IMDb-BEWERTUNG
3,6/10
389
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuAn ordinary sex-starved teenager and his friends start secretly video recording high school girls and their activity irks the community, as well as their principal.An ordinary sex-starved teenager and his friends start secretly video recording high school girls and their activity irks the community, as well as their principal.An ordinary sex-starved teenager and his friends start secretly video recording high school girls and their activity irks the community, as well as their principal.
C.K. Bibby
- Mr. White
- (as Charles King Bibby)
Mark Alton Rose
- Ricky Schramm
- (as Mark Rose)
Empfohlene Bewertungen
I recently watched Getting It On (1983) on Tubi. The story follows a high school peeping Tom and virgin who stumbles upon video equipment, taking his obsession to the next level. Will his new hobby deepen his fixation, or will it unexpectedly lead him to love?
Written and directed by William Olsen (Southern Belles), the film stars Terry Loughlin (Out of Time), Martin Yost, Heather Kennedy (Leprechaun), and Jeffrey Edmond (Out of the Black & Blue).
This is a by-the-numbers 80s sex comedy in the vein of Porky's, Animal House, and Hardbodies, but without the charm or impact. Everything about it is mediocre at best. While there's the expected nudity, the storyline feels like an excuse to make a movie rather than something with any real substance. The acting is average, the dialogue is uninspired, and the coming-of-age elements are watered down. There's no standout scene that makes it worth watching.
In conclusion, Getting It On is a forgettable 80s sex comedy with far better options available. I'd rate it a 3/10 and recommend skipping it.
Written and directed by William Olsen (Southern Belles), the film stars Terry Loughlin (Out of Time), Martin Yost, Heather Kennedy (Leprechaun), and Jeffrey Edmond (Out of the Black & Blue).
This is a by-the-numbers 80s sex comedy in the vein of Porky's, Animal House, and Hardbodies, but without the charm or impact. Everything about it is mediocre at best. While there's the expected nudity, the storyline feels like an excuse to make a movie rather than something with any real substance. The acting is average, the dialogue is uninspired, and the coming-of-age elements are watered down. There's no standout scene that makes it worth watching.
In conclusion, Getting It On is a forgettable 80s sex comedy with far better options available. I'd rate it a 3/10 and recommend skipping it.
The phrase "so bad, it's good" gets thrown around way too much. A lot of movies like this one are not really THAT bad, and they're certainly not "good" in any sense of the word. But due to their very low-budgets, independent origins, and, yes, some amount of film-making ineptitude, they manage to be kind of, uh, well, different in a kind of interesting way. Although this is called "Getting It On", for instance, the two teen protagonists never do technically get around to really "getting it on". Most of the sex here actually involves the two heroes' balding, middle-age principal who they set up with a hooker, and the principal's sexy daughter who is involved with one of the protagonist's older brother.
The main protagonist, "Alex" (Martin Yost), is a video voyeur who uses early 80's video technology to spy on all the neighbor girls, including the pretty new-girl-next-door (Heather Kennedy) , who he also openly romances at the same time, and who somehow doesn't find his voyeurism the least bit creepy at all. However, when his best friend,"Nick", an orphan who lives with his older brother is in danger of being sent to a juvenile hall (for stealing a porno magazine!), he decides to take action by using his video equipment. In perhaps the weirdest scene in this weird movie, the protagonist, his friend, and the friend's brother--in order to put their crackpot plan into action--sneak into a local community costume party all dressed as Ku Klux KLANSMAN(!) and nobody even NOTICES!! I don't know if this is wry subversive genius or complete ineptitude on the part of the filmmakers, but it sure is different.
Of course, there is a smattering of female nudity involving the principal's daughter, and some neighborhood girls who are having a slumber party that turns into a sexy topless pillow fight (as girls' slumber parties invariably do). The two protagonists also spend a lot of time watching the girls' P.E. class, who wear VERY short gym shorts and seem to do A LOT of stretching. But what I really liked about this movie was it's sheer indie weirdness. I don't mean "indie" in the pretentious modern-day sense--most modern-day "indie" films are actually backed by Hollywood--I mean these old, truly independent exploitation films made by Middle American regional filmmakers who would never come anywhere NEAR legitimate Hollywood, and really had a COMPLETELY different sensibility. Anyway, if you like this movie, also check out another very bizarro early 80's teen comedy called "Incoming Freshman".
The main protagonist, "Alex" (Martin Yost), is a video voyeur who uses early 80's video technology to spy on all the neighbor girls, including the pretty new-girl-next-door (Heather Kennedy) , who he also openly romances at the same time, and who somehow doesn't find his voyeurism the least bit creepy at all. However, when his best friend,"Nick", an orphan who lives with his older brother is in danger of being sent to a juvenile hall (for stealing a porno magazine!), he decides to take action by using his video equipment. In perhaps the weirdest scene in this weird movie, the protagonist, his friend, and the friend's brother--in order to put their crackpot plan into action--sneak into a local community costume party all dressed as Ku Klux KLANSMAN(!) and nobody even NOTICES!! I don't know if this is wry subversive genius or complete ineptitude on the part of the filmmakers, but it sure is different.
Of course, there is a smattering of female nudity involving the principal's daughter, and some neighborhood girls who are having a slumber party that turns into a sexy topless pillow fight (as girls' slumber parties invariably do). The two protagonists also spend a lot of time watching the girls' P.E. class, who wear VERY short gym shorts and seem to do A LOT of stretching. But what I really liked about this movie was it's sheer indie weirdness. I don't mean "indie" in the pretentious modern-day sense--most modern-day "indie" films are actually backed by Hollywood--I mean these old, truly independent exploitation films made by Middle American regional filmmakers who would never come anywhere NEAR legitimate Hollywood, and really had a COMPLETELY different sensibility. Anyway, if you like this movie, also check out another very bizarro early 80's teen comedy called "Incoming Freshman".
Wow is this a bad film,even by T&A standards. Other reviews have said it well...Not funny at all,creepy/sleazy story (this coming from a fan of R rated teen sex comedies),bland acting and ALMOST NO NUDITY. To make things even worse the film is shot poorly and the print is very dark and flat,i'm sure at least partly due to next to zero budget.
Who came up with the brilliant idea to make a T&A comedy about a guy secretly video taping women undressing,and then make it not funny with barely any nudity!?
I am telling you as a T&A connoisseur-avoid this movie at all costs,its a complete waste and there is nothing to see here.The DVD cover is the only thing good about Getting It On.
Who came up with the brilliant idea to make a T&A comedy about a guy secretly video taping women undressing,and then make it not funny with barely any nudity!?
I am telling you as a T&A connoisseur-avoid this movie at all costs,its a complete waste and there is nothing to see here.The DVD cover is the only thing good about Getting It On.
Two high school video nerds use cameras to peep on classmates in their underwear. No hilarity ensues. The cast actually appears to be playing a coming of age sex comedy straight! And (almost) without the sex...
Putting aside the creepy and legally actionable invasion of privacy premise, Mr. William Olsen, if you are trying to make one of the hundred or so no budget 80s teen romps that came out in the wake of Porky's - many direct-to-VHS - start by writing a few JOKES. If your budget is so small that driving to an audio-video store in a borrowed Gremlin counts as an action scene, if the best film stock you can afford has resolution below the quality of a late night infomercial, if your cast has less experience than the theatre department of the local community college, and your cameraman has to use in situ track lighting, you can still get by as long as the viewer has something to laugh at and a few busty co-eds. That's the basic formula. But here we get little of either.
The leaden pace is a hindrance as well. TV sitcoms also lack cinematic flair and are shot on only two or three sets. But any sitcom producer knows that all that is forgivable if you can wring some laughs out of the situation and keep things moving. A little character humour, some insult comedy, a bit of bug-eyed hyperbole, a few classic set up and payoff exchanges, a squirmy situation or two... Throw us SOMETHING. A badumbump joke. A prop gag. A pratfall. Manufacture a laugh and then push things ahead to the next setup.
No sex comedy with this little gratuitous nudity should be this utterly devoid of guffaws too. This is what results from failing at your one job.
Putting aside the creepy and legally actionable invasion of privacy premise, Mr. William Olsen, if you are trying to make one of the hundred or so no budget 80s teen romps that came out in the wake of Porky's - many direct-to-VHS - start by writing a few JOKES. If your budget is so small that driving to an audio-video store in a borrowed Gremlin counts as an action scene, if the best film stock you can afford has resolution below the quality of a late night infomercial, if your cast has less experience than the theatre department of the local community college, and your cameraman has to use in situ track lighting, you can still get by as long as the viewer has something to laugh at and a few busty co-eds. That's the basic formula. But here we get little of either.
The leaden pace is a hindrance as well. TV sitcoms also lack cinematic flair and are shot on only two or three sets. But any sitcom producer knows that all that is forgivable if you can wring some laughs out of the situation and keep things moving. A little character humour, some insult comedy, a bit of bug-eyed hyperbole, a few classic set up and payoff exchanges, a squirmy situation or two... Throw us SOMETHING. A badumbump joke. A prop gag. A pratfall. Manufacture a laugh and then push things ahead to the next setup.
No sex comedy with this little gratuitous nudity should be this utterly devoid of guffaws too. This is what results from failing at your one job.
This was filmed in my neighborhood when I was a Freshman in High School. I was an extra in the school auditorium scene where the "sex tape" is shown, Want to know more, email me. This was originally called 'American Voyeur' when I went to the premiere where the mayor of Hickory, NC gave Olsen a key to the city, with a crowd full of people dressed to the 9's. Then, a coming-of-age flick movie came up on the screen; nice surprise for that crowd.
Wusstest du schon
- WissenswertesThe four main cast members were cast out of New York.
- PatzerBoom microphone shadow visible on wall when the boys are watching the videotape in a room at school.
- Crazy CreditsBarking Dog ......... Probably The Ballingers'
- VerbindungenFeatured in Indie Sex: Teens (2007)
- SoundtracksForever More
(Theme from American Voyeur)
by Carol Veto
Courtesy of Landslide Records, Inc.
Top-Auswahl
Melde dich zum Bewerten an und greife auf die Watchlist für personalisierte Empfehlungen zu.
- How long is Getting It On?Powered by Alexa
Details
Box Office
- Budget
- 220.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 975.414 $
- Eröffnungswochenende in den USA und in Kanada
- 975.414 $
- 21. Aug. 1983
- Weltweiter Bruttoertrag
- 975.414 $
Zu dieser Seite beitragen
Bearbeitung vorschlagen oder fehlenden Inhalt hinzufügen