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7,5/10
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IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuAfter being shot in the line of duty, Harry Orwell was forced to retire from the San Diego Police Department. To supplement his police pension, Harry runs a private detective agency out of h... Alles lesenAfter being shot in the line of duty, Harry Orwell was forced to retire from the San Diego Police Department. To supplement his police pension, Harry runs a private detective agency out of his beach house.After being shot in the line of duty, Harry Orwell was forced to retire from the San Diego Police Department. To supplement his police pension, Harry runs a private detective agency out of his beach house.
- 1 Primetime Emmy gewonnen
- 1 Gewinn & 1 Nominierung insgesamt
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If ever a series deserved a better fate, it's this one. A quirky, three-dimensional main character, interesting plots and smart dialogue. It should have lasted
years, lasted 44 episodes. Janssen was terrific (better than in The Fugitive, a show where you only had to see the first episode and the last), his supporting players were almost as good and the writing, particularly by creator Howard
Rodman, was a cut above the typical TV fare. Yes, it was just another detective show and it did follow some of the typical cliches, but hey, it also provided a poignancy and adult (not X-rated, but intelligent) point of view rarely seen on the little screen. Hey, Warner Brothers (I think)! Where's the DVD collection?
years, lasted 44 episodes. Janssen was terrific (better than in The Fugitive, a show where you only had to see the first episode and the last), his supporting players were almost as good and the writing, particularly by creator Howard
Rodman, was a cut above the typical TV fare. Yes, it was just another detective show and it did follow some of the typical cliches, but hey, it also provided a poignancy and adult (not X-rated, but intelligent) point of view rarely seen on the little screen. Hey, Warner Brothers (I think)! Where's the DVD collection?
I first remember seeing this show in the late '70s on BBC - I was (and am) a big fan of Raymond Chandler's Philip Marlowe and Harry Orwell was as close to a modern-day version as I could imagine.
Taciturn and laconic, David Janssen's portrayal of the world-weary detective was far above the quality of many other shows of the day, and a marked contrast to one of my other favourites, The Rockford Files, where every week Jim got knocked on the head, argued with Dennis and got in a car chase, although, granted, his car was always in good shape.
The stories were intelligently-written, the supporting cast always first-class (Henry Darrow and Anthony Zerbe providing excellent foils for Janssen), and guest artists either well-established or up-and-coming stars.
'Harry O' is a show that deserves a DVD release - when one considers the availability of more obscure shows it's difficult to understand why it hasn't had its turn.
Like Harry, I'm a patient man, but I'd like to see this show again before I die...
Taciturn and laconic, David Janssen's portrayal of the world-weary detective was far above the quality of many other shows of the day, and a marked contrast to one of my other favourites, The Rockford Files, where every week Jim got knocked on the head, argued with Dennis and got in a car chase, although, granted, his car was always in good shape.
The stories were intelligently-written, the supporting cast always first-class (Henry Darrow and Anthony Zerbe providing excellent foils for Janssen), and guest artists either well-established or up-and-coming stars.
'Harry O' is a show that deserves a DVD release - when one considers the availability of more obscure shows it's difficult to understand why it hasn't had its turn.
Like Harry, I'm a patient man, but I'd like to see this show again before I die...
This series was that rare thing in the 1970s - an original and intelligently constructed mainstream US TV series.
This was due to two factors, the personality and performance of David Janssen (the word unique is grossly over-used, but it truly applied to him), and the way that the character of Harry Orwell was constructed around Janssen's screen persona. The idea of an ex cop taking up private detection was not new, even then, but the details were what made this one special. For example, Harry often travelled by bus, being unable to drive because his car was always hosed. Imagine, Kojak or Jim Rockford doing that? No, neither can I. Harry also had a family history (ex-partner, money problems etc)that we actually saw him dealing with. Very little gloss on Harry's life.
So, an intelligently constructed premise, a great central performer, superb performances from the recurring characters - notably Anthony Zerbe as the acerbic Lt. Trench (replacing Lt. Manny Quinlan half-way through series 1, when the series' location moved from San Diego to LA at the behest of the studio suits). And then, we had some interesting and well written scripts - but yes, there were some clunkers too. Harry O was well directed, very well cut in the styles of the time and oh! - those Foley sounds, loud footsteps in longshots - I love it! The sound on just one of the series one episodes is appalling, but for all the rest, they look and sound great.
Perhaps because it came in at the middle or latter end of the US boom in detective series, Harry O ran for only two seasons. A great shame, it had a lot more potential to realise - and without Janssen it can never be recreated.
2013 UPDATE: The first series is available now as a box set from the Warners online shop!
2014 UPDATE: No longer a rare series! Warners have put out box set of both series now. You can buy on Amazon or direct from WBshop.
Excellent! Just ordered mine!
This was due to two factors, the personality and performance of David Janssen (the word unique is grossly over-used, but it truly applied to him), and the way that the character of Harry Orwell was constructed around Janssen's screen persona. The idea of an ex cop taking up private detection was not new, even then, but the details were what made this one special. For example, Harry often travelled by bus, being unable to drive because his car was always hosed. Imagine, Kojak or Jim Rockford doing that? No, neither can I. Harry also had a family history (ex-partner, money problems etc)that we actually saw him dealing with. Very little gloss on Harry's life.
So, an intelligently constructed premise, a great central performer, superb performances from the recurring characters - notably Anthony Zerbe as the acerbic Lt. Trench (replacing Lt. Manny Quinlan half-way through series 1, when the series' location moved from San Diego to LA at the behest of the studio suits). And then, we had some interesting and well written scripts - but yes, there were some clunkers too. Harry O was well directed, very well cut in the styles of the time and oh! - those Foley sounds, loud footsteps in longshots - I love it! The sound on just one of the series one episodes is appalling, but for all the rest, they look and sound great.
Perhaps because it came in at the middle or latter end of the US boom in detective series, Harry O ran for only two seasons. A great shame, it had a lot more potential to realise - and without Janssen it can never be recreated.
2013 UPDATE: The first series is available now as a box set from the Warners online shop!
2014 UPDATE: No longer a rare series! Warners have put out box set of both series now. You can buy on Amazon or direct from WBshop.
Excellent! Just ordered mine!
Harry O is being rerun on cable channel Good Life on Monday nights at 8:00pm and again at 11:00pm. They are still doing the Lt. Quinlan days. This is as of November 29, 2005. Harr O was a great show (actually, still is). It was David Janssen at his best. His rapport with Anthony Zerbe as Lt. Trench is wonderful. Les Lannom had David/Harry down to a "T". Question: Did Harry ever wear anything other than the tweed sport coat, blue button down shirt, dark tie, and khaki pants - or - the shorts and jacket? And yes, a DVD of the show would be great! The show always had the cream of the crop guest stars from the 70's. Many of the younger ones became stars in their on right. What ever happened to Les "Lester" Lannom and Paul Tulley as Sgt. Roberts?
In 1973 I failed to watch this private eye show. It would take many years of maturity until I rediscovered how great David Janssen's The Fugitive was. It has become one of my all-time favorites. It was excellent on many levels and taking to it's full potential was David Janssen. Given the chance in 2018 to see episodes of Janssen's post fugitive show Harry O was a no-brainer, I was in.
This is a show that fits with the natural on-screen persona of Janssen, not the other way around. Harry O is a retired cop on an early disability. He now spends his days working the occasional private case and living on the beach in San Diego. We don't, at least in the early episodes, know much about Harry's back story because what's important is where he's headed. He's somewhat of a loner, rather cool, but definitely a thinker. He doesn't drive a flashy car, in fact he rarely drives as his is a beater most often in for repairs. There's good elements here to make an interesting character and Janssen is adept at playing one that is layered yet not at all flashy.
Harry is a thinker, not a head knocker. Still he does get in some spots where his thinking put him in a bit of a precarious situation. Janssen, again, is perfect in this persona. Combine this with some fair writing (it's not as sharp or deep as that of The Fugitive) and Harry O is a very watchable and entertaining show. While it doesn't have the deep hook of his previous work, David Janssen gives this show legs. I like location filmed shows and San Diego is a nice backdrop in addition. At the point of the first episode I don't see a story arc like The Fugitive and I must say I think the previous show's episodes building to an arc will be missed. That said, I do recommend Harry O to fans of Janssen and those who like crime shows that don't condescend in bombast.
This is a show that fits with the natural on-screen persona of Janssen, not the other way around. Harry O is a retired cop on an early disability. He now spends his days working the occasional private case and living on the beach in San Diego. We don't, at least in the early episodes, know much about Harry's back story because what's important is where he's headed. He's somewhat of a loner, rather cool, but definitely a thinker. He doesn't drive a flashy car, in fact he rarely drives as his is a beater most often in for repairs. There's good elements here to make an interesting character and Janssen is adept at playing one that is layered yet not at all flashy.
Harry is a thinker, not a head knocker. Still he does get in some spots where his thinking put him in a bit of a precarious situation. Janssen, again, is perfect in this persona. Combine this with some fair writing (it's not as sharp or deep as that of The Fugitive) and Harry O is a very watchable and entertaining show. While it doesn't have the deep hook of his previous work, David Janssen gives this show legs. I like location filmed shows and San Diego is a nice backdrop in addition. At the point of the first episode I don't see a story arc like The Fugitive and I must say I think the previous show's episodes building to an arc will be missed. That said, I do recommend Harry O to fans of Janssen and those who like crime shows that don't condescend in bombast.
Wusstest du schon
- WissenswertesIn a 2015 interview, Henry Darrow had great things to say about the show and David Janssen. When asked how he got along with Janssen, he answered: "Wonderfully. He had a marvelous, dry sense of humor. We pulled jokes on each other here and there. When I was being replaced, he waited for me when he finished shooting earlier in the afternoon. We had a few goodbye drinks at the hotel bar. I never saw him again, though." (source: Classic Film and TV Café)
- VerbindungenFeatured in The 28th Annual Primetime Emmy Awards (1976)
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