Poltergeist

I left the lights on the night I saw it. Because this does not take place in some classic looking haunted house, with some scary mythology attached to it. This happens in a modern house in a typical suburb. It looked like a house in my neighborhood. That nobody could afford to own at the time because of 18% interest rates in 1982, but that's another story.

It involves a typical family. The wife is a homemaker. The husband sells new houses in the same neighborhood that the family lives in. It must have been a slow work day for him because who could have afforded these houses in 1982 with 18% interest rates? But I digress. There is a teen daughter from some unmentioned first marriage because she only looks 15 years younger or so than Jo Beth Williams who plays the mother. There are two kids age 7 and 6 that belong to the second wife. The youngest, Carol Ann, was born in the house.

So the horror starts with harmless stuff like the kitchen chairs rearranging themselves when you're not looking but escalates quickly. And the movie tag line "It knows what scares you" turns out to be so true. Remember when you were a kid. What scared you? Lightning storms? Big leafless trees that looked like some kind of being with lots of arms? Clown dolls with macabre smiles? It all plays into it.

Stephen Spielberg "ghost" directed this one. You could always tell by the preponderance of wind machines and seemingly meaningless close ups - hallmarks of 80s Spielberg.

The one thing that really dates this - The poltergeist originally gets into the house when the husband falls asleep in front of the TV late at night, the Star Spangled Banner plays, the channel signs off, and then there is no signal. Cue the poltergeist. Today, channels never sign off. There is always some infomercial, with the set dressed like the old CNN Larry King Live show to add credibility, yelling at you how you can have product X for only 19.99 a month. The poor poltergeists of today are trapped listening to this nonsense, waiting for a chance to escape that will never come! Oh the humanity.

It doesn't hit me like it did when it first came out, but it is still good enough with a very shocking ending that it is still worth a a look.

There are two types of "horror" films:There are the scary ones, which is what the word "horror" means in the first place,and then there is the bloody,gory kind.Perhaps the latter kind should be categorized under another name.At any rate,Poltergeist is a good horror film.It goes beyond the idea of typical ghosts in sheets jumping out of nowhere and saying "boo!".Most of the adventure takes place in their world rather than ours,although we cannot see what is going on there.This is a very thrilling movie.It has great special effects and all of the scare elements that make a horror film what it is supposed to be.The clown in the chair at the foot of the boy's bed was a particularly tense moment for me.This is the only movie I went to see 4 times at the theater,partly to watch others' reactions.I have often heard that the film,and it's two sequels,were the victim of some type of curse,as after each film was released,a member of the cast passed away,including Heather O'Rourke,who played Carol Anne, after the 3rd film.She was only 10.Curse? Coincidence? Who knows? I guess anything is possible.All in all,this is one of the best films ever for the horror genre.

Horror films often do not get their do, and the 7.1 rating for Poltergeist shows that this trend will most likely continue. Clearly an influential film by Chainsaw director Tobe Hooper, Poltergeist reached for, and achieved, everything that the earlier Amityville Horror failed to be; namely, scary, credible, and well acted.

Poltergeist, in a nutshell, is a story of suburban California family that discovers the darker side of the American Dream when their youngest daughter, Carol Ann, makes contact with evil spirits through the family television set. "They're here", never fails to send chills down my spine as I recall seeing this film for the first time as a teenager.

Perhaps 10 to 15 more years will finally lend the credibility to this film to finally place it among the classics in modern horror cinema.

Sometimes to judge a film fairly you really need to consider the time at which it was made and what film-making technology existed at that time. This was the first big budget film to really tackle the subject of paranormal investigation, and at the time it was made it was seamless and sleek. It would be easy for people today to put it down for some of the early 1980's effects, but let's flip this perspective around and consider that no CGI what-so-ever was used. But at the same time, "Poltergeist" has a strangely family-friendly vibe. It was directed by Tobe Hooper, but it has the unmistakable fingerprints of producer/writer Steven Spielberg all over it. It focuses on an ordinary, harmless suburban family living their usual lives (their biggest problem is the death of a pet bird), which is suddenly thrown into chaos by outside forces. And unlike most horror movies, there isn't even a lot of violence... well, except for one grotesque hallucination.

Don't expect the usual gore and typical shocks you see in all modern horror films these days, Poltergeist is not about that. With all of the elements of visual effects, sound, acting, directing (Tobe Hooper) and writers (Steven Spielberg) this is one film that achieves everything you want to see in a motion picture. Anyway, Jo Beth Williams and Craig T. Nelson are great in this film. They have real chemistry. You believe they love each other and are a team. The kids are pretty great, too. It's actually quite a thoughtful movie and even has an odd warmth to it. Though there are a few scary moments. The final fifteen minutes are played out to such effect, that one could call it pure horror.

Overall rating: 7 out of 10.

Imagine the archetypal middle class family - mum, dad and three kids - all muddling along nicely in their home next to a graveyard, until things really do start going bump in the night! Doors, chairs and drawers start having minds of their own; the lights come on when it suits them, not you... Well initially, the "Freeling" family think this is just a bit of a giggle - that is until their daughter "Carol Anne" (Heather O'Rourke) disappears and when the paranormal investigators discover she is in an other dimension, only able to communicate via the white noise of the television screen, the battle is truly on to retrieve her from her truly malevolent captors. Zelda Rubinstein is super as the medium "Tangina" and Tone Hooper really does manage to use her character, and that of the little girl - as well as some pretty eery light works to create a suspenseful couple of hours that have you on the edge of the chair. Not, I have to say, because I particularly wanted the child back - I'm a bit with Ian Fleming on that front; but because these evil spirits could easily subsume the whole of humanity! Chilling stuff!