Ein skrupelloser Redakteur versucht, seinen Top-Reporter dazu zu bringen, vor seiner Pensionierung noch über einen weiteren Kriminalbericht zu berichten.Ein skrupelloser Redakteur versucht, seinen Top-Reporter dazu zu bringen, vor seiner Pensionierung noch über einen weiteren Kriminalbericht zu berichten.Ein skrupelloser Redakteur versucht, seinen Top-Reporter dazu zu bringen, vor seiner Pensionierung noch über einen weiteren Kriminalbericht zu berichten.
- Auszeichnungen
- 3 Gewinne & 6 Nominierungen
- Schwartz
- (as Herbert Edelman)
Handlung
WUSSTEST DU SCHON:
- WissenswertesThis version of "The Front Page" was the first to mention the city by name and use actual Chicago newspapers. Billy Wilder felt that Chicago was the most exciting newspaper town in the country.
- PatzerHildy reminds Jenny, the cleaning woman, that he got her husband on The Amateur Hour. Major Bowes' Amateur Hour premiered as a local show in New York in 1934, and on the NBC Network in 1935, six years after this movie was set.
- Zitate
[last lines]
Walter Burns: That train that just left, what's the first stop?
Telegrapher: Gary, Indiana.
Walter Burns: All right. Send a message to the police chief at Gary, Indiana. Tell him to meet the midnight train to Philadelphia and arrest one Hildy Johnson.
Telegrapher: Hildy Johnson?
Walter Burns: Yeah. Son of a bitch stole my watch.
- Crazy CreditsThe closing credits sequence began by scrolling up photos of the major characters, flanked by printed info on what happened to each character. The acting and music credits followed.
- VerbindungenFeatured in AFI Life Achievement Award: A Tribute to Billy Wilder (1986)
- SoundtracksButton Up Your Overcoat
By Buddy G. DeSylva (as B.G. DeSylva), Lew Brown, and Ray Henderson
© 1928 by B.G. DeSylva, Brown & Henderson Inc.
© Renewed Assigned to Chappel & Co., Inc.
Published in U.S.A. by Chappel & Co., Inc. and Anne-Rachel Music Corp.
Performed by Susan Sarandon
A splendid remake of the Ben Hecht , Charles MacArthur play about a scheming managing publisher of a 1920s Chicago newspaper and his incautious reporter. Very good performance from Jack Lemmon as ace journalist who wants to quit the business and get married and exceptional Walter Matthau as editor who finds out his main reporter wants to leave him and gets in the way . Phenomenal playing from everyone , including a top-notch secondary cast as Carol Burnett , Vincent Gardenia , Harold Gould and magnificent direction render this frequent-told story more funny than usual . One of Wilder's most inventive and furious screen combats in which Lemmon and Matthau are given equal footing with staccato dialog and marvelous interpretations . I.A.L. Diamond's brilliantly tart screenplay overlaps dialogue and scenes to carry the black farce along the roller-coasted speed . Certainly the kind of movie that Billy Wilder only can make , though achieved moderated success in 1974 . Meanwhile , do't miss this stunning adaptation.
Other versions about this classic story are the following : 1931 ¨The Front Page¨ by Lewis Milestone with Adolph Menjou , Edward Everett Horton , Mae Clark and Pat O'Brien in his film debut ; ¨His Girl Friday ¨ 1940 by Howard Hawks with Gary Grant , Ralph Bellamy and Rosalind Russell with the pivotal character assigned to a woman instead a man ; ¨Switching channels¨ 1988 by Ted Kotcheff with Kathleen Turner , Christopher Reeve , Ned Beatty and Burt Reynolds in which an attractive TV anchorwoman want to marry tycoon but his mean ex-husband impedes it .
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizieller Standort
- Sprache
- Auch bekannt als
- The Front Page
- Drehorte
- Los Angeles, Kalifornien, USA(Orpheum Theatre)
- Produktionsfirma
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Box Office
- Budget
- 4.000.000 $ (geschätzt)
- Laufzeit1 Stunde 45 Minuten
- Seitenverhältnis
- 2.35 : 1