Mord im Spiegel

Highly underrated, this low-key little whodunit manages to bring together two unlikely genres, the English village murder mystery and the catty Hollywood self-satire. While who did do it is not that surprising, the reason why is clever and touching. (Interestingly, the central plot is loosely based on the real-life tragedy that befell Gene Tierney, star of the legendary film noir "Laura.")

The cast of 50's Hollywood icons give very good performances, though, sadly, for most it represents the last really good parts they have had. Hudson is especially good in a bittersweet role. Lansbury is crisp and efficient as Miss Marple and could have made a series of these films had she not found meatier material as another mistress of murder on "Murder, She Wrote."

Indeed, though I adore Margaret Rutherford, I think Lansbury does better by the role of Miss Marple. This is not a great mystery movie, but works very well as light entertainment and as a last hurrah for several fine actors.

Surprisingly faithful adaption of the excellent Christie book adds some campy insults to the story by having Taylor and Novak square off as jealous rivals, but the outcome still carries a mild punch. Lansbury is excellent as Jane and it's nice to see Liz reunited with Hudson after their stint in the 50's on Giant. One of the better all star casts for an Agatha picture, with a nice recreation of St Mary Mead. Makes you feel like you're really in a small English village.

I liked this version of The Mirror Crack'd, and I am fond of the Joan Hickson version too. The Hickson version, it is true, is more faithful to the book, despite its liberties, but on its own merits this film is pretty good. The main merit is the performance of underrated character actress Angela Lansbury; she is terrific as Miss Marple, and Edward Fox does a great job as Inspector Craddock. The supporting cast are fine in their roles, Elizabeth Taylor overdoes Marina Gregg slightly but she plays with gusto, Rock Hudson is suitably subdued as Jason Rudd, and Kim Novak is delightful as Lola. The dialogues between Taylor and Novak are wonderfully witty, and often verging on hysterically funny. The film is beautifully shot, and the locations and costumes are lovely. The music is stunning too. However, the character of Heather Badcock is changed quite considerably here, and why she was changed to a naive village girl I still find perplexing. The film is overlong and has pacing problems, and the final solution was weak compared to how it could have been. On the whole, it is a movie worth seeing, and as I've said, see it for Angela. 7/10 Bethany Cox

How many of us have fantasies about English country villages and cottages therein? This movie will take you directly into such things and your eyes will be delighted with the settings. How cozy it all is - no wonder they call light-hearted mysteries "cozies." I was struck by Angela Lansbury's height. Either she is a tall woman or the ceilings in these adorable cottages are quite low. Angela is Miss Marple, of course, and she begins the flick by demonstrating, at a public screening of a movie murder mystery, how quickly she can solve a complicated crime. Elizabeth Taylor is queenly and is married to the scrumptious Rock Hudson who, although he dallies with a strenuously self-adoring Kim Novak, appears to love her dearly. Edward Fox, a much-enjoyed actor whom I loved in '95's "A Month by the Lake" with Vanessa Redgrave, is so fresh and youthful here! Tony Curtis as the brash producer strikes not one false note - (or else they are all somewhat false as befits his role as wheeler-dealer!) My girlfriends and I may study and duplicate Miss Marple's cottage decor in our own homes after ooh-ing and ahh-ing over the famous sleuth's movie digs! Note: Angela Lansbury proves in this film that she can chop and dice with the best chefs. And she uses a very long, sharp blade, worthy of a Maven of Murder!

They gathered an amazing celebrity cast for this, many of whom were top Hollywood draws in their younger years.

Unfortunately the performances are really inconsistent which takes the shine off things.

Liz Taylor is probably the biggest name and also the most variable. In some scenes she is fantastic, in others she is barely there, with a predilection for delivering her lines under a "beauty light" which I doubt was the director's choice.

Rock Hudson stands out and is the heart of the story. Kim Novak has the funniest lines as Taylor's siren rival. Tony Curtis is good too.

But Angela Lansbury's Jane Marple simply isn't on screen enough, with Edward Fox's wooden police officer doing far too much of the in-person investigation before Miss Marple weaves her magic.

And the reveal, although authentic to the book, is a bit too unexpected to be really satisfying.