Frankenweenie

Sad, I watched it after watching the remade version. I cannot believe Tim Burton was fired for making this. Yeah, I agree it is too dark for the 80s theme, but it's got matter. A simple, odd story about how far a kid can go to bring back his lovable dog Sparky!

The concept is inventive and Burton has done a stupendous job with both the versions. Music is spooky, screenplay is good and everything gels in this 30 minutes of classic thriller! Watch it before you watch the critically acclaimed 2012 remake!

WATCH OUT FOR: the serious slapstick!

Language: No | Sex: No | Violence: No

I just love this… A classic, immortal story enriched with personal ingeniousness! That's exactly what Tim Burton did here! His jolly little film introduces us to the 10-year-old Victor Frankenstein who can't bear the loss of his beloved dog. A car hit Sparky and Victor doesn't want any other dog to replace him. So, he sews him back in one piece and reanimates him electrically! This short only lasts a good half hour but that's more than enough time for Burton to inject memorable sequences, black humor and a healthy dose of social criticism. Burton mocks the life in small American villages, like he'd do it again later in his classic `Edward Scissorhands'. The director also knows the classic Frankenstein version by heart and terrifically reuses the settings and atmosphere here. Just look at that adorable scene with the miniature windmill near the end! An outstanding short with humor, a bit of tension … and even good acting! Frankenweenie stars Daniel Stern (C.H.U.D) and Shelley Duvall (The Shining). It can be found as an extra feature on the Nightmare Before Christmas Special Edition DVD, for example.

I viewed the stop-motion animated 2012 expanded remake of this first, and this live-action original is much better because its plot is direct, and it's focused on referencing mostly only one monster movie, the 1931 "Frankenstein," although it ends with a poodle with a white-lightning-striped Nefertiti hairdo à la the 1935 sequel. Having seen this, it's now more apparent how much padding unrelated to the pastiche of monster movies is in the 2012 movie: the father pushing his son to play baseball, the parents getting a science teacher fired, the school science competition, the Dutch festival, etc. The movie would've been better without all of that, and this 1984 short film is the proof.

It also doesn't reduce Victor's parents to negligible nincompoops, so it doesn't have the ridiculous message of the 2012 feature that children are smarter than adults. Additionally, professionals like Shelley Duvall and Daniel Stern add credibility to the parts. I don't recall my favorite line from this film being in the 2012 remake, either: "I guess we can't punish Victor for bringing Sparky back from the dead." The windmill scene bothers me in both movies, though; the adults should've and could've ran in there. Thankfully, the 1984 film is also less saccharine than the 2012 one.

The focus on paying homage to one horror film also benefits the plotting. Almost everything in the 1984 version is directed towards it. Dog dies, Victor reanimates dog with household appliances in a scene that otherwise resembles the 1931 film with flashing and spinning gizmos and the spark of life from a lightning bolt, townsfolk react in horror towards the creature and form a mob per usual for Universal's classic horror films, chasing dog and Victor to a fiery windmill climax--in a miniature golf course this time, which is a humorous touch absent from the 2012 version.

The one thing the 2012 one did better was the opening film-within-a-film, as it was a pastiche of the B-picture giant monster movies of the Atomic Age, which the outer movie, then, went on to parody. We don't get that here, although it's likewise pastiche from a young artist just as the outer film of "Frankenweenie" itself is, so the reflexivity to the film and to its director, Tim Burton, still works.

Along with Vincent, this short is featured on the DVD of The Nightmare Before Christmas. Since I first read about it here on IMDb, I've wanted to watch it. It's a delightful little film version of Frankenstein, seen from a child's perspective, and with charm and a sweet sense of humor. You'd be hard pressed to find a film that, whilst remaining somewhat dark, still manages to appeal to the kid in all of us so well. Most anyone can enjoy this. The fact that Burton was fired from Disney for making this kind of film is quite sad. This short displays beyond any doubt that Tim could easily have handled great children's films. The plot is well-written and moves along nicely. The scene of Sparky's demise is almost painful to watch, as it is so easy to see where it's going, how it'll end. But Burton holds us there, keeps us in a position where we can only watch, anticipating what will happen but do nothing. The way the story develops and ends works very well. I shouldn't write it out in detail, as it is far too great to spoil. The acting is solid, with few, if any, performances lacking. The characters are credible, if slightly grotesque at times(a trait Burton brings to most of his projects, be they about the living or otherwise). The writing is very good all-round. The humor is neither cruel nor juvenile... just about everyone can laugh at it. It is at times somewhat dark, though. Not much left to say... I enjoyed this simply shot, fun little movie, a sign of great things to come for Tim Burton. I recommend this to any fans of him and anyone looking to watch alternate re-tellings of the great novel. 7/10

It's hard not to like this film. You'll especially enjoy it if you've seen (a) James Whale's "Frankenstein" and "Bride of Frankenstein," and (b) Tim Burton's "Nightmare Before Christmas."

The plot is basically the Frankenstein legend. The variation is that it's about a little boy whose dog has been hit by a car. The boy raises the dog from the dead a la Frankenstein. Charming complications ensue.

This was Tim Burton's first film, and it's a great harbinger of things to come. Burton was an animator at Disney, but the company thought he was a little too weird and let him go as an animator. This film shows how he would treat children's films, and it's delightful. You'll recognize the art direction, especially in the graveyard, from "Nightmare."

The film does a wonderful job of including nuances from the Whale flicks, from the electrodes on the dog's neck to the resuscitation lab to the brief parody of "Bride."

There's enough scary-ish stuff (slightly more gentle than meeting the Almighty Oz) to keep kids going, and enough recognizable movie riffs and humor to keep adults going. What's not to like?