IMDb-BEWERTUNG
5,7/10
12.467
IHRE BEWERTUNG
Eine 747 stößt im Flug mit einem kleinen Flugzeug zusammen und wird führerlos. Irgendwie muss der Tower einen Piloten an Bord bekommen, so dass das Düsenflugzeug landen kann. (Bernd Schlegel... Alles lesenEine 747 stößt im Flug mit einem kleinen Flugzeug zusammen und wird führerlos. Irgendwie muss der Tower einen Piloten an Bord bekommen, so dass das Düsenflugzeug landen kann. (Bernd Schlegel 2009)Eine 747 stößt im Flug mit einem kleinen Flugzeug zusammen und wird führerlos. Irgendwie muss der Tower einen Piloten an Bord bekommen, so dass das Düsenflugzeug landen kann. (Bernd Schlegel 2009)
- Auszeichnungen
- 1 Nominierung insgesamt
Handlung
WUSSTEST DU SCHON:
- WissenswertesShooting overlapped somewhat with the tail end of production on Universal Pictures' Erdbeben (1974), forcing Charlton Heston, George Kennedy, cinematographer Philip H. Lathrop, and producer Jennings Lang to juggle their schedules between the two films. This film was released first.
- PatzerThe plane takes off from Washington Dulles Airport in complete darkness, in the early hours of the morning. It heads west to Los Angeles, however, on the exterior shots of the plane flying west, dawn is seen rising in the west and not the east.
- Zitate
Oringer: Is there much damage?
Joe Patroni: No, not much, theres just a hole where the pilots usually sit.
- VerbindungenEdited into Notruf California: The Stewardess (1975)
Ausgewählte Rezension
Ahhh, this is delightfully undiluted Hollywood dreck of the most charming and enjoyable kind. Everything.. the dialog, the music, the look has that soap opera look.
It's been said that this project started out as a TV movie but got bumped up to a feature film along the way. The script still sounds like a TV movie and the special effects are very uneven. The large scale airplane shots are great and very cinematic. Some cockpit scenes use badly matched rear projection while others cockpit rear projection scenes look fantastic.
Cliques' abound everywhere, as in the portrayal of Gloria Swanson by... Gloria Swanson. Most of her lines are so delightfully stereotypical it makes Ginger from "Gilligan's Island" look complex. "Of course, I never did anything I was expected to do..."
Then there is Linda Blair who seems to be on a mission with her role as a hopeful kidney transplant patient. That mission is to tell the world "You see, I'm not I'm not a Demon monster, like I played in The Exorcist. I *really am* nice." At the time, the "Hollywood Press" was paranoid with the effect making "The Exorcist" had on Linda Blair.
So, in response to this, Linda plays the Kidney patient with a nose scruntching, smiling sweetness that makes you think she is possessed once again... by a Von Trapp kid.
Still, I thought Linda Blair would end up launching pea soup at Sister Helen Ready as she sang that... song.
Charlton Heston is his ultra macho self and whenever he's in a movie, I'm usually loving it. This is no exception.
I was a kid when this came out and there was this glamourous, sleek mystique to airplanes and airports for me. Flying was a much more exclusive and expensive thing back then, before deregulation. Also, seeing these giant pieces of metal leave the ground was almost like magic and yes, it would be a thrill to be in it but... what if something went wrong?
So, it was with these feelings that I went to see this movie with in early 1976. I really was wanting to see "JAWS" and it was just a happy accident that "JAWS" was double featured with this movie. Seeing one movie in a theater was a special deal for me. Seeing two was practically an event.
I came out of the theater thrilled with both movies, thinking they were cut from the same cloth. Of course, as we come to now, "JAWS" is still an indisputable classic and one of the best movies of it's type ever.
"Airport 1975"... well... provided 90% of the inspiration for one of the best comedies ever: "Airplane!". "Airport 1975" itself is a campy, fun, escapist thriller/adventure. It's cinematic junk food that tastes terrific. It's nostalga to me doesn't hurt it a bit either.
"Airport 1975" has a kinship with "Earthquake", in that both had Charlton Heston and George Kennedy. Both provided Universal television shows (The Incredible Hulk, Battlestar Galactica, etc.)with opportunities to build shows around the stock footage they could use from both films (The Hulk gets stuck on an airplane that is Columibia 409, A simulation of a cylon attack uses Earthquake's scenes of destruction, The Hulk gets stuck in an Earthquake's earthquake too).
Both became "events" when they came to network TV, adding (or even filming) additional scenes to make a full evening (or even a 2 evening) television event.
Both had those 1 sheet posters with several little "mug shots" of all the stars in the movie.
Both are sometimes laughable in terms of characters and story but are remarkably lovable none the less.
It's been said that this project started out as a TV movie but got bumped up to a feature film along the way. The script still sounds like a TV movie and the special effects are very uneven. The large scale airplane shots are great and very cinematic. Some cockpit scenes use badly matched rear projection while others cockpit rear projection scenes look fantastic.
Cliques' abound everywhere, as in the portrayal of Gloria Swanson by... Gloria Swanson. Most of her lines are so delightfully stereotypical it makes Ginger from "Gilligan's Island" look complex. "Of course, I never did anything I was expected to do..."
Then there is Linda Blair who seems to be on a mission with her role as a hopeful kidney transplant patient. That mission is to tell the world "You see, I'm not I'm not a Demon monster, like I played in The Exorcist. I *really am* nice." At the time, the "Hollywood Press" was paranoid with the effect making "The Exorcist" had on Linda Blair.
So, in response to this, Linda plays the Kidney patient with a nose scruntching, smiling sweetness that makes you think she is possessed once again... by a Von Trapp kid.
Still, I thought Linda Blair would end up launching pea soup at Sister Helen Ready as she sang that... song.
Charlton Heston is his ultra macho self and whenever he's in a movie, I'm usually loving it. This is no exception.
I was a kid when this came out and there was this glamourous, sleek mystique to airplanes and airports for me. Flying was a much more exclusive and expensive thing back then, before deregulation. Also, seeing these giant pieces of metal leave the ground was almost like magic and yes, it would be a thrill to be in it but... what if something went wrong?
So, it was with these feelings that I went to see this movie with in early 1976. I really was wanting to see "JAWS" and it was just a happy accident that "JAWS" was double featured with this movie. Seeing one movie in a theater was a special deal for me. Seeing two was practically an event.
I came out of the theater thrilled with both movies, thinking they were cut from the same cloth. Of course, as we come to now, "JAWS" is still an indisputable classic and one of the best movies of it's type ever.
"Airport 1975"... well... provided 90% of the inspiration for one of the best comedies ever: "Airplane!". "Airport 1975" itself is a campy, fun, escapist thriller/adventure. It's cinematic junk food that tastes terrific. It's nostalga to me doesn't hurt it a bit either.
"Airport 1975" has a kinship with "Earthquake", in that both had Charlton Heston and George Kennedy. Both provided Universal television shows (The Incredible Hulk, Battlestar Galactica, etc.)with opportunities to build shows around the stock footage they could use from both films (The Hulk gets stuck on an airplane that is Columibia 409, A simulation of a cylon attack uses Earthquake's scenes of destruction, The Hulk gets stuck in an Earthquake's earthquake too).
Both became "events" when they came to network TV, adding (or even filming) additional scenes to make a full evening (or even a 2 evening) television event.
Both had those 1 sheet posters with several little "mug shots" of all the stars in the movie.
Both are sometimes laughable in terms of characters and story but are remarkably lovable none the less.
Top-Auswahl
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Details
Box Office
- Budget
- 3.000.000 $ (geschätzt)
- Laufzeit1 Stunde 47 Minuten
- Seitenverhältnis
- 2.35 : 1
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Oberste Lücke
By what name was Giganten am Himmel (1974) officially released in India in English?
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