Im Wendekreis des Kreuzes

Ever since I saw this made-for-TV film when it first aired, and then on video many times, I had wondered about the book on which it is based.

The book is entitled "The Scarlet Pimpernel of the Vatican," by J. P. Gallagher. It is the story of Irish Monsignor Hugh O'Flaherty who was a minor Vatican official during World War II. Right under the noses of Vatican officials who looked the other way, and the German army, he helped smuggle allied soldiers out of Rome to safety in the months before the liberation of Rome. Rome and the Vatican were supposed to be neutral; if the Germans found out that the monsignor was helping the allies, who knows what would have happened.

I was able to find a copy of the book several years ago but have lost it. I do recall though that it had even more incredible stories about how O'Flaherty helped allied soldiers. One of the best (that is not in the movie) was about one American soldier whose appendix burst and he needed it removed. O'Flaherty dressed him as a German soldier, called the German army, they came and took him to their hospital - and O'Flaherty managed to get the soldier out before he even woke up because of the general confusion in the military hospital.

The Scarlett Pimpernel reference, is of course, to the British spy who helped save people from being beheaded during the French Revolution. That's another good book and the movie, with Anthony Andrews and Jane Seymour, are both excellent (though the movie changed the ending...).

I tuned to this by accident one evening on TV when it seemed there was nothing else worth watching and it grabbed my attention for over two hours.

This is the true story of a man whose conscience will not let him stand by while the world goes to hell around him. Gregory Peck plays an O'Flaherty whose quaint 'Oirish' charm hides a cunning and resourceful leader who has to balance the demands of his conscience with his role as an official in the Vatican government.

Pope Pius makes it clear he understands O'Flaherty's motivation while warning him that if he is arrested, the Pope will not compromise Vatican neutrality to save him. The film does its best to restore Pius XII's reputation - he has been called "Hitler's Pope" - but it is unclear how much he knew of, or even condoned, O'Flaherty's activities. O'Flaherty cannot compromise, and continues with his work despite the Gestapo having orders to shoot him on sight if he is found outside the Vatican, and suffering a failed assassination attempt in St Peter's itself.

Christopher Plummer is always worth watching and his performance here is no exception. Shown first as an arrogant man who feels the Nazis now "own Rome... it's ours", we later see that Kappler is at the mercy of this ruthless regime even as he plays his part in it. Finally the only person he can turn to is his arch-enemy from the Vatican. This is a fairly conventional irony, but during the course of the film Plummer also suggests how Kappler is losing his soul to his inhuman work, becoming isolated from his family as he begins to loathe what he is doing. You feel Kappler hates O'Flaherty not simply because of what he does, but because O'Flaherty represents the better part of himself.

I would give the film more stars but it is about 15 minutes too long and becomes rather episodic towards the end. However, it's a great story, well-acted by a strong cast, and can be viewed and enjoyed many times.

This is a pretty good movie. Gregory Peck and Christopher Plummer are strong in the leading roles, but the edge goes to Plummer. Peck's on-again-off-again Irish brogue is distracting, but he makes an acceptable hero. Plummer, on the other hand, is deliciously wicked--charming on the outside, ruthless underneath. Even so, there are occasional glimpses of a less-brutish man; a man who loves his family and wants them to be safe; a man not entirely content with the horrors he has helped to create. So, when Plummer is forced to ask his archenemy for help, we can feel a bit sorry for his shattered pride and can share some of his resulting disillusionment and despair. One of the really wonderful moments in the movie comes at the end. Kappler is asked a question and the camera moves in for a close-up of his face. He doesn't have to say a word--the answer is in his eyes. Fantastic! This inspiring story of heroism and courage is also, ultimately, about forgiveness and about asking ourselves what we would have done. It's an excellent reminder that one should never under-estimate oneself--one good person can do a heck of a lot!

Based on a true story set during World War II in Rome, this made for television movie stars Gregory Peck in yet another fine role,(as if he could ever do a bad one.)The supporting cast is also amazing with fine performances from Christopher Plummer and Sir John Gielgud, with Raf Valone, Vernon Dobchef and Walter Gotell among others.

It is a fast paced history/war/drama/thriller in the mold of such films as "The Third Man," and "The Thirty Nine Steps." The frenetic musical score of Ennio Morricone (The Good, The Bad and The Ugly) helps to keep the pace on the edge of you seat. This is simply some fine film making at its very best, and I highly recommend it, if you have not already had a chance to see it. Just a beautiful film.

There are not too many movies I could say I like but this one was great. The acting is really good from all the actors.. The story was very serious, It is a very tense movie. The Nazi's take over Rome and watch everyone.

Col Kappler, a Nazi is in charge of the base in Rome. He commands his men to put a white painted line near the Vatican where those in the Vatican have to stay behind the line and supposedly his soldiers won't cross it.

Gregory Peck plays a Irish Catholic priest who plays Monsignor Hugh O'Flaherty. He heads a group of people in Italy that hide people in safe houses from the Nazis. Kappler has the priest followed everywhere to see who his friends are and who is hiding the people. O'Flaherty is aware of this and out smarts the soldiers and dresses up in different disguises to meet those in charge of his group.

Col Kappler despises O'Flaherty because the priest defies him in many ways. Kappler has a wife and two kids that live in Rome and are very spoiled. They are the only people Kappler cares about plus getting praised for his military successes.

Kappler and his soldiers have to leave Rome. There are soldiers coming in to get them out. He has failed and wants O'Flaherty to get his family out. Kappler talks about forgiveness and what the priest believes but the priest does not buy his attempts to get him to save his wife and children and tells him off.

This is a very serious part. Gregory Peck plays a man of strength through God, bravery in really tough times, trustworthy, faithful and full of love for his fellow man.

You have to watch it yourself. The end is very good and has some surprising results.