Das Parfüm der Dame in Schwarz

"Beautiful" and "stylish" are naturally two words that automatically come to mind when describing this odd, dreamy, haunting movie. It's definitely not the typical "giallo", as it's not so much about being a murder mystery as it is being a character profile and a "Repulsion" style story of one young woman's mental decline. Lovely Mimsy Farmer is the woman in question, Silvia Hacherman, a chemist with an unhappy past who begins to see things that she can't make sense of. She doesn't know if she can even trust the people who are part of her life, from her would-be boyfriend Roberto (Maurizio Bonuglia) to another friend, Andy (Jho Jhenkins) to her subtly creepy neighbour Mr. Rossetti (Mario Scaccia). Just who is the strange Woman in Black that Silvia sees in her mirror? Or the equally off putting little girl (Lara Wendel) who insists on being part of her life? Right from the start, "The Perfume of the Lady in Black" promises to be an interesting trip, accompanied by a wonderful music score composed by Nicola Piovani. The look of the movie always helps, also, in insuring that one wants to keep watching even though there are parts of the story that drag. Those viewers expecting more traditional thrills will have to wait until the very end for some juicy bits of gore (that actually seem out of place amidst the low key nature of the rest of the movie). Co- writer / director Francesco Barilli (who wrote the movie with Massimo D'Avak, whose credits include "Who Saw Her Die?" and "The Man from the Deep River") keeps us, along with his main character, off balance with his deft balancing of real and fantastical elements. By the time that his movie is over, it may well have provoked more questions than provided answers, but I agree with others that by this very nature this becomes a highly intriguing if not entirely successful psychological thriller, made at a time when that phrase hadn't yet been introduced into the lexicon. It certainly leaves the viewer to think about what they've seen afterwards. It's good material that is worth a look for adventurous fans of Italian cinema. Seven out of 10.

"Il Profumo Della Signora In Nero" aka. "The Perfume Of The Lady In Black" (1974) is a film that enjoys a certain cult-status among my fellow fans of Italian Horror, and I was therefore curious to see it for quite some time. When I finally saw it recently, the film was not quite what I expected, but not in a negative sense, as it certainly didn't disappoint me. Having deliberately read no reviews before watching it, I was probably most surprised by the film since I had been mislead to believe that "The Perfume Of The Lady In Black" is a typical Giallo, whereas it is much rather an occult psychological Horror film. The fact that this beautifully filmed cult-gem is often named a Giallo is probably the stunning visual style, which reminds of many early 70s Gialli, such as some of the films by Sergio Martino, or Dario Argento's earlier work. The early films of Roman Polanski (especially "Repulsion" clearly served as an influence to this film. If there is one Giallo that "The Perfume Of The Lady In Black" is comparable to, it is probably Sergio Martino's "Tutti I Colori Del Buio" ("All The Colors Of The Dark", 1972), but the similarity also lies in the nightmarish atmosphere of upcoming insanity rather than in the Giallo-esquire elements (such as the typical depiction of murders, the mystery about the killer's identity etc.). One will not find a black-gloved killer butchering dozens of beauty-queens in "The Perfume Of The Lady In Black".

What one will find, however, is cinematic beauty, genuine creepiness, a nightmarish atmosphere and utter insanity in equal doses in this bizarre, sometimes confusing, sometimes spine-chilling gem. The beautiful Mimsy Farmer stars as Silvya Hachermann, a chemist tormented by nightmarish visions related to her own childhood... I don't want do give too much of the storyline away, since it is unforeseeable and often bizarre, but I am sure it will appeal to most of my fellow Italian Horror fans. If the film has one weakness, it is that it is sometimes a bit too confusing, and does not always make perfect sense, but then, the film's obscure, sometimes surreal nature mostly makes up for this. Mimsy Farmer is once again wonderful in her role. Farmer is known to Italian Horror fans for her roles in films like "Macchie Solari" (aka. "Autospsy", 1975), Dario Argento's "Four Flies On Grea Velvet" (1971) and this one. Beautiful as she is, Farmer also has a great talent to play women on the cusp of mental instability, and she once again delivers an outstanding performance here. The other performances are all very good, especially memorable are Mario Scaccia as a friendly elderly neighbor, and Orazio Orlando as a truly sleazy scumbag. "Beautiful" is a word often used to describe this film, and for understandable reasons (at least as far as the visual style goes). This must be one of the most visually striking Italian Horror films of the early/mid 70s, and this is saying something as the combination of this genre, country and period bears countless films that are visually astounding. The photography is as impressive as the settings, and the many occult elements only make the film more effective. The score by Nicola Piovani is also great and contributes a lot to the film's creepy atmosphere. "The Perfume Of The Lady In Black" is a chilling and nightmarish film with an ascending atmosphere of insanity and a brilliant leading performance by Mimsy Farmer. Beautiful and terrifying in equal measures, this stylish and obscure cult-gem is highly recommended to all my fellow fans of Italian Horror.

Sylvia (Mimsy Farmer), an industrial scientist, is troubled by strange hallucinations related to the tragic suicide of her mother.

After the success of "Rosemary's Baby" (1968), the Italian horror world began to embrace Satanic and occult stories. This is one of them. Director Francesco Barilli took a cue from early Argento and made a giallo with some dark undertones. He previously wrote a script for Umberto Lenzi, but had not directed a feature himself.

The cast may not be well-known outside of Italy, but have appeared in Lenzi, Argento and D'Amato films. One even appeared in the notorious "Salo", and a few starred alongside Daria Nicolodi in a picture. So there is plenty of connection here.

This film is beautifully shot with excellent color and better than average acting. It deserves more recognition than it gets. Wikipedia and IMDb are relatively silent on the film's creation, and even Italian horror historian Luca Palmerini has little more than a sentence to say about it in his book...

Like Barbara Bach, Mimsy Farmer went to Italy and fell in love. She did, however, have a long career in the US, starting with Gidget Goes Hawaiian to a few biker movies. She remained in Italy making films until her divorce, and then moved to France where she continued acting.

This is more a psychological horror film that a true giallo. It was a tale of a woman going mad over unresolved traumas from her childhood. Or, maybe it was a tale of a woman being driven mad for nefarious purposes. It was not totally clear, but there were little clues throughout.

Whatever the case, the ending was a total surprise and nothing led you to expect it.

I'll be the last person on this earth to deny that "The Perfume of the Lady in Black" isn't a breathtakingly beautiful and stylish viewing experience. Quite the contrary, I agree that Francesco Barilli's film is a masterwork of subtly built up suspense and it's also one of the best films ever forcing you to empathize with the leading character. This film contains numerous astonishing camera shots, genuinely creepy musical tunes and hugely impressive decors, but this material greatness makes it all the more difficult to forgive that there's not a lot of coherence or plausibility in the story and that Barelli leaves far too many questions unanswered at the end of the movie. "Perfume etc.." is similar to and clearly inspired by the earliest work of Roman Polanski; most notably "Repulsion" and "Rosemary's Baby". Exactly like in those two cinematic milestones, the plot introduces a seemingly weak and vulnerable female protagonist that suffers from nightmarish hallucinations and haunting memories of her childhood. She, Silvia Hachermann – played by Mimsy Farmer, soon isolates herself from the outside world and notices how her social surrounding, including her boyfriend and friendly neighbors, turn against her. Does these events relate to the voodoo-talk she had with some friends? Or the mysterious circumstances regarding her mother's premature death? Or maybe it's all happening in Silvia's mind alone. Perhaps I was expecting too much of an old-fashioned Italian giallo whereas this film is clearly an occult/psychological thriller, but the slow development of the plot and the absence of a perceptible kind of malice honestly bothered me just a tad bit. After a full hour into the movie, still nothing grueling has occurred and Silvia's inevitably disastrous fate can't be guessed until the very last seconds. The climax comes as a total shock, for sure, but not exactly a satisfying one since absolutely nothing in the development of the plot hinted at such a macabre switch in tones. Nonetheless, "The Perfume of the Lady in Black" is a curious gem of Italian horror cinema, with an overload of talent in front as well as behind the cameras' lenses. It's a demanding film that requires the full attention of all your senses and even then it's likely to confuse you several times. Recommended to well-trained fans of Italian cinema.