Micki + Maude

"Micki + Maude" is a wonderful comedy with a great comic performace by Dudley Moore as a man who has an incredible mess on his hands. Moore plays Rob Salinger, a TV reporter married to Micki (Ann Reinking), an assistant district attorney. Moore is desperate to have a baby but Micki doesn't want kids at the moment because she wants to work at her job so she can become a judge. One day Rob meets Maude (Amy Irving), a cellist he interviews for a report. When Micki goes out of town on business, Rob begins to have a fling with Maude. Then comes the shocking news. Maude announces that she's pregnant! Rob asks her to marry him and that he'll divorce Micki. When Micki gets back in town, Rob meets her for dinner at a restaurant where he plans to break the bad news to her. Then comes even more shocking news. Micki announces that she's pregnant! So what does Rob do now? Easy. He still marries Maude, stays married to Micki, and becomes a bigamist. "Micki + Maude" has lots of big laughs, especially the scenes in the doctors offices and hospital. This is one of director Blake Edwards' best films. The performance by Dudley Moore is a comic tour-de-force. He won a Golden Globe for his work here. Amy Irving and Ann Reinking are terrific too as the women in Moore's life, and there's a great supporting performance by Richard Mulligan (of TV's "Soap" and "Empty Nest") as Moore's boss and best friend who Moore comes to for advice. "Micki + Maude" is a very funny movie for fans of Dudley Moore and Blake Edwards. Only the silly ending keeps this movie from being a "10".

***1/2 (out of four)

I watched with increasing discomfort as the premise of this film started to unfold. My moral compass kept kicking in and I never managed to suspend my disbelief sufficiently to entirely enjoy the film. Dudley Moore plays Rob Salinger very well. Ann Reinking (Micki) and Amy Irving (Maude) play their parts wonderfully too as the situation turns into a farce. I became intrigued to see how the screenwriters might resolve the plot in a socially acceptable way. The story didn't end how I might have guessed; more of a non-ending really. I hope that intrigues you enough to watch it and find out how you react to this movie. It's probably worth watching to learn something about yourself!

"Micki + Maude" is a warm, lovely little comedy, so sweet-natured and appealing that it's hard to resist. We identify completely with Dudley Moore, who honestly loves both his wives; his behavior never seems smug or calculating. He just can't choose between them, because he cares deeply for both of them. And because of that, the movie becomes emotionally involving. Warning: this isn't the kind of comedy that will make you laugh so much you won't be able to take a breath; it's the kind of comedy that will leave you, repeatedly, with a goofy grin on your face.

Dudley Moore is happily married to Anne Reinking who right now doesn't want kids. Dudley meets a sweet woman Amy Irving and before you know it she's pregnant. Dudley decides to plan to leave Anne but guess what she's pregnant too. So Dudley becomes a bigamist. Funny, especially the hospital scene. The ending is kind of lame but this is still a great movie.

Micki+Maude is one of the most satisfying comedies to come out of Hollywood in the 1980's. It is perhaps Blake Edward's last great film, it is also the film in wich Dudley Moore solidified his position as a like-able Romantic Light Comedian worthy of greats like Cary Grant and Jack Lemon. The plot in itself works thanks to a knockout idea, Dudley Moore + 2 wives = Bigamy x Pregnancy. Any theme like that alone would be funny. Handled by one of the all time great American directors, Blake Edwards and starring Cuddly Dudley, it soars. Amy Irving as Micki, and Anne Reinking as Maude are both very enjoyable and frothy charcters, essential to a romantic comedy. One imagines that if he wanted to Edwards could have made this a straight sequel to his hit 10, with Dud reprising his role as George Webber, with Julie Andrews as Micki and Bo Derk as Maude. But Amy Irving and Anne Reinking do just nicely. Michael Le Grand's themes and songs are nice, and the film amounts to a funny and fitting climax. Edwards employs in the fianl scenes lots of Laurel and Hardy imagery and Dud handles this well. Edwards should be proud because not only has he emulated the greatest work of Stan and Ollie with this film, he has created something that in turn will influence generations of Comedy directors. Why on earth this didn't win any Academy Awards i dont know. I can think of an Actor and a Director who thoroughly deserve them.