Großangriff der Zombies

Thank you George A. Romero!! If it wasn't for your zombiefilms like `Night of the Living Dead' and `Dawn of the Dead', we never would have received all these fun Italian rip-offs. Umberto Lenzi was the man responsible for this `Nightmare City'. Lenzi is an enthusiast schlock-director with an unhealthy obsession for blood and guts. Within a period of only two years, he made 3 Italian gore classics including this one, `Eaten Alive' and – top of the bill – the notorious `Cannibal Ferox'. The latter is shocking…this film is just fun! An apocalyptic horror film with non-stop action and an constantly growing army of superzombies! Zombies according to Lenzi are a bit more energetic than usual…They drive cars and use guns! Technically, they're aren't even zombies but radioactively contaminated victims of a nuclear accident. They arrive in an airplane and soon, the whole city is infested.

The make-up effects are so cheap and nasty it almost becomes hilarious. It seems like the zombies' heads are covered in mud and you can almost smell their rotting flesh. Lots of heads are being shot off and multiple throats are being slit…perfect entertainment if you're a horror lover in other words. Don't bother if you're an opinionated horror-hater or an amateur-critic, though. I'll spare you the effort: the script of `Nightmare City' is as weak as they come (with a very disappointing ending) and the acting is atrocious. If you're a diehard horror-freak with a soft spot for Italian cult, however, this will be one of the most pleasing films you'll ever see.

Better known for his jungle cannibal opus "Make Them Die Slowly", Lenzi has here a much more accomplished and entertaining gut muncher.

On an unassuming day, a nuclear scientist is supposed to arrive with important research. His plane breaks flight patterns and lands unannounced. When authorities go to investigate, they find all the people on board are infected with strange kind of radiation poisoning and have turned into violent, cannibalistic zombies. The zombies then begin attacking any and every one in sight; hacking, shooting and eating all they can. Escaping the city is the only hope.

Coming out in 1980, this was pretty late in the cannibal/zombie movie cycle. Fortunately, Lenzi changes up the formula just enough to keep things from being stale. The zombies are are fast, intelligent and have no problem utilizing tools and weapons. Lenzi also ad hears to just enough genre clichés to keep fans happy. There is blood and gore aplenty, random flashes of nudity and some wonderfully cheesy dialogue.

On the technical side, the film is right on par with other films in the same category. Acting ranges from to OK to plain bad, lighting and sound get the job done but never excel, and the writing works well enough to move from point A to point B. One nice element is the pacing, which is refreshingly brisk and free of clutter.

Over all, this is one of the better made and more amusing of the cannibal/zombie films from days gone by. Genre fans should check it out.

7/10

Sure it may seem ridiculous to modern audiences, but it is important to remember this film was made several years before the Geneva Convention outlawed the use of knives and hatchets by zombies, as well as such zombie subterfuge tactics as cutting phone lines and sneaking up on people and choking them with a bit of rope, and the implementation of spear-guns. This is actually all quite historically accurate.

While not to be entirely dismissed as drivel, Lenzi's would-be zombiefest known as NIGHTMARE CITY nonetheless comes off as trying to be too different, too "off-the-beaten-zombie-path", and as result, ends up falling flat in an unsatisfying mix of missed opportunities.

Instead of going with "living dead"-style zombies (i.e. lumbering oafs) Lenzi - against producers wishes who wanted basically a Romero-style-clone - instead argued for and got his wish of the 'zombies' simply being victims of a nuclear radiation accident. All the 'creatures' become supermen of sorts - with heightened strength etc. - not to mention retaining their human faculties of running, driving, being able to fight with weapons etc.

As a result though - pretty much all suspense is thrown out the window, as the movie quickly bogs down into a violent and graphic game of hide and seek. The action is intense (and the blood and gore plentiful) but the 'creatures' or victims simply look like poorly-designed Halloween costume party attendees, who - after realizing they are late for their scheduled gathering - grabbed whatever they could out of their fridge and slapped it on their faces. The result is an unconvincing and inconsistent mess of effects that underwhelms the viewer. Some victims have little makeup, others are nearly indistinguishable under piles of green and red facial clay, (yet ALL sneer menacingly at the camera) and ALL are out for the blood of their next human victim (the creatures need blood to regenerate their cells to keep living. As a result, their victims in turn become creatures as well).

While I applaud Lenzi for at least attempting something different (in an interview on the disk, he explains how he wanted the film to be viewed as an environmental warning etc.) it comes down to the simple fact that the movie ends up failing - the zombies move too fast to be truly creepy and come off as poorly-dressed terrorists from a bad Chuck Norris movie - and basically plays out as a b-level gore bore, weaker on the gore, heavier on the B-bore.

While NIGHTMARE CITY may not be totally rank, let's say ya might wanna drink that milk today - know what I mean?? As in, it smells a little funny - not totally spoiled, but nowhere near fresh-enough to serve to guests. Feelin' lucky??

Recommended for genre completists only.

Despite the atrocious dubbing and the poor makeup effects, this is an extremely enjoyable zombie flick, with a unique "mood" that perhaps only an Italian production like this one could have captured. The mass attack sequences (which must have been great fun to shoot for the people involved, especially the "zombies") are all standouts. (***)