The Transformer - Sein Hass war stärker als Gefängnismauern

Incarcerated killer learns to transcend existential boundaries and temporarily abscond from his gaol cell, preying on a vast array of glamorous former Hollywood starlets. Detective Foxworth is baffled by the apparent lack of physical evidence, and begins to speculate on a supernatural cause. Aside from an original premise and a great cast of former 60's sexpots (Powers, Lyon, Hill, Sommer and Parrish), with names like 'Bambi' and 'Candy', there's not much right with this tepid mystery.

Mother fixated killer Ashmore does little other than look constipated, perspire and affect intense mind grips, while Foxworth's perplexed expression suggests he's struggling with the concept of the killer's meta-physical abilities. As an audience, it was also a struggle to remain engaged, as the movie laboured from one murder to the next seemingly without selection or purpose. Powers is entirely irrelevant to the plot, a vexatious waste of talent simply for the status her name brings to the dull production. Whatever value the original idea had, it quickly evaporates, the all too brief cameos being the only partially redeeming qualities.

Wasting an attractive cast, "Invisible Strangler" has invisible special effects, paltry production values and incoherent dialogue to match its laborious narrative approach. Female viewers will be less concerned with the bevy of babes on show, and more appalled by the blatant misogyny of the storyline. A disappointing revision of "The Invisible Man" borrows heavily from "Psychic Killer" released a year earlier in 1975, and should have been so much more entertaining.

The Astral Factor is about a psychopath, imprisoned for murdering his mother, who somehow learns how to make himself invisible by studying books while incarcerated in a hospital for the criminally insane. Needless to say, he escapes and goes on a killing spree.

This one begins quite well in all fairness but it soon gets somewhat tedious. The storyline is such a bad basic idea you have to wonder how the likes of it ever got as far as to be given the green light for an actual movie. Well, while it was made as film, it seemingly sat on a shelf for near enough ten years before actually being released. It's really not all that surprising to be perfectly honest. While the story is pretty terrible, it's not really that that is the chief problem. Sometimes bad stories make for good films after all. No the issue is probably that, with very few exceptions, movies about invisible men are almost always terrible. What can be more cinematically tedious than an invisible character? What it does mean though, is there are some very silly murder scenes which I guess could provide some laughs I suppose. But for me the best aspects about this one were the appearances of Elke Sommer and Stephanie Powers. Sommer starred in a few interesting cult films in the 70's and her presence is always welcome, while it was strange to see future 'Hart To Hart' TV star Powers cavorting about with her butt exposed. She played the detective's trophy wife! She does zero housework and spends all his hard earned cash. She and Sommer were at the very least interesting diversions in a film in need of them.

This budget "Boogie Man" film was just that.

I thought this movie was worth watching. Elke Sommer shows some nice cleavage and we get to see Stephanie Powers naked butt. That almost is worth it by itself.

This is definitely midnight movie fare, but I thought it told a story of an invisible stalker that was almost convincing. This movie embodies the flavor of 1970's budget movies. Stephanie Powers is fun as the cops playful girlfriend. Elke Sommer gets to be the drunk mean witch. The ending left something to be desired, as we really don't know what happened to the boogie man.

I think this was worth watching. 6/10

Morrison's supermarkets are currently selling this movie in their bargain DVD bin. I decided to risk picking it up on the off-chance that it might be a forgotten SF classic. It isn't. The print was awful. It looked like it had been fished out of a sewer and then sand-blasted. I gave up trying to watch the film itself as it just seemed so ridiculous. What I could make out of the acting and direction, which wasn't much, brought to mind a bad episode of Prisoner Cell Block H.

Don't take the risk! Learn from my mistake! I had to have a big argument with one of the managers at Morrison's before they would give me my money back.

The Astral Factor contains dialogue that limps its way through the plot. The cast is full of actors I've enjoyed watching on screen for years but none of them managed to get past the wooden interaction of the characters. The dialogue is just that bad. This movie is so stilted in places that it competes with my all time really bad but fun favorite, "The Attack of the Killer Tomatoes."

This one in my opinion is a little bit to bad for casual weeknight watching. Elke Sommers character, however, has the correct idea by only appearing on screen with a drink in her hand. This is good advice for anyone interested in watching this gem on a Saturday night. Heck, with enough scotch and soda and the near nude scenes of Stephanie Powers to help it out; you might like it.