Karate Kid

My love of "The Karate Kid" is limited to the fact that this movie, if it had been in the hands of a more fluorescent director, could have turned out a lot differently from the movie we all know and love from 1984.

Directed by John G. Avildsen (who also did 1976's "Rocky" - another underdog story) and written by Robert Mark Kamen (who would later co-author 2001's "Kiss of the Dragon" with Luc Besson, which starred Jet Li - another example of martial arts in American cinema done right), "The Karate Kid" is by far the best (and frankly, most realistic) incorporation of martial arts into a mainstream American film.

This movie came out the year before I was born, and only through word-of-mouth over the time I was growing up, did I know that "The Karate Kid" even existed. I got to view the film my freshman year in high school as part of a class, but the instructor watered down the experience so much that the movie lost its potency.

Now a few years later, I finally watch the movie without any intrusion from the outside world and I find a truly marvelous picture that's far better than its many stylized contemporaries, i.e. "The Matrix" trilogy, which is the best example of that trend.

Ralph Macchio stars as Daniel LaRusso, a new kid to a picturesque southern California community that looks a lot like something you'd see in a magazine advertisement. Daniel makes the mistake of hitting on Ali (Elisabeth Shue), who unknown to him, is the ex-girlfriend of Johnny Lawrence (William Zabka), and Daniel takes a pretty brutal beating from the martial arts-trained Johnny, that leaves him scarred but with his pride and dignity still in tact.

The number of violent clashes with Johnny and his brutal Cobra Kai martial arts friends continue, until Daniel is saved by Mr. Miyagi (Pat Morita), the karate-trained handyman of his apartment building. Daniel insists on Mr. Miyagi teaching him karate, so that he can compete in an upcoming martial arts tournament; this requires Daniel to undergo some pretty unconventional training - "wax on, wax off; paint fence - side to side" etc. And in return, Daniel learns that there's a lot more to karate than just fighting and the "Old One" shows him that way.

"The Karate Kid" is a true gem of a film that's shamefully underrated. I'm glad that on February 1st of this year, this movie is finally getting the DVD treatment it deserves.

Macchio is convincing as Daniel, bringing a number of wide-ranging emotions to his role that at first may seem quite perfunctory as opposed to being dramatic. The real star of the show (at least in the minds of a number of critics, and the Academy), is Morita as Mr. Miyagi. He brings grace (almost rivaling Bruce Lee) to a role that could have been quite stereotypical, but is still very moving and dramatic.

Of course, what's a movie about karate without the fights? I should note that the action in this movie is very convincing, but is not stylized in any fashion, shape or form. It is very down-to-earth and realistic, and that may of course be a bit of a turn-off to some hardcore fanboys that may watch this movie thinking it'll be something like "The Matrix" (1999) or "Enter the Dragon" (1973).

The fighting here is in its own style and mode of action. A number of the fights are quite brutal, especially in the ones where John Kreese's (Martin Kove) Cobra Kai students are featured, as he frequently trains them the brutal way of "no mercy," which Mr. Miyagi is quick to realize is not the way of karate.

"The Karate Kid" gets a perfect 10/10.

Is there anything more that can be truly said of this inspiring movie? Possibly it is the most unlikely hit movie that has generated a strong faithful following.

I rewatched it after 30 years on the back of falling for the Cobra Kai series, and loved it every bit as much as when I first saw it. I'm much older but find so many new things to relate to and remind myself of in life.

The premise of the film is simple, but it is almost impossible to explain the impact this movie had on a certain young generation on its release. It was its run in the video market that made it the huge success it became, and so much of it has become part of pop culture be it in its quotable lines and simple action.

What made it stand out was that it clearly was the antithesis of all other martial arts movies of the time which were in a boom period on video rental, but they were all muscle bound and flying around at 100mph. The Karate Kid instead centres on peace, life philosophy, defence and self-betterment.

The crux is the central partnership between the central pair of Mr Miyagi and Daniel, which begins as teacher mentoring pupil but develops into a father & surrogate son relationship.

There are so many layers to this film, and the truth is that the karate is really secondary to all. Any action is short, simple and down to earth. The real fights are for the soul, against bullies and personal defeat. For Mr Miyagi it is a reawakening for him, for Daniel it is a journey of self discovery.

The greatest part is the acting. You simply can't take away from either of the two leads, the chemistry between them is just perfect. Pat Morita plays Mr Miyagi almost effortlessly but perfectly as the mentor to a young insecure Daniel, which becomes a father and surrogate son relationship. If anything the relationship helps bring Mr Miyagi out of his shell. For example, we see inside the soul of Mr Miyagi, and some of his inner torment (i.e. loss of wife & child), and Daniel becomes closer to him for it.

Mr Miyagi is the mentor & father all men wish they had. He practices & teaches peace & self-respect with humour & dignity. Something we can all learn from. His dry wit and personal reserve are humbling to see. Winning the tournament against the bullies is secondary, but the personal development is what comes first.

The Oscar nomination for Pat Morita for the role was deserved, and unfortunate not to win it, but his role has left a lasting legacy and is in the hearts of so many. I can only say to him thank you, and also to all who helped put this wonderful touching film together.

Done by the same director as Rocky, this unusual "feel good" movie became a hit in 1984 and generated two sequels before the mania died and the franchise imploded.

I remember the phenomenon from the 80s yet as a "prolific reviewer" for the IMDb now (which, for buffs, is not the same thing as a "Voracious Eater" from the Claymore series) I now see the film differently.

I see a very competently done film that is literally lifted off the ground and carried to the finish line by the extraordinary one-of-a-kind performance from a (then) 50 year old Pat Morita, an actor who essentially spent his entire career doing "asian walkons" and offers us only this one role as a chance to see what he actually could do. Given half a chance.

Macchio and Shue were competent (the former had some momentum from Happy Days/Laverne and Shirley and the latter was beginning a short career as a type of "brat pack" teenage star) but it was Morita who owned the film and kept your interest.

Unfortunately the historical record even on the IMDb does not reflect any of this. Shue actually won an award for a completely forgettable part and Morita not only did not win anything for this film but the only nominations he received were in the "supporting role" category. This is clear "color blindness" on the part of Hollywood. He has almost as much screen time as Macchio (I counted) but because his career was merely bit parts before (and after) this was the prevailing mindset. The film would have failed without him.

As a footnote, I was not able to identify precisely why he was cast in the role, but historically Okinawa has indeed been associated with its own unique brand of martial arts and, in the martial arts world, short stocky older men have long been acknowledged as champions even though in the films of our present era someone of Morita's age or body-type would never even be considered for such a part.

The two sequels were much weaker but the demand for them was great and, when there is money on the table, Hollywood will always oblige.

A lot of posts focus on the 'coming of age' aspect of this movie, but the very overlooked part is the role it played in helping to alleviate many of the stereotypes a very Asian phobic America was after WWII, Korea and Vietnam.

They make a point of showing Miyagi in a US Army Uniform--and a War Hero-- and makes references to detention camps Miyagi's family was sent to (a horribly dark period in American history)...where Miyagi's wife was being sent (pregnant) and where she and his unborn child (son) ultimately die during childbirth. There are also a few scenes in which ethnic slurs are used by rednecks toward Miyagi.

Taking this into light, and taking the fact that Daniel has no father that we know of in this movie, the name Daniel-san (sounds like Daniel-SON) helps demonstrate a father son bond that is overlooked. Much of the conversation between Daniel and Miyagi is about Miyagi's great father in Okinawa, because Miyagi has acquired all this knowledge and wants to share it. Daniel substitutes for the son Miyagi never had and Miyagi substitutes for the father Daniel doesn't have.

"The Karate Kid" is the tale of Daniel Laruso (Ralph Macchio), a young man who, on the heels of his mother's finding a new job, is uprooted from Newark, New Jersey, to the sunny shores of California. Daniel's mother has visions of a new start, a new life with the sky as the limit. Daniel, however, quickly finds that, for him, the West Coast holds nothing but hard times.

With the comforts of his rough, middle-class neighborhood thousands of miles away, Daniel tries to make friends and blend with the well-to-do, upper-class kids in his new home. At first, Daniel seems to do alright but, before long, he crosses paths with Johnny (William Zabka), the tough, rich leader of a group of karate students who attends Daniel's new school. To make matters worse, Johnny is the ex-boyfriend of Ali (Elisabeth Shue), a girl Daniel is pursuing.

Enter Miyagi (Noriyuki "Pat" Morita), an aging handy-man who works at Daniel's apartment building. Struggling for friends and failing to fit in, Daniel finds support in Miyagi. After enduring several beatings at the hands of Johnny and his gang, Daniel comes to learn that Miyagi, in fact, knows karate. Following a vain attempt to speak with Johnny's karate teacher (Martin Kove) about being left alone, Daniel is suddenly entered into the All-Valley Karate Tournament, where he will attempt to win the respect that Johnny and his gang have taken.

As he trains for the karate tournament with Miyagi, Daniel learns invaluable lessons about life and love. And brought to the foreground of this karate story is Daniel's pursuit of Ali, who truly is the single person who gave the new kid a chance.

On many levels, "The Karate Kid" is an uplifting movie. It illustrates how a lonely, out-of-place kid triumphs against the odds, and the movie doesn't need computer-animation or special effects to get its story across. But, for me and anyone who loves '80s movies, the "The Karate Kid" has to be appreciated for its nostalgia trip back to "better times." For that reason alone, this movie is a classic.

I've enjoyed few movies, if any, more than "The Karate Kid." I highly recommend this flick to anyone who loves a touching, uplifting story, or to anyone who simply can't get out of the '80s!!!