portuguese NUN, there has always been considerably less love for the dozens of mostly generic gash grinders he churned out - usually as "Michael Thomas" - between 1968's costume pic DIE NICHTEN DER FRAU OBERST (remade more graphically in 1980) and 1982's AMOROUS SISTERS. Stopping just short of hardcore, for which he would press Continental pornographer Gérard Loubeau into duty as the German movie market grew more permissive, he adopted the gourmand's approach to his own personal brand of sex cinema which was almost entirely devoid of genuine eroticism but for its acres and acres of bared female skin.

Apart from an occasionally semi-serious foray into the fornication film field, such as the Lina Romay showcase ROLLS ROYCE BABY or his half-hearted WIP entry CAGED WOMEN, Dietrich usually went for the funny bone. Historically proved, this is not a territory that German-speaking countries excel at ! So if you're looking for a few hearty laughs along with your copious nudity, you should probably just keep on looking. That said, the guy's unpretentious undraped sagas make for surprisingly innocent entertainment in retrospect, all the more astonishing considering that far more explicit endeavors must have been breathing down Dietrich's neck while he was still reeling in (massive) audiences with what were basically "nudie cuties" with tons of healthy outdoors activities for his foxy female cast to engage in. Which brings us to these movies' strongest assets (ass-sets ?), i.e. their stunningly beautiful actresses, frequently culled from the French XXX field, for whom these mild activities amidst the Alps must have been a literal breath of fresh air.

We might just as well skim over any perceived complexities in the film's fragmented narrative (credited to Dietrich's nom de plume "Manfred Gregor"), as it basically consists of the Swedish sextet getting into mischief and - to quote the late great Kenny Everett - "all their clothes fall off", and focus on the fabulous femmes. Brigitte Lahaie is obviously the most recognizable of the lot and has her most memorable moment as she visits a local sex shop in search of a dozen dildo's (don't ask !) and starts to fantasize about what the exclusively male clientèle might do to her. Her close to 'core Sapphic scene with short-haired France Lomay (who would never look better than in her single American adult film, Fred Lincoln's 1983 THAT'S OUTRAGEOUS!) is also nothing to sneeze at. The latter figures most prominently in the plot (such as it is) by inventing a most unusual bicycle equipped with pistoning penis that will be put to extensive employment by the tireless schoolgirls !

Nearing the end of a distinguished career in simulated sexing, Anne Libert looks almost anorexic as the not so stern headmistress, still able to "bring it" as she gives a fully clothed demonstration of sexual positions with muscle man gym teacher Mike Montana (from Franco's SEXY SISTERS) in sex ed class that ranks as one of the few encounters to actually raise temperatures. Busty Nadine Pascal was usually "Nadja Santos" or "Nadine Scant" on penetration pics but is better known for Franco's SADOMANIA and TWO FEMALE SPIES WITH FLOWERED PANTIES. Long-haired blonde Danielle Troger probably looks the most convincingly Scandinavian of the lot and was also an extremely active adult starlet throughout the '70s but little Elsa Maroussia (as reluctant virgin Selma) only went all the way once, in Claude Bernard-Aubert's blah BIG ORGY.

Photographic duties are divided between stalwart Andreas Demmer and his apprentice Rudi Küttel, who had done such a splendid job on Franco's Kitsch masterpiece BLUE RITA, with the first focusing more on the splendiferous surroundings while the latter would fearlessly probe the female private parts. As ever, Walter Baumgartner came on board for another perfectly pleasant and quite eclectic soundtrack to score the saucy shenanigans. What one must not forget is that Dietrich wasn't trying to beat the Bard with this undemanding bit o'froth. It used to play my local (long-gone) sex cinema semi-annually, almost always to packed houses, and no one ever asked for a refund ! Simply put, it does what it says on the tin, prime meat 'n potatoes porn that doesn't aspire to anything higher.