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Ein Offizier und Gentleman

Originaltitel: An Officer and a Gentleman
  • 1982
  • 16
  • 2 Std. 4 Min.
IMDb-BEWERTUNG
7,1/10
65.803
IHRE BEWERTUNG
BELIEBTHEIT
3.408
290
Richard Gere and Debra Winger in Ein Offizier und Gentleman (1982)
Home Video Trailer from Paramount Home Entertainment
trailer wiedergeben2:07
4 Videos
99+ Fotos
Feel-Good-RomanzeDramaRomanze

Ein junger Mann muss die Navy Officer Candidate School abschließen, um Flieger zu werden. Dabei helfen ihm seine neue Freundin und ein Gunnery Sergeant.Ein junger Mann muss die Navy Officer Candidate School abschließen, um Flieger zu werden. Dabei helfen ihm seine neue Freundin und ein Gunnery Sergeant.Ein junger Mann muss die Navy Officer Candidate School abschließen, um Flieger zu werden. Dabei helfen ihm seine neue Freundin und ein Gunnery Sergeant.

  • Regie
    • Taylor Hackford
  • Drehbuch
    • Douglas Day Stewart
  • Hauptbesetzung
    • Richard Gere
    • Debra Winger
    • David Keith
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    7,1/10
    65.803
    IHRE BEWERTUNG
    BELIEBTHEIT
    3.408
    290
    • Regie
      • Taylor Hackford
    • Drehbuch
      • Douglas Day Stewart
    • Hauptbesetzung
      • Richard Gere
      • Debra Winger
      • David Keith
    • 186Benutzerrezensionen
    • 60Kritische Rezensionen
    • 75Metascore
  • Siehe Produktionsinformationen bei IMDbPro
    • 2 Oscars gewonnen
      • 10 Gewinne & 15 Nominierungen insgesamt

    Videos4

    An Officer And A Gentleman
    Trailer 2:07
    An Officer And A Gentleman
    In Memoriam 2024
    Clip 2:53
    In Memoriam 2024
    In Memoriam 2024
    Clip 2:53
    In Memoriam 2024
    Memorable Military Moments in Film
    Clip 1:27
    Memorable Military Moments in Film
    "This Is Us" Star Chrissy Metz's Top 5 Saddest Movies
    Video 1:35
    "This Is Us" Star Chrissy Metz's Top 5 Saddest Movies

    Fotos250

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    Topbesetzung47

    Ändern
    Richard Gere
    Richard Gere
    • Zack Mayo
    Debra Winger
    Debra Winger
    • Paula Pokrifki
    David Keith
    David Keith
    • Sid Worley
    Robert Loggia
    Robert Loggia
    • Byron Mayo
    Lisa Blount
    Lisa Blount
    • Lynette Pomeroy
    Lisa Eilbacher
    Lisa Eilbacher
    • Casey Seeger
    Louis Gossett Jr.
    Louis Gossett Jr.
    • Sgt. Emil Foley
    Tony Plana
    Tony Plana
    • Emiliano Della Serra
    Harold Sylvester
    Harold Sylvester
    • Perryman
    David Caruso
    David Caruso
    • Topper Daniels
    Victor French
    Victor French
    • Joe Pokrifki
    Grace Zabriskie
    Grace Zabriskie
    • Esther Pokrifki
    Tommy Petersen
    • Young Zack
    Mara Scott-Wood
    • Bunny
    • (as Mara Scott Wood)
    David Greenfield
    • Schneider
    Dennis Rucker
    Dennis Rucker
    • Donny
    Jane Wilbur
    • Nellie Rufferwell
    Buck Welcher
    • Thraxton
    • Director
      • Taylor Hackford
    • Drehbuch
      • Douglas Day Stewart
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen186

    7,165.8K
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    Empfohlene Bewertungen

    10elvismanson

    More true than you might think.

    I went to Navy OCS (for ship drivers, not aviators) a year after this movie came out. A lot of us considered it one of the best movies ever made. Despite the fact that there is some serious license taken with reality, the movie captures the intensity and high stakes of OCS, and how people who barely know each other become bonded so quickly; how the least likely candidates sometimes become the star performers; how some people are changed beyond recognition by the experience. There was never a lack of old hands like Sid's father, telling you you had it easy because of some difference in the rules he didn't enjoy 10 years earlier. DOR is translated by Foley as "drop on request". In 1983, the terminology was DE, which meant dis enroll. I always wondered what happened to the candidates in my class who DE'd. The ones who graduated I kept running into in the fleet, sometimes in places like the Philippines. The most unrealistic thing about the movie was the premise that local girls want to marry officer candidates. Not so in Pensacola or Newport RI, where OCS was in those days. The locals actually called us behind our backs "cockroaches" because we wore all black and had to run away to our barracks by 10 pm. The second most unrealistic thing was the foul language. That comes later, in the fleet, but not in OCS. No we did not have martial arts duels. All in all, however, the essence of the experience, if not the specifics, is found in the movie. One of our marching songs went "left right left right / you HAD a good job and you LEFT / you're RIGHT!" We really did have nowhere else to go. I say 10 stars. The VHS version gets only 8 because of changes to the soundtrack songs.
    Chiron1987

    Engaging and Engrossing Melodramatic Fare

    An Officer and a Gentleman is a well-crafted melodrama set against the back drop of the elite Naval Aviator training facility in upstate Washington. Richard Gere portrays Zachary Mayo, a young man and son of a career sailor who has risen from residing above a house of ill repute in the Philippines to becoming an officer's candidate destined to fly jets.

    Gere is terrific as Mayo, and works incredibly hard to combine the complex emotions of the character with his seemingly, simplistic facade. Gere is supported by a great cast including Debra Winger as the young factory worker who yearns of a better life with Mayo, David Keith as a cadet who's not all that he seems, and the legendary Louis Gossett, Jr. as Gunnery Sgt. Emil Foley, Mayo's adamant and hard-edged drill instructor who remains Zach's total bane of existence. Gossett won a well-deserved Oscar for this role, and he remains the true highlight of this film.

    Some have called An Officer and a Gentlemen out-dated, improbable, and too melodramatic, and perhaps it is all of these. But, it is so entertaining and so enthralling, I find it easily to become enveloped by the picture's story and characters. You want them all to succeed, and you feel for them when they fail. This is the true mark of a truly great film.

    Highly recommended.
    Coxer99

    An Officer and a Gentleman

    Excellent love story about a young man (Gere, in an engaging performance) who dreams of being a Navy jet pilot and a girl (Winger) who wishes to escape the life in a paper mill. The film is strikingly rich, romantic and features stand out performance from Robert Loggia, David Keith and Oscar winner, Gossett, as a brass hearted drill instructor. Director Hackford shows us some old fashioned filmmaking here...and it's damn good.
    Ajtlawyer

    excellent

    This has to be Richard Gere's best movie and the one movie I felt he deserved an Oscar nomination for. I read once that his role of Zach Mayo was first offered to John Denver. It is impossible to think of anyone else in the role which is one indication of how good Gere was. Lou Gossett, Jr. steals the show and gets a deserved Oscar as Gunnery Sergeant Foley. Debra Winger is also delectable as Paula, Zach's working class girlfriend. I had read that Winger had a real problem doing the nude scenes with Gere and felt very uncomfortable being undressed in front of the camera. Supposedly the scene in which she is crying while making love to Zach isn't because she's feeling passion, it is because she is feeling humiliated. The movie also had to snip out a couple of seconds of Winger flexing her hips a bit too much during a bed scene. Still one of the steamiest bed scenes in film history. The most riveting moment of the movie is when Foley is going to kick Zach out of the program and Gere frantically and desperately screams "DON'T YOU DO THAT! I AIN'T GOT NOWHERE ELSE TO GO!" All of Zach's arrogance is drained out of him and he is just a desperate kid begging for the only chance he'll ever have. Powerful moment. In the end, Zach gains maturity. Would you want to fly into combat with Zach Mayo or with Tom Cruise's Maverick in "Top Gun"? Zach Mayo, hands down.
    8Gator1955

    A Few Factual Corrections and a Comment

    First, there is not, and never was, an Aviation Officer Candidate School (AOCS) in Washington state. I would assume it was used because the true locale for AOCS, Pensacola, FL, wasn't suitable for some reason. Officer candidates going to AOCS already have their degrees and are undergoing training, physical and educational, to earn their commission. No, it's not four years like the Naval Academy, but then again, it's not four years of hell at the Academy, as another reviewer attempted to posit. Any officer commissioned through AOCS is an officer just like an academy grad and both, ultimately, can end up with regular commissions vice reserve commissions.

    Next, the training at AOCS was fairly accurately portrayed in the movie. Lots of running, swimming, academics, inspections, etc. all intended to result in the individual becoming part of a team. Another reviewer, obviously not a Republican (LOL), detests this movie just because of his perception that it endorsed the philosophy of the Reagan years. Utter balderdash, of course. What this movie portrays, again fairly accurately, is the growth of a loner into someone who realizes, as Spock so eloquently stated in one of the Star Trek movies, "(t)he needs of the many outweigh the needs, or the wants, of the one or the few." Mayo learns to be part of a team; he learns to care for others and cease being a "user" of people in his life...an example he learned from his father.

    The terminology, during the 80s when I went through AOCS, was still DOR..."Drop On Request." It was an "out" exercised by very few people, mostly because those of us in AOCS were already motivated to come into the Navy and specifically into Naval Aviation. The rigors, as stated previously, are presented fairly accurately although a little melodramatic in places, e.g., the altitude chamber. Never in all my years in the Navy did I see anyone "freak" out in the chamber, which is a required test, along with swim quals, every four years to remain qualified to fly.

    The legend of the "Pensacola Debs" was presented to us early on in AOCS. Yes, there are stories, many of them true, of men meeting their wives while going through training in Penasacola, but I'd wager there's not a higher incidence in P'cola than there is at any military base or college town for that matter. Odd, but you put men and women in the same room and some will pair off, and some will marry and remain together forever. The bar in the film, TJ's, was based on a bar in Penascola named Trader Jon's. Trader had a running deal that if you caught him wearing matching socks, you'd get some prize...can't remember if it was money or drinks. Let's just say, he never paid off as far as I know. Trader died a few years back, but I'm pretty sure some of the stuff from his bar is probably at the Naval Aviation Museum at NAS Pensacola.

    The Drill Instructor portrayal by Louis Gossett is VERY true to life! While they cussed us, screamed at us, pushed us physically and looked for what would "trip" us up, they also, in retrospect, wanted us to succeed. One thing they never did, and would have been severely disciplined for, was hit us, so the fight scene, while improbable, works in the movie. PTing us into the ground, though...you bet they did! This movie works for me because I lived the life both during the AOCS part and during a career in the Navy in aviation. The portrayals are pretty much spot-on and believable. Sure there's dramatic license, but there is in any movie! Anyone who believes Full Metal Jacket tells it "like it is" is delusional; there's plenty of dramatic license there, too. Relax, enjoy the movie. It's about personal growth, love, and sacrifice; all in all good things. Not the best movie ever made, but certainly not the worst!

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    Handlung

    Ändern

    Wusstest du schon

    Ändern
    • Wissenswertes
      Director Taylor Hackford purposely kept Louis Gossett Jr. living in separate quarters from the rest of the cast to further his character's intimidating presence as a drill instructor.
    • Patzer
      Just before the officer candidates take the oath and graduate, a recruit announces, "All officers present." The candidates' swords are up on their shoulders, but in the next shot, the swords are in their scabbards.
    • Zitate

      Foley: You can forget it! You're out!

      Mayo: Don't you do it! Don't! You... I got nowhere else to go! I got nowhere else to g... I got nothin' else.

    • Crazy Credits
      With special thanks to Art Kulman of the Washington State Dept. of Commerce & Economic Development, Fort Worden State Park, Gus Gustafson, Brent Shirley, and the people of Port Townsend, Washington.
    • Alternative Versionen
      NBC cut 6 minutes from this film for its 1986 network television premiere.
    • Verbindungen
      Featured in Sneak Previews: Night Shift/Smash Palace/Xica da Silva/An Officer and a Gentleman (1982)
    • Soundtracks
      Up Where We Belong
      Sung by Joe Cocker and Jennifer Warnes

      Lyric by Will Jennings

      Music by Jack Nitzsche and Buffy Sainte-Marie

      Recording produced by Stewart Levine

    Top-Auswahl

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    Details

    Ändern
    • Erscheinungsdatum
      • 25. März 1983 (Westdeutschland)
    • Herkunftsland
      • Vereinigte Staaten
    • Sprachen
      • Englisch
      • Philippinisch
    • Auch bekannt als
      • Reto al destino
    • Drehorte
      • Fort Worden State Park - 200 Battery Way E, Port Townsend, Washington, USA(Point Wilson Lighthouse where GySgt Foley is conducting "Incentive Training" with Mayo running "rifle drills" on the beach.)
    • Produktionsfirmen
      • Lorimar Film Entertainment
      • Paramount Pictures
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    Box Office

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    • Budget
      • 7.500.000 $ (geschätzt)
    • Bruttoertrag in den USA und Kanada
      • 129.795.554 $
    • Eröffnungswochenende in den USA und in Kanada
      • 3.304.679 $
      • 1. Aug. 1982
    • Weltweiter Bruttoertrag
      • 129.795.890 $
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

    Ändern
    • Laufzeit
      • 2 Std. 4 Min.(124 min)
    • Farbe
      • Color
    • Sound-Mix
      • Mono
    • Seitenverhältnis
      • 1.85 : 1

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