Die Glücksritter

When it comes to great comic films, nobody recalls the magic between Murphy and Aykroyd in Trading Places. In the early 80's Eddie Murphy was considered the funniest black comedian next to Richard Pryor. Dan Aykroyd was one of the all time great cast members of Saturday Night Live. Both actors started on SNL and were ready to make their career in films. Trading Places is an example of a perfect comedy. It is funny yes, but there is so much more. With its story, the acting, and the political, racial, and economical plots in the film add to its greatness. One of the best comedies to come out of the 1980's, it stands as one of Eddie Murphy's best earlier films as well as Aykroyd's performances as a character actor. A wonderful and somewhat good family film. If you're that kind of family that is.

I skimmed over the comments to this movie and was heartened to see that so many people love it like I do. It just doesn't seem to be considered by the mainstream to be in the same league as, say, "Beverly Hills Cop" or "Coming to America" when talking about Eddie Murphy's movies, but the fact is that this is hands down his funniest part ever. And Dan Ackroyd is equally hilarious as the (at first) repulsively elitist Louis Winthorpe III. Add the stellar supporting cast, particularly Don Ameche and Ralph Bellamy as the Dukes, Paul Gleason as the slimy Clarence Beeks, Jamie Lee Curtis as Ophelia, your standard hooker with a heart of gold (rarely done as well as here), and Denholm Elliott as Coleman the butler, and you hit a rich vein of comedy gold.

The plot is a classic farce situation. The Duke brothers, who clearly feel they are above everybody else, make a bet, for one dollar, over whether anybody regardless of breeding can, in the right environment, become an upper-crust gentleman. So as an experiment to see which one is right, they work circumstances so that the rich Louis Winthorpe III is turned into a miserly bum, while they have Billy Ray Valentine (Murphy) take his place. He takes over Louis's job, his house, and his standing in the community. Realistic? Well, no, not really, but this is a farce, so it doesn't really have to be. It is, however, hilarious, which is exactly what a farce should be.

If there's a running theme in this movie, it is duplicity and mistaken identity. People are constantly being mistaken for something they are not, or forced into a situation where they become something they are not. We see this happen not only with the two main characters in the basic plot, but also with Billy Ray pretending to be a Vietnam veteran, then a karate master; Louis, who despite all appearances as a wimp, claims to have stood up to Billy Ray during their earliest encounter in the movie, when he actually hands Billy Ray his suitcase, setting him up for an arrest, when he was not actually trying to steal anything; Ophelia, who for a price pretends to know Louis outside the police station, further besmirching his name; all three plus Coleman, who each dresses up as a different hilarious ethnic character to trick Clarence Beeks; and Beeks, who in a subsequent scene is mistaken for an actual gorilla because he's wearing a costume (Al Franken and Tom Davis as the baggage handlers, marveling over how human the "gorilla" appears, are priceless).

Eventually, Billy Ray finds out what is going on, and gets together with Louis to turn the tables on the Dukes. Ophelia (who has fallen for Louis) and Coleman (who feels guilty and used over his part in the whole ruse) help them out. Do they get their revenge? Watch the movie and find out. It will be well worth your while. This is easily the funniest movie either Ackroyd or Murphy have ever done (its only real competition in this regard is "The Blues Brothers") and to think this was originally meant as a vehicle for Gene Wilder and Richard Pryor is odd, because it's hard to imagine either of them in the parts done so well by Dan Ackroyd and Eddie Murphy. John Landis keeps the pace going at a nice fast speed, and being a native Philadelphian, the locales and opening montage (including a scene of the Rocky statue) are a kick. But of course you'll love this movie even if you're not from Philly.

`Trading Places' is one of the best movies and one of the best comedies that I have had the privilege of viewing and almost every aspect of this movie is done to the highest excellence and the highest quality. I have always considered that some of the most entertaining and enjoyable movies came out during the 1980s and `Trading Places' definitely falls within this category.

Everything is a success with this movie –the high quality of acting from both the main actors and the supporting cast, the wonderful humour and engaging dialogue contained within the script, the development of the plot, the music selection provided for the various scenes and even the atmosphere and scenery contained in the movie. Eddie Murphy and Dan Ackroyd are particularly outstanding in their various roles –and keep the excellent performances up in their reversal of roles. Ralph Bellamy, Don Ameche and Denham Elliot also provide their characters with a great amount of depth and dimension and make what would have already been a wonderful comedy success even more entertaining. The only very minor criticism is that Jamie Lee Curtis is meant to portray a prostitute in this movie. Jamie Lee Curtis is much too high quality of an actress for the role of a prostitute and I think if the emphasis had been on her character's profession it would have weakened her contribution to the movie. But thankfully the writers and producers recognized that she shouldn't be portrayed in a one-dimensional role and her truly wonderful and highly excellent acting abilities shone through during the whole movie.

The script flowed naturally and had an edge to it that made it both entertaining and intriguing. Even though the storyline and outcome was slightly predictable, the scriptwriters succeeded in keeping you interested and keeping you entertained as the sequence of events unfolded. The humour contained in the movie is genuinely entertaining and doesn't sound forced or strained in the same way that it does in some other movies. Dan Ackroyd and Eddie Murphy make a thoroughly wonderful team and I hope they someday consider doing another movie together. I think the 1980s marked the high point of Eddie Murphy's career and this was one of the movies that cemented his reputation as a great comedian.

I couldn't recommend this movie highly enough. A truly great comedy masterpiece and classic.

Murphy and Aykroyd work well off each other. They both know how to deliver the punchlines. Supporting cast helps bring the comedy to fruition. Delightful performances by veterans Don Ameche and Ralph Bellamy knowing how to work with todays young talent.

I couldn't remember much of this movie when I borrowed it from a friend to watch for the second time... I can't have been very old when I first saw this, because there were not much more than one scene that I recognized. Even the title seemed new to me. Furthermore, I don't recall thinking about the film... about what it meant. This contains a lot of sad truth. The scenes of Aykroyd's character going from the peak of America's business life to rock bottom in a disturbingly short amount of time provide food for thought. Landis presents these events without pretense or heavy-handedness... he gives us the facts as they are. No bias. This direct, almost indifferent tone makes it all the more scary... this is the way it is, and that's accepted. The movie also has some insight to prove on racism and greed. Paul Gleason, whom I have only seen in The Breakfast Club(and Not Another Teen Movie, spoofing his character in aforementioned movie) plays a radically different role, yet still shows some of the authority he's famous for as the principal in The Breakfast Club. That was amusing to watch for someone who enjoyed said film so much. Jamie Lee Curtis bares a lot of skin, for those in the audience looking for that. Aykroyd and Murphy are both extraordinary. They get to play with their characters a lot, to great effect. They create so many funny moments, there are simply too many to list or for mere words to do justice; you'll just have to watch the film for itself. If you are a fan of either actor, you won't be disappointed. The language surprised me, with how uncensored it was, compared to today's standards. The plot is interesting, and based on an intelligent idea. The pacing is dynamic. The acting is all top-notch. The humor is mostly good and tasteful, with few but glaringly obvious exceptions(the fate of Beeks being an almost offensive one). The film has more heart than most of its kind... if you watch only one movie of this type, let this be it. I recommend this to fans of the actors and/or director, and people intrigued by the general idea. If you are even considering watching this... take my advice and do so. It is intelligent without being preachy and funny without trying too hard. John Landis has yet again created something big. 8/10