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Ezra Cobb (Roberts Blossom) loves his mother and is intimated by women. When his mother dies, he still hears her voice and decides to keep her around the house. But he does not want his mother to get lonely and has to get her some new friends...

Blossom is amazing as Ezra Cobb. You can say what you want about this film, but one thing you cannot say is that Blossom is a horrible actor -- he made Cobb come to life and seem as believable as such a character could be. Cobb, being the movie version of Ed Gein, is more or less exactly the way I picture Gein being. Blossom's facial expressions make this whole picture worthwhile.

I would like to commend them for the faithful version of this story. So many people take the Ed Gein story and add all these elements to it or just take a grain of it and run wild (as in "The Texas Chain Saw Massacre" or "Silence of the Lambs"). While not all of this movie is factually what happened in Gein's life, the similarities are quite striking -- right down to the death of the hardware store clerk and the gutting of the woman like a deer.

Although this film is now almost forty years old, almost nothing is lost from the passage of time. In some ways, the film quality really adds to the setting (the story could only take place in the past). Another great feature is the narrator, who enters the story at random intervals to do an overview of the situation. Not only is he great, but watch the camera -- in one scene, the camera leaves Ezra in one room, goes to the narrator, and returns to Ezra in another room, in a seamless fashion (no cuts or edits) and visually showing the passage of time. It is quite well put together.

For a great Gein film, check this out. Whether Tobe Hooper admits to it or not, I do not know, but he owes a debt to this film (much as John Carpenter owes a debt to the late Bob Clark -- who coincidentally produced this). This film is plotted wonderfully, acted wonderfully, and flows wonderfully. With one small detail changed (the plastic looking blood) this would probably be considered a lost classic. Heck, maybe it already should be. (Okay, and maybe we should not be able to read the license plate saying Ontario.)

For a bonus: not only is the legendary Bob Clark an uncredited producer, but Tom Savini worked as a makeup artist for the film's corpses. This was Savini's first film, and the undisputed horror effects master is still going stronger today.

Over the years there have been a number of films, both horror and thriller, that have been inspired by the real-life crimes of the infamous Ed Gein. Yet, this was the first film to be closely based on the real Ed Gein.

Reclusive old man loses his mind after the death of his mother and starts to rob graves. But that's just the beginning of terrors to come.

While In the Light of the Moon (2000) may be the more accurate film for the true story of Gein, Deranged is the most effectively frightening. Deranged is an example of low-budget film making at it's best. It sports a believably dark atmosphere and the feeling of chilling realism. In fact some sequences from this film (especially the midnight 'dinner' scene) are simply unforgettable.

The cast of the film is good, but the real highlight of it all is in it's star Robert Blossoms. Blossoms brings such a genuine believability to his crazed character and at times makes him quite sympathetic! That achievement alone is impressive.

Also of note, this was one of the early films for makeup FX artist Tom Savini and his creations for the film are well-done. Adding even more to the sheer spookiness of this film is it's musical score, which is comprised of religious songs.

While Deranged may not have the fame of other low-budgeters of it's day, it is none the less a masterful horror picture that deserves a place in the history of low-budget horror.

*** 1/2 out of ****

Deranged is an adaptation of the same story that inspired such horror classics as The Texas Chainsaw Massacre, Psycho and Silence of the Lambs, among others. It's the story of deranged psychotic Edward Gein, only in this film the story is a lot closer to how it actually happened than in any of the classics that it influenced. Deranged is a film not for the feint hearted. Shot on an extremely low budget of just two hundred thousand dollars, the directorial team of Jeff Gillen and Alan Ormsby have created one of the most vile and disgusting films that I've ever seen. Subtitled 'Confessions of a Necrophile' for the US market, Deranged tells the story of Ezra Cobb; a simple farm owner who lives with his domineering mother. After her death, Ezra gradually slips into insanity; starting with the unearthing of his yearlong dead mother from the grave. Ezra then decides that she needs patching up, and so embarks on unearthing more bodies for the task. It isn't long, however, before the psychopath is on the rampage for fresher victims...

Deranged goes all out to shock from the outset. The image of Ezra carrying his dead mother into her bedroom is sickening in a way that few movies manage. The amoral attitude of the character adds to this sickness, and ensures that most audience members will be uncomfortable watching this film. Deranged benefits from a superb lead performance courtesy of Roberts Blossom. Blossom does an amazing job of convincing us that he really is the psycho at the centre of the film. Usually in films like this, I am firmly on the side of the killer; not really caring about the victims - but Blossom is so vile in this film that I was actually praying he DIDN'T catch his prey! The film has a short running time, but this time is used excellently on a series of nasty and weird sequences, and the movie never really lets the pace go once it has set itself up. On the whole, this film has gained itself a cult following for a reason. It's certainly not for everyone's taste, and it's not as good as the most famous of the films that the story has influenced - but if you like your cinema to grisly and shocking; Deranged is a film that you should seek out!

Ok, we've seen "Texas Chainsaw Massacure", "Motel Hell" and that other newer film I forgot the name but all are not as good as this one. This movie tells the true story of cannible Ed Gein known in this movie as Ezra Cobb. Ez is a sympathetic character in this movie and I really do feel sorry for him as he takes care of his ailing mother and then she passes away. Ez kidnaps her corpse and sends her home and treats her as if she were alive again. During his state of dementia he finds himself being facinated with embolming bodies, cannibalism and things that are down right gross. This one is one that must be seen for those into real life crimes of the deranged.

I picked up the DVD for "Motel Hell," and -- after getting a few good laughs out of it -- decided to watch the double-feature as well. I expected a cheap, gratuitous exploitation film with no redeeming features. What I got was a surprisingly subdued, well-made, and well-acted film that -- strangely -- had a lot of heart and compassion in it. And it's funny too, but in a down-to-earth manner. You could almost view this as an homage to Ed Gein, as opposed to an expose.

I also got a kick out of the crime reporter who kept on popping up in the scenes, waxing eloquent about "Ezra's" horrible habits, while Ezra himself sits next to the reporter, going about his business.

"Deranged" is a very strange movie, but not in an over-the-top way. It's strange with everyday life: the family who tells Ezra to stop kidding around when he repeatedly talks about committing the well-publicized crimes in the area, the old guy in the bar who talks trash about the state of his withered sex organs, and -- best of all -- the woman who uses her dead husband to seduce Ezra. Speaking of which, this lead to my favourite line in the film, as Ezra describes this woman to his mummified mother: "You were right, momma, she sure is fat! And I like that. But it would be scary to get stuck in all that fat. Real scary. I'd better take something along to protect myself."

As uneven as this movie is, it's got a strange oddball charm, as though the people involved felt they were creating a cross between an enduring work of art and a true-life crime story, but threw in a healthy dose of gore in order to make it more interesting. I'm glad I watched it, and would gladly see it again.